Currently comprised of founding member Natalie Carol (vocals, guitar) and early lineup member Shawn Morones (guitar, vocals), along with newest members Neil Wogensen (bass, vocals) and Mike DeLuccia (drums), the Los Angeles, CA-based indie rock band Valley Queen can trace their origins back to their formation in 2014. With a handful of singles under their belts, the band quickly saw a growing profile, which resulted in a relentless touring schedule and an increasing amount of time away from home — and although the band found their own magical pocket musically, the strain was too much for original lineup members Morones and Doot, who left the band.
Carol continued onward with a series of session musicians and ringers, and while the band continued to play bigger clubs, the chemistry that Carol had felt and began to depend on was missing, With growing buzz surrounding her and her bandmates, the members of Valley Queen landed a record deal — a dream that many bands desperately wish to achiever; however, Carol recognized that the band was much more than her concentrating on lyrics with session musicians being paid to play and record the material as directed; in fact, Carol wanted the band to be about the chemistry and relationships between the members of the band, all of which helped the band land their record deal in the first place. So before writing and recording the material, which would eventually comprise their Lewis Pesacov-produced full-length debut Supergiant, Carol called Doot, who couldn’t re-join the band; however, Mike DeLuccia joined. Then Carol called Morones, who after a series of lengthy conversations, before decided that re-joining the band would be worth the risks involved.
Interestingly, Pesacov, who has worked with Best Coast, Fool’s Gold, Nikki Lane, FIDLAR and JOVM mainstays The Orielles, continues to cement his reputation for raw production while focusing on the urgency of the album’s material and the musicians performances — and for the band, the album was about the collective whole exploring and creating together. As for the album’s lead single and opening track, Carol says, derive their names from the most massive, luminous, and yet the fastest burning known stars in the universe. “The song ‘Supergiant’ is about how we’re all made up of the same stuff as stars, and I liked the idea of tying the whole album together with that metaphor,” says Carol. “It takes all the drama you hear on the record-the aggressive, chaotic moments, and the more beautiful or quieter moments-and puts it all into a more galactic perspective.” As a result, “Supergiant” has a noticeably cinematic air while possessing elements of 80s New Wave and 70s AM rock in a way that will bring to mind the likes of Heart and Linda Ronstadt, if they were covering Concrete Blonde, or Heartless Bastards covering — well, just about anyone, as the seemingly anachronistic single is centered around Carol’s soulful belting, well-crafted songs and exceptional musicianship.
Directed by Matt Bizer, the incredibly cinematic video for “Supergiant” follows a contemplative Natalie Carol, as she starts her day and meets up with her bandmates, who drive around town while listening to the radio, capturing people with nothing much to really do and nowhere to really go that are longing for something — although they don’t quite know what it is.