Tag: Otis Redding

New Video: The Early Rock and Blues Sounds of Hamilton, Ontario’s Terra Lightfoot

Lightfoot’s sophomore effort Every Time My Mind Runs Wild was released earlier this year through Sonic Unyon Records and as you’ll hear from the album’s bluesy and early rock sounding latest single “All Alone,” the material explodes with a visceral, heartfelt urgency –and that shouldn’t be surprising as thematically the album focuses on the universal (and classic) themes of love, lust, loneliness and temptation; but perhaps more importantly, the album reveals a singer/songwriter, who has grown exponentially. As the Canadian singer/songwriter notes in press notes, she spent time refining, revising and experimenting with her songwriting approach and listening to tons of vintage pop and rock albums from where she picked up on and mastered old-school techniques and concepts — i.e., tonic chords and middle eights — while crafting tighter hooks. Sonically speaking “All Alone” is reminiscent of a bluesy and muscular version of Patsy Cline’s “Crazy” and “Walkin’ After Midnight,”complete with the same heartache at its core paired with Lightfoot’s effortlessly soulful and bluesy powerhouse vocal range. Every single time I’ve heard the single I’ve been blown away by Lightfoot’s vocals and by the ache and resolve they express — frequently within the turn of a phrase.

The recently released music video employs a rather simple concept. Shot while Lightfoot was on tour in the UK, the video features the Canadian singer/songwriter wandering around the Scottish highlands with her guitar, singing the song. A beautiful voice paired with some of the most beautiful scenery you can come across — that works. As the Hamilton, ON-based singer songwriter says about the video “We visited a hidden beach, a cemetery, a bog full of petrified wood, a castle, and finally a dreamy waterfall . . . The Scottish highlands will always hold a piece of my heart and I’m so glad we were able to capture that sense of awe on film.”

 

While most Westerners are most likely familiar with Afrobeat, Malian blues and several other genres that have hit European and American shores since the early 1970s, there’s actually a lesser known genre primarily based in the Western African nations of Togo and Benin called vaudou, named after both the culture and rituals that birthed it; in fact, part of vaudou rituals reportedly involve the use of characteristic lines sung to various divinities that differ wildly from everything one may hear in neighboring cultures. Sadly, many of the genre’s key figures including Poly-Rythmo of Cotonou, Dama Damawuzan, or El Rego have had their popularity confined to crate-digging and groove-obsessed Afro-groove and Afro-funk fans.

 

Lome, Togo-born and Lyon, France– based Peter Solo (lead vocals and guitar) stumbled upon this energetic Afro-funk and found a natural extension between vaudou and the blues, funk and R&B of James Brown, Otis Redding, Wilson Pickett and others. Solo then recruited Vicente Fritis (keys, backing vocals), Ghislain Paillard (sax, percussion and backing vocals), Guillhem Parguel (trombone, percussion, backing vocals), Jeremy Garcia (bass, backing vocals) and Hafid Zouaoui (drums, backing vocals) to complete his band Vaudou Game.

Now, if you’ve been frequenting this site for some time, you’d know that I’m frequently multi-tasking while working on posts and it has lead to the serendipitous discovery of a handful of acts that I’ve written about — including the aforementioned Vaudou Game. Check out “Revolution,” the opening track off the band’s latest effort Kidayu, a single with an infectious and deep groove reminiscent of early 70s James Brown (think of “The Payback”), and Open and Close/Afrodesiac-era Fela Kuti and Pazy and the Black Hippies’ Wa Ho Ha with lyrics sung both in English and one of the local dialects spoken in Togo — while being equally politically charged.

 

If there’s one thing everyone who loves music knows, it’s this: Chris Robinson is the most soulful white guy on the face of the entire planet. Last night, Robinson was Soulive’s special guest for their continuing […]

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As a blogger, I receive a ton of emails from PR folks, labels and even artists themselves. Professionally, it’s almost expected for us to be – well, jaded. But occasionally, you get an email and […]