Now, over the course of this site’s seven-year history, I’ve personally spilled quite a bit of virtual ink about Brooklyn-based shoegazers and JOVM mainstay act Dead Leaf Echo, and over that period of time, the band has developed a reputation for being prolific — 2013’s full-length debut, Thought and Language found the band establishing a sound that owed a debt to 4AD Records-era shoegaze. Since then, their follow up efforts-2014’s true.deep.sleeper EP, 2015’s split EP with die you die, the “Lemonheart“/”sparks.fly.from.a.kiss” 7 inch and this year’s Strawberry Skin EP found the band cementing their reputation for crafting shimmering shoegaze-like rock while simultaneously nodding at RIDE, Swervedriver, The Verve and Slowdive and The Jesus and Mary Chain.
Strawberry Skin EP found the band continuing their ongoing collaboration with producer Monte Vallier, who has worked with Weekend and Wax Idols, as well as contributions from singer/songwriter, multi-instrumentalist and producer Jorge Elbrecht, who was a founding member of Violens and is currently in No Joy and Ariel Pink’s backing band, and Guy Fixsen, who has worked with My Bloody Valentine and Wire, among a lengthy and impressive list of artists. And while further cementing their long-held reputation for crafting shimmering and anthemic shoegaze with a swooning and plaintive urgency, the EP’s title track found the band gently expanding upon their sound, adding an abrasive and muscular quality underneath.
The band’s long-anticipated full-length effort Beyond.Desire is slated for an October 13, 2017 release through PaperCup Music, and the album’s first official single, “Temple,” thematically finds the band focusing on the process of maturation and growth beyond animal lust and physical need — with the single being an urgent and swooning declaration of love and devotion while sonically, furthering their reputation for crafting a shimmering and layered guitar-based sound, compete with an anthemic hook.
“Sunlessoul,” Beyond.Desire‘s second and latest single finds the band going the Morrissey route as they ironically pair an upbeat and rousing melody with lyrics that focus on loneliness and some of the other darker parts of the human condition. Sonically however, the song will further cement the band’s long-held reputation for shimmering and anthemic shoegaze, complete with a swooning Romanticism.
The band is currently on our to build up buzz for the new album, then to officially support it and it includes an October 13, 2017 stop at The Knitting Factory. Check out tour dates below.
10.13: Brooklyn, NY @ Knitting Factory (record release party)
10.27: Cleveland, OH @ Beachland Ballroom
11.2: Barnsville, OH @ Albert S George Youth Center
11.3: Chicago, IL @ Quenchers
11.4: Kalamazoo, MI @ Bell’s Brewery
11.5 Milwaukee, WI
11.7 Salt Lake City, UT @ Diabolical Records
11.8 San Fransisco, CA @ The Knockout
11.9: San Jose, CA @ TBA
11.10: San Diego, CA @ Whistle Stop
11.12: Los Angeles, CA @ Part Time Punks