Tag: Night Cult Records

New Video: Mayflower Madame Shares Brooding and Anthemic “A Foretold Ecstasy”

Rising Oslo-based post-punk outfit Mayflower Madame — Trond Fagernes (vocals, guitar, bass) and Ola J. Kyrkjeeide (drums) along with Kenneth Eknes (synths), who joins the band in the studio — can trace their origins back to 2011. Their hazy and smoky sound was conceived and inspired by the band’s gritty surroundings: Their first rehearsal space was a desolate, industrial building, which they shared with a local carwash company. After their formation, they quickly recorded a four-track demo, which led to the band being named “Unsigned Band of the Week” on one of Norway’s biggest radio stations.

Shortly after their four-track demo, the band then spent the next few years touring and playing shows across Scandinavia, carefully honing their sound along the way. The band’s full-length debut, 2016’s eight track Observed in a Dream was brooding and icy psych rock rooted in dark romanticism. Based on the success of their full-length debut, the Oslo-based outfit toured across North America and Europe to support the album.

Building upon a growing profile nationally and internationally, the Norwegian band released, the four-song Premonition EP, which they supposed with more touring, including stops across the European festival circuit. Because of the band’s relentless touring they’ve shared stages with an impressive and growing array of artists including Killing Joke, Moon DuoNight BeatsPsychic IllsFroth, The Underground YouthCrocodilesCosmonauts and La Femme.

The Norwegian JOVM mainstays’ sophomore album, 2020’s Prepared for a Nightmare saw the band further developing a blend of psych-noir and post with elements of shoegaze and noise rock — and featured “Vultures” “Swallow” and “Sacred Core,” tracks that to my ears, channeled The Black Angels and Chain of Flowers.

Since the release of Prepared for a Nightmare, the Oslo-based JOVM mainstays have been busy: They spent 2022 touring across the UK and Europe. And last year, they released Prepared for a Nightmare Deluxe, which featured five previously unreleased tracks from the album’s recording sessions while working on new material.

Mayflower Madame’s highly-anticipated third album is slated for release later this year digitally through Norwegian label Night Cult Records, on CD through French label Icy Cold Records and on vinyl through French label Only Lovers Records and British label Up In Her Room. The album was mixed by renowned Italian engineer Maurizio Baggio, who has worked with the likes of The Soft Moon, Boy Harsher and JOVM mainstays The Vacant Lots.

The forthcoming album’s first single “A Foretold Ecstasy” sees the band refining their sound: The song is built around a forceful, motorik-like pulse, atmospheric synths, reverb-drenched shimmering guitar stabs and anthemic hooks and choruses serving as post-punk-inspired soundscape for Trond Fagernes’ yearning and uneasy delivery. The result is a song that simultaneously feels dark, brooding and somehow euphoric.

The band’s Fagernes explains that the song is about “constantly chasing ome elation or intoxicating sensation to relieve one’s inner turmoil, while still being aware that it’s just a passing state followed by an inevitable downfall.”

The accompanying video features a trippy array of images that pulse and undulate with the song’s relentless motorik-like groove.

 

Comprised of Trond Fagernes (vocals, guitar), Rune Øverby (guitar), Petter Gudim Marberg (bass), Ola Jørgen Kyrkjeeide (drums) and live contributions from Kenneth Ekes (synth), Olso, Norway quartet Mayflower Madame specialize in a moody and dark post-punk/darkwave/chillwave sound that immediately brings to mind 4AD Records heyday along with several contemporary bands, including Interpol, JOVM mainstay artists The Harrow and others. And since the 2013 release of their debut EP Into the Haze, the Norwegian quartet have developed a reputation nationally for their live shows; in fact, they’ve played two of their homelands biggest festivals Norwegian Wood and Oya Festival, as well as opening for a number of renowned acts including Crystal Stilts, Night Beats, Moon Duo and JOVM mainstay acts Disappears, Crocodiles and La Femme.

Mayflower Madame’s full-length debut Observed in a Dream was released earlier this year across Europe through Night Cult Records and was released across North America through Custom Made Music earlier this month and the album’s first latest single “Weightless”  consists of a tight motorik groove paired with shimmering guitar chords and Fagernes’ brooding baritone in a song that will further cement the quartet’s growing reputation for moody 4AD Records era post-punk — but in a remarkably hazy and ethereal song.