Tag: Pharrell Williams

New Video: JOVM Mainstay Thundercat Returns with Sunny and Redemptive Visuals for Collaborative Single with Michael McDonald and Kenny Loggins

Now, if you’ve been frequenting this site over the course of the past couple of years, you’ve likely been made familiar with the he critically applauded  bassist, vocalist and JOVM mainstay Stephen “Thundercat” Bruner, and as you may recall, within the past three years or so, Bruner has been remarkably prolific as he’s made attention-grabbing guest appearances contributing his imitable bass and vocals to Kendrick Lamar’s Grammy Award-winning To Pimp A Butterfly and Brainfeeder Records labelmate, Kamasi Washington’s The Epic. Bruner followed that up by releasing what arguably best may have been one of the best releases of 2015, The Beyond/Where Giants Roam. 

Last year, Bruner teased us with some more new material, including “Bus In These Streets,” a comedic and playful ode to our reliance and dependence on technology in which Bruner collaborated with the renowned producer, beatmaker, electronic music artist and filmmaker Flying Lotus contributing programming and Louis Cole contributing keys and programming. And as you know, Bruner’s third, full-length album Drunk was released earlier this year, and the album was written as a journey deep into the bizarre, hilarious and sometimes very dark mind of its creator, who collaborated with an impressive array of friends and guests including the aforementioned Kamasi Washington and Kendrick Lamar, along with a few other folks you may have heard of, like Wiz Khalifa, Pharrell Williams, Michael McDonald and Kenny Loggins. 

Drunk’s first official single “Show You The Way”is a smooth and soulfully jazz-like pop track in which arpeggiated synths, stuttering drum programming and Bruner’s dexterous bass lines serve as a shimmering and silky bed over which Bruner, Kenny Loggins and Micheal Donald trade soulful vocals to create a song that feels like a polished and effortless synthesis of Michael McDonald’s “I Keep Forgettin’ (Every Time You’re Near)” and Bruner’s signature funky, retro-futuristic jazz fusion.

Directed by Katarzyna Sawicka and Carlos Lopez Estrada, the recently released music video for “Show You The Way,” follows the characters and the storyline the directors began with the surreal and darkly comic visuals they created in “Them Changes,”  and while that video ended in a grim note with an armless and heartbroken protagonist, “Show You The Way” is a sunny contrast, offering a semblance of redemption, healing and love for our armless protagonist.  

 

With the release of their first two singles a cover of Pharrell Williams‘ “Frontin‘” and their Amin Payne-produced debut single “Love Trick,” the Melbourne, Australia-based R&B/Future Soul act La Hazel, comprised of Lucas Miller, Matty Lansdown, Tim Chambers and Anand Sivamalai quickly received attention nationally and elsewhere; in fact, with the release of their cover of “Frontin’,” the Melbourne-based Future Soul act built an online following and played with a number of local acts including Blasko, Zil, 1/6, SO.Crates, Tino, Aaron Creigh, Tail Sing, Noti, Class A and others. Along with that they were included on an international line up of up-and-coming hip-hop acts that included Canada’s Xolisa, New Zealand’s Raiza Biza, and American acts A1 Krashn and Paco while the acts were on tour in Australia. Their official debut, “Love Trick” quickly racked up 30,000 views within the first four weeks of its release on Facebook.

Building upon a growing profile, the Melbourne, Australia-based Future Soul act recently released their second and latest single “Begging” is a slinky and sultry bit of synth-based funk that interestingly enough reminds me of Melbourne, Australia-born, Brooklyn-based Nick Murphy, fka Chet Faker — with hints at D’Angelo, The Roots, Dam-Funk and others, but with rousingly anthemic hooks; but under-pinning the song is an irresistible, yet frustrated carnal need. 

Live Footage: Thundercat feat. Michael McDonald and Kenny Loggins Performing “Show You The Way” on “The Tonight Show”

Now, if you’ve been frequenting this site for some time, you’d recall that the past two years or so have been both incredibly productive and prolific for the critically applauded  bassist, vocalist and JOVM mainstay Stephen “Thundercat” Bruner. He made guest appearances contributing bass and/or vocals to Kendrick Lamar‘s Grammy Award-winning To Pimp A Butterfly and  Brainfeeder Records labelmate, Kamasi Washington’s The Epic, and he followed that up by releasing what arguably may have been one of 2015’s best albums The Beyond/Where Giants Roam, an effort that I think further cemented his reputation as a dexterous bassist, who carefully walks a tightrope between jazz fusion, contemporary jazz and funk in a way that’s reminiscent of the late and great Jaco Pastorius — but while nodding at Stevie Wonder’s 70s and early 80s output, as it possessed a retro-futuristic sound. 

Last year, I wrote about “Bus In These Streets,” the first bit of music from the renowned bassist and vocalist in over a year, and the single was a comedic and playful ode to our reliance and dependence on technology in which Thundercat’s dexterous and sinuous bass lines with Louis Cole (keys, drums and programming) contributing shimmering and twinkling keys and propulsive drum programming and frequent collaborator Flying Lotus contributing more programming and editing in a song that evokes a dreamy, distracted self-absorption as the song’s narrator spends their time staring at their smartphone, not noticing the world pass him by — or the inherent danger he might be walking into as he stupidly stares into his phone.

Bruner’s third, full-length effort Drunk was released earlier this year and the album is reportedly an epic journey into the bizarre, hilarious and sometimes very dark mind of the singer/songwriter and bassist, and the effort find Bruner collaborating with an All-Star list of guests and friends including Kamasi Washington,  Kendrick Lamar, Wiz Khalifa, Pharrell Williams, Michael McDonald and Kenny Loggins. While the album will feature fan favorites “Bus In These Streets” and “Them Changes,”  Drunk‘s first official single “Show You The Way” is a sleek and soulfully jazzy track in which shimmering arpeggio cascades of synths, stuttering drums, and Bruner’s imitable bass lines are paired in an incredible collaboration that features Bruner’s sultry falsetto with the imitable vocals of Kenny Loggins and Micheal McDonald. Sonically speaking the song is an uncanny synthesis of Michael McDonald’s “I Keep Forgettin’ (Every Time You’re Near)” and Bruner’s signature funky, retro-futuristic jazz fusion.

So how did such a high-powered collaboration come about? Thundercat has publicly mentioned his love of Loggins and his work during interviews to promote both The Beyond and the tour for the album — and it lead to his keyboardist Dennis Hamm introducing Bruner to Loggins. According to both Bruner and Hamm, Loggins then suggested bringing in Michael McDonald on the track. And as Bruner adds in press notes “I think one of the most beautiful moments of it was realizing how amazing Michael McDonald was. He would go through so many ideas and have so much to offer.” As for the song, Bruner says “That song to me is about going down the rabbit hole, taking you to another place . . . On the edge of dark, there’s the brightest light. It means a lot to me in the sense of . . .the experience that I’ve had growing up with friends and people that I’ve been around where it’s inventing them into where I come from emotionally. Sometimes it’s a pretty intense thing. The point is how weird things can get. ”

New Video: FYUTCH’s Hilarious Action Movie-based Take on Rejection

Harold Simmons II is a Gary, IN-born, New York-based (by way of a lengthy stint in Nashville, TN), emcee, singer/songwriter, multi-instrumentalist and producer, who writes and records as FYUTCH (pronounced Fi-yoo-tch). Simmons can trace the origins of his musical and performing career to when he initially began to receive attention as a public speaker, who had given speeches at a number of impressive and major public events — including Gary’s Mayor Scott L. King’s campaign banquet and on the steps of Congress. When he turned 17, Simmons formed Legendary Biscuits and Gravy a band in which he played alto sax and contributed vocals with friends, Eric Sexton (keyboard), Brandon Holt (drums), Wesley Winfrey (tenor sax) and Brady Surface (bass). The quintet received regional acclaim as they were nominated for Southern Entertainment Awards’ Best Indy R&B Artist of the Year in 2007. And over the subsequent two year period, the band saw a rapidly growing profile as they’ve been on bills that included nationally and internationally recognized artists including The Pink Spiders, Sam and Ruby, as well as opening for Kanye West, GZA and Nappy Roots.

Simmons relocated to Nashville and while using the moniker Future the Artist, Simmons released his self-produced solo debut The Sci Fly EP, which garnered a Nashville Music Award nomination for Best Urban Recording of the Year, which he followed up with his Overnight Mixtape series in which he wrote and recorded six mixtapes — with each mixtape being recorded during an overnight studio session and then released as a free download the next day. The mixtapes caught the attention of renowned site, Nashville Scene, who praised Simmons’ work; in fact, thanks to the growing attention he received, the fourth mixtape of the series found Simmons collaborating with the likes of Bun B and GLC. Additionally, as a solo artist, he has opened for Wale, Pharrell Williams, Little Brother and Afroman.

By late 2012, Simmons changed his name to FYUTCH after discovering that there was another artist who also went by the name Future, who was receiving quite a bit of attention nationally — and internationally. And since changing his performing moniker, Simmons has released several efforts including Mr. Flattop, which was executive produced by DJ Rob “Sir” Lazenby and featured guest spots from Mike Stud, Futuristic, Mello Rello, Whitney Coleman and production by G-Pop, Wick-it the Instigator and The FANS; a psychedelic hip-hop concept EP Peace, Love and FYUTCH which was produced by G-Pop and featured deeply obscure samples and world music percussion. Interestingly, “Funked Up,” the first single off his Philosophy of Love EP was produced by Solar Shield — and the single is a Dam-Funk/Thundercat retro-futuristic -leaning jam featuring shimmering, arpeggio synths and wobbling low end paired with Simmons rhyming and singing a hilarious and very true tale about approaching an attractive woman, who’s been attracted to for some time or has noticed for a little bit and being cruelly rejected for his efforts. On one level, the song is about having the blind courage to risk being made a fool of and being rejected; on another level, the song is a tell off to someone, who in the narrator’s eyes doesn’t see what kind of man he is; but also, the song can be viewed as an admission of how stupid and vulnerable love can make us. And Simmons does all of this in a slick and funky as hell, dance-floor friendly song.

Filmed by Wesley Crutcher, the recently released video for “Funked Up,” is a mischievous take on action movies — in particular, movies like Jumper in which the main character travels through time; in this case, the future FYUTCH winds up traveling through time to see a younger FYUTCH get rejected by one of his first love interests, while the older FYUTCH gets rejected by a love interest, who was sitting near the younger FYUTCH. Trippy, right? But at the same time, it’s goofy and hilarious take on rejection.

 

Now if you’ve been frequenting this site for a while, you’d know that the past couple of years have been incredibly productive and prolific for the critically applauded and renowned bassist, vocalist and JOVM mainstay artist Stephen “Thundercat” Bruner as he made guest appearances on two critically and commercially successful albums  — Kendrick Lamar‘s Grammy Award-winning album, To Pimp A Butterfly and  Brainfeeder Records labelmate, Kamasi Washington’s The Epic, and arguably one of of 2015’s best albums, The Beyond/Where the Giants Roam, an effort which further cemented Bruner’s reputation for being  a dexterous bassist and mischievous songwriter, as the material off that album possessed a retro-futuristic sound that nodded at Steve Wonder‘s legendary 1970s output, complete with wobbling and propulsive bass lines, arpeggio synths and Bruner’s sultry and plaintive falsetto.

Bruner’s third, full-length effort Drunk is slated for a February 24, 2017 release through Brainfeeder and the album will be an epic 23 track journey into the bizarre, hilarious and sometimes dark mind of the singer/songwriter and bassist — and the effort finds him collaborating with an All-Star list of collaborators including frequent collaborators and friends Kamasi Washington, Kendrick Lamar, Wiz Khalifa and Pharrell Williams, along with Michael McDonald and Kenny Loggins. While the album will feature fan favorites “Bus In These Streets” and “Them Changes,” one of my favorite tracks off The Beyond/Where The Giants RoamDrunk’s first single “Show You The Way” was a soulful, 1970s jazz fusion-leaning track in which shimmering arpeggio synth lines, stuttering drums, Bruner’s incredible bass work and sultry falsetto with the legendary vocal work of Kenny Loggins and Michael McDonald that interestingly enough reminded me of  Michael McDonald’s “I Keep Forgettin’ (Every Time You’re Near).”

Although Valentine’s Day has passed, Drunk‘s latest single is an Anti-Valentine’s Day anthem in which the song’s narrator complains about a love interest, who has not only friend zoned him, but continually plays games with him and his feelings. And throughout the song, the song’s narrator builds up the courage to tell the object of his attention that he’s had enough of having his emotions and heart fucked with — and instead of being friend zoned by an asshole, he would be better off by himself. Sonically, the song continues along a similar vein of the album’s preceding single as shimmering, arpeggio synth lines, a wobbling and propulsive bass line and four-on-the-floor drums paired with Bruner’s dreamy falsetto; however, unlike “Show You The Way,” “Friend Zone” is full of the bitter recriminations and frustrations of cruelly unrequited love.

 

 

 

 

 

 

 

 

Comprised of Jillian Hervey (vocals) and Lucas Goodman, a.k.a. Astro Raw (production), the New York-based neo-soul/R&B duo Lion Babe received a growing national and international profile with the release of their full-length debut Begin, which featured the duo collaborating with Pharrell Williams and Childish Gambino,  and standout, blogosphere dominating singles “Treat Me Like Fire” and their collaboration with the aforementioned Childish Gambino, “Jump Hi,” the Sun Joint Mixtape, the duo’s first headlining tour and a number of festival appearances — including at Glastonbury Festival.

The duo will be releasing a new EP sometime this spring and it’ll feature the duo’s latest single “Rockets,” a collaboration with Moe Moks that features the duo doing their thing over a swaggering yet minimalist, neo-soul production featuring what sound like twinkling vibraphone, tweeter and woofer rocking beats — that nods at Erykah Badu, Jill Scott but with a bracingly chilly, cosmic glow. And as the duo explained to the folks at Noisey, the song is about creating “good times in a crazy world.”  Certainly, we could use some of that in our lives, eh?

Preview: Full Moon Festival 

Matte Projects is a creative production company that focuses on the conception, production and promotion of music-related events, perhaps more famously known here in New York for creating the Full Moon Festival six years ago, a carefully curated festival and dance party, largely inspired by Thailand’s world-renowned full moon parties. And although it’s been a couple of years since JOVM has covered the Full Moon Festival, its sixth year marks a return to Governor’s Island for two days of partying, art installations, and dancing from early afternoon to late in the night with one of the most enviably gorgeous views of Lower Manhattan and the Statue of Liberty around – and under this month’s blue moon, no less.

Culinary Delights

Although I’m a music blogger and journalist first and foremost, I fucking love food – I mean, who doesn’t right? – and when I covered the festival back in 2014, one of the best food highlights was The Brooklyn Star’s fried chicken waffle cone. Picture a waffle cone stuffed with popcorn fried chicken on top, mashed potatoes and coleslaw and topped with your choice of honey sriracha sauce (which was frankly the best thing I’ve ever had) or a ranch-based sauce.

 

Two years later and I’m still talking about it; that’s how fucking good it was – and I might kill someone to have another one.


(Photo Caption: Brooklyn’s fried chicken waffle cone may be the reason the terrorists hate us. And the person who came up with it is a genius.)

This year will continue the festival’s reputation for culinary delight as Matcha Bar, Mile End, Best Pizza, Pokito, Pig and Khao, Clean Shave Ice and Chalk Point Kitchen will all host pop-up stands throughout the festival. I’m starting to salivate over the possibility of some pork belly Adobo, pastrami sandwiches, pizza – well, all the food, really. And whatever weight you put on, you can sweat it off dancing all night.

Music

Full Moon Festival’s sixth edition may arguably have one of the most musically diverse lineups in its history and some of the must see sets will include the following:

Day 1, August 20, 2016

Led by its creative mastermind, producer and electronic music artist Aaron Jerome, SBTRKT (pronounced as “Subtract”) has developed an internationally renowned reputation for remixing the work of M.I.A., Radiohead, Modeselektor, Basement Jaxx, Mark Ronson and Underworld, and for releasing two critically applauded full-length albums, a few EPs and a number of singles – all of which have either received airplay or have been playlisted by BBC Radio 1 and BBC Radio 6. Interestingly, throughout his recording and performing career Jerome has preferred to be as anonymous as humanly possible and during live shows he’s been known to perform wearing modern interpretations of native and indigenous society ceremonial masks designed by A Hidden Place, as well as performing with frequent collaborator Sampha.

Earlier this year, Jerome announced a new project that he described as a “non album,” a collection of songs specifically designed to be an ongoing listening experience, while bringing new music to fans in a faster fashion than the traditional album cycle.

Born Terrence Thornton, Norfolk, VA-based emcee Pusha T is perhaps best known as one-half of critically applauded and commercially successful hip-hop duo Clipse, with his brother Gene “No Malice” Thornton. And with the help of their friend, Norfolk, VA-born producer, multi-instrumentalist and eventual mega-hit artist Pharrell Williams, the duo quickly exploded into the national scene with the release of their 1997 full-length debut Exclusive Audio Footage. And as a result, Pusha T has made a number of guest spots over the years including on Kelis’ “Good Stuff,” Nivea’s “Run Away (I Wanna Be With You),” all while recording three more albums as a member of Clipse, including the duo’s critically applauded and commercially successful third album Hell Hath No Fury. After the duo’s fourth album, they announced that Clipse would be on hiatus while each individual member would pursue solo projects and other creative endeavors.

In 2010 Pusha T was signed to Kanye West’s GOOD Music and made guest appearances on a number of labelmates’ releases including “Runaway” off West’s My Beautiful Dark Twisted Fantasy and West’s GOOD Fridays singles series and as a solo artist Thornton has collaborated with an increasingly lengthy list of artists and producers including Swizz Beatz’s Monster Mondays series, Lloyd BanksH.F.M. 2 (Hunger For More 2), Future, Tyler the Creator, Jay Z and others. Interestingly, over the last few years Thornton has been incredibly prolific, releasing a handful of mixtapes and his solo debut, My Name Is My Name. Adding to a growing profile, last year Kanye West personally appointed Pusha T to take over the reins at GOOD Music. And we should be expecting a full-length in the near future.

Born Nkosinathi Maphumulo, the internationally acclaimed,  eThekwini, South Africa-born and Johannesburg, South Africa-based producer and DJ Black Coffee can trace the origins of his recording and performing career to when he majored in Jazz Studies at Technikon Natal. While as a student there, he worked as a backup singer for Madale Kunene before forming an Afro-pop act S.H.A.N.A (short for Simply Hot and Naturally African) with classmates Mnqobi Mdabe (Shota) and Thandukwazi Sikhosana (Demor). The somewhat short lived act was signed to Melt 2000; however, his DJ and production career explored when he was selected as one of two South African participants during 2003’s Red Bull Music Academy – and with an increased buzz around him, he released “Happiness,” which was featured on the DJs at Work compilation; in fact, by the release of his sophomore effort, Have Another One, Black Coffee had become a household name in South African electronic circles for a propulsive, forceful tribal sound and for putting on locally-based artists and producers, all of whom have started to receive attention across Africa, Europe and elsewhere.

Adding to a rapidly growing international profile, Black Coffee has played at some of the world’s biggest and most renowned clubs and stages including Southport Weekender, Panorama Bar, Circo Loco and Boiler Room and has made appearnaces at a number of music festivals including SummerStage, ADE and Red Bull Music Academy in his hometown of Johannesburg, Coachella, Ultra Music Fesitval and others. I’ve seen the brother do his thing live and he’s arguably one of the best electronic music arists, producers and DJs in the entire world. And as much as I want to see some of the other acts on the bill – i.e., Marcus Marr, Santigold and others – I think that Black Coffee may well be worth the price of admission.

Day 2, August 21, 2016

Largely influenced by James Brown, Aretha Franklin, Devo, reggae, Fela Kuti and a ton of Nigerian music, Philadelphia, PA-born singer/songwriter and producer Santi White is best known under the monikers Santogold (which she performed under between 2003-2009) and Santigold has throughout the course of three full-length albums Santogold, Master of My Make-Believe and her most recent effort, 99¢ has developed a reputation for a sound that has at times been compared favorably to the likes of M.I.A. as her work sonically manages to blur, mesh and completely destroy genre lines as you’ll hear elements of techno, house music, dub, reggae, alt rock and others while ironically commenting on our sociopolitical zeitgeist. Interesting, as the result of a growing national and international profile, White has collaborated with an equally impressive list of artists and producers including Diplo, Jonnie “Most” Davis, Yeah Yeah YeahsKaren O., Switch, Q-Tip, TV on the Radio’s Dave Sitek, has opened for the likes of Jay Z and Kanye West during their co-headlining tour, Beastie Boys, Red Hot Chili Peppers, the aforementioned M.I.A., Bjork and has a number of singles make prominent appearances in ad campaigns, including a 2013 campaign for Honda Civic among others.

Comprised of Matthew Correia (drums), Spencer Dunham (bass), Miles Michaud (vocals, guitar) and Pedrum Siadatian (guitar), Los Angeles-based indie rock sensations Allah-Las can trace their origins to when three of the four band members worked at renowned record store Amoeba Music. Formed back in 2008, the Southern California-based have received both local and national attention for a sound that draws entirely from the 60s and includes elements of folk rock, psych rock, surfer rock and garage rock – while firmly establishing themselves as part of a burgeoning retro/garage rock scene that includes The Mystery Lights, The Black Angels, Raccoon Fighter and others.

London, UK-based producer, electronic music artist, multi-instrumentalist and DJ Dhas received international attention over the last few years for a number of critically acclaimed singles released through renowned dance pop/electro pop label; in fact, “Brown Sauce” was mentioned in Pitchfork’s Tracks while “The Music,” appeared in the major motion picture Pusher and landed at number 3 on Spin Magazine’s Best Dance singles in 2013. And if you were frequenting this site over the course of 2015 you might recall that Marr collaborated with internationally acclaimed indie pop artist Chet Faker on an EP that featured the slickly produced Daft Punk and Off the Wall-era Michael Jackson leaning track “The Trouble With Us.”

Now if you’ve been frequenting this site over the course of its six-year history, you’d know that the New York-based neo-disco/electronic dance music/funk collective ESCORT have been mainstay artists. And over that same period of time, the collective founded by producers Eugene Cho and Dan Balls featuring frontperson Adeline Michele as members of a core group of five that frequently expands to 17 for live shows has received local and national attention for an incredible live show of funky, danceable tunes, their two full-length albums and for their frontperson’s incredible stage presence, cementing their reputation as a must-see live act.

Tickets are still available — and for a two day festival out on gorgeous Governor’s Island, the tickets are pretty affordable. [Purchase Tickets]

JOVM will be there to cover the festival. Expect some live tweeting, a lot of Instagram and more. And if you weren’t following me, here are the socials:

Twitter: @yankee32879 and @williamhelms3rd

Instagram: @william_ruben_helms