JOVM’s William Ruben Helms celebrates Toni Braxton’s 59th birthday.
JOVM’s William Ruben Helms celebrates Toni Braxton’s 59th birthday.
New York-based Thai-Swedish producer, composer and singer/songwriter Sirintip creates work that sits at the intersection of avant-garde pop, jazz, electronic music and interdisciplinary art. Raised in Thailand by her recently departed father, Sirintip spent her teenaged years in Sweden, before relocating to the States to pursue her music and artistic career. Through her multilingual identity, she has learned to communicate in countless ways, with the understanding that expression is expression, and deeply human, no matter the context. Her musical work is ethereal yet impassioned, with her voice moving across sophisticated harmony, dense electronics and rhythmic experimentation, shaped by her musical roots, which span across jazz, pop, traditional Thai music and European classical music.
The Thai-Swedish artist has released two acclaimed albums, 2018’s Michael League-produced Tribus, which features Mark Guiliana and 2022’s Carbon, which landed on DownBeat‘s Best Albums of 2022 list. She’s a highly-sought after collaborator, who has contributed to over 50 recordings, as well as composed the score for the 1925 silent film, The Lost World.
Sirintip has toured internationally as a bandleader and as an opener for Snarky Puppy and Sungazer, performing at SJFAZZ, The Nobel Museum, Wonderfruit and Winter Jazzfest.
Her broader artistic practice spans scientific collaboration, orchestral composition and sustainability, including solar-powered concerts and bioplastic vinyl, driven by a desire to uncover connections between cultures, ecosystems, disciples and people. The Thai-Swedish artist’s interdisciplinary project Mycelium transforms scientific research on fungi and plankton through music, data signification, projections and dance.
The acclaimed New York-based artist’s Elliot Moss co-produced White Lilies EP is slated for an October 30, 2026 release through Birdwatcher Records. The six-song EP may arguably be some of her most personal songwriting to date. Thematically, the EP’s material engages with grief through place and memory with the EP being a transmission of vulnerability through music. The EP and its creative process helped Sirintip process the loss of both her father and her childhood home back in Bangkok, while connecting with listeners on the universality of memory and identity.
Rather than bring external research and scientific inquiry, White Liilies reportedly sees the acclaimed artist turning inward. Each of the EP’s songs captures the breadth of her creativity: Pop song forms are blended with electronic textures, deep grooves and elevated, often dissonant harmonies. This all emerged organically, almost unconsciously. “I was trying to write very intuitively,” she says.
For the EP, Sirintip assembled a backing band of musicians and artists, whose versatility served her vision: Kengchakaj (piano, effects), Nolan Byrd (drums), Ben Wendel (tenor sax, effects) with the acclaimed New York-based artist on vocals, vocal effects, programming and various production elements. As co-producer, Elliot Moss helped her achieve an open-minded “pop perspective” for the overall production and sound. “I’m really, really, really happy with the production,” she says.
Commissioned by Greenwich House Music School, White Lilies sees Sirintip extending its creative expression even further, moving from musical gesture to sense-memory experience. The release includes biodegradable vinyl pressings, the acclaimed artist’s original photography, album artwork from Nitcha Tothong and a scent activations.
“Lotus,” White Lilies EP‘s dizzying second and latest single features dusty, trip hop-meets-hip hop breakbeat with twinkling keys, a Thai choral vocal sample, oscillating synths and a Quiet Storm-like groove beneath Sirintip’s expressive, jazz-meets-pop delivery. “Lotus” references a famous Thích Nhất Hạnh saying “No mud, no lotus,” while thematically touching on complicated parent-child relationship and celebrating breaking traumatic cycles.
“‘Lotus’ was inspired by Thích Nhất Hạnh’s idea of ‘no mud, no lotus.’ It’s about recognizing how our families, cultures, and the things we inherit shape who we become, while still choosing for ourselves what we want to carry forward,” the New York-based artist explains. “I think we can honor where we come from without repeating every pattern we inherited. The lotus is beautiful, but without the mud, it never would have grown into the flower it is.”
The accompanying video was shot in the artist’s native Bangkok and follows her as she dances and vibes out to the song in various locales, along with the titular lotus. While offering a slice of her birthplace’s breathtaking beauty, the video is punctuated by the memories of people and places that have gone, and those people are places still with us, and the uneasy push forward of our lives.
JOVM’s William Ruben Helms celebrates Shawn Stockman’s 54th birthday.
JOVM’s William Ruben Helms celebrates the 78th anniversary of the birth of Olivia Newton-John.
Atlanta-born, Fort Worth, TX-raised singer/songwriter and musician Leon Bridges quickly established himself as one of America’s most exciting new artists with 2015’s platinum-certified, Grammy Award-nominated debut Coming Home, which featured breakout singles “Coming Home” and “River.” Bridges followed up with 2018’s critically applauded Good Thing, which saw him expanding upon his sonic panic while earning a Grammy Award-nomination for Best R&B Album and a Grammy Award for Best Traditional R&B Performance for “Bet Ain’t Worth the Hand.”
2021’s Gold-Diggers Sound was the acclaimed Atlanta-born, Fort Worth-based artist’s most adventurous album to date, and the album received critical applause while earning another Grammy Award-nomination for Best R&B Album. His most recent album, 2024’s Lean is an introspective effort inspired by his Texan roots and his artistic evolution.
Along with his solo work, Bridges has collaborated with the equally acclaimed act Khraungbin on two albums — 2020’s Texas Sun and 2022’s Texas Moon. In a relatively short time he has earned six Grammy Award-nomiations — three for Best R&B Album — and a Grammy Award-win, has also collaborated with an eclectic array of artists, including John Mayer, Kacey Musgraves, Robert Glasper, Terrace Martin, Gunna, The Avanlanches, Gary Clark, Jr. and Shaboozey, all of which showcase a remarkably versatile artist.
Adding to a rapidly growing profile, Bridges has a long-held reputation as a captivating live performer, who has made a run of the global concert and festival circuit, playing an increasing number of the world’s major festivals while making appearances on Saturday Night Live, NPR’s Tiny Desk Concert and Austin City Limits.
Bridges’ fourth album, the J Lloyd-Watson and Lydia Kitto-produced fifth album, Happiness Anytime is slated for a Friday release through Columbia Records. Happiness Anytime reportedly sees the acclaimed Atlanta-born, Fort Worth-based artist returning to the warmth of his 2015 debut but while seeing the members of Jungle and Bridges’ signature sensibilities blending to create something entirely new — an expansive, borderless sound and approach that pushes the Grammy Award-winning artist into brand new territory. The material reportedly echoes Fela Kuti, Paul Simon’s 1990 effort The Rhythm of The Saints and Jorge Ben without feeling overly referential. At its core, the album is reportedly boundary pushing while remaining unmistakably Leon Bridges, rooted in his imitable vocal, effortless charisma and melodic sensibilities.
The album was written and recorded across three fast and furious sessions with Lloyd-Watson and Kitto, a collaboration that can trace its origins to the trio repeatedly crossing paths across the global festival circuit. The trio decided to attempt a low-pressure writing session at Los Angeles-based Chaplin Recording Studios. Four days later, they had come up with six songs — half of the completed album. Pino Palladino contributed bass during the sessions. The overall end result is a timeless body of work that feels unfussy and breezy — that they all hope will make the listener feel happiness anytime they play it.
“For me, happiness is not a feeling that you chase,” Bridges says,“I want this album to be something that lingers with people and lingers in people’s bones. There’s this feeling that we have to fix the problems of the world; you feel inadequate or it can be debilitating. My role is to be light. I hope that comes across with this album.” With Happiness Anytime, Bridges actively sets out with a desire to not only find joy but to find movement again.
Early in his career, Bridges was out in front dancing — and that was something that has wanted recently. He wanted to get back to making music to dance to, music to excise the stresses and frustrations of modern life, and to feel grounded in the rhythms of the present. Interestingly, over the summer, he has been introducing audiences to the new album with sets in Paris, Cannes, Los Angeles, Montreux Jazz Festival, London, Chicago and Outside Lands. And as he has being playing the new material live, he has unveiled “Leon Bridges Presents Happiness Anytime,” a reimagined stage production featuring a vinyl DJ, a horn section, three backing vocalists and Bridges out in front dancing and singing. Partly inspired by the communal spirt of Jamaican dancehall culture, the live set mirrors the album’s emphasis on movement — and on dancing your stresses and frustrations away for a bit. You can see what the live show will look like during his most recent appearance on The Tonight Show Starring Jimmy Fallon, where he performed medley of tunes from the soon-to-be-released album — the strutting Afrobeat-meets-1970s Motown soul-like “Light The Way” and “Illusion” and jubilant, joyous ode to working things out “Talk It Over.”
“Watch You Dance,” Happiness Anytime‘s latest single is a strutting and sultry bit of neo-soul meets classic soul that feels like a funky, dance floor friendly synthesis of Black Pumas, Cody Chesnutt, Daptone Records and Marvin Gaye‘s “Got To Give It Up” but anchored in old-school craft, earnest, seemingly lived-in lyricism and a grown ass folks sensuality. The song’s narrator knows that seduction is a game that you have to play — and he knows how to play it well.
JOVM’s William Ruben Helms celebrates Nile Rodgers’ 74th birthday.
JOVM’s William Ruben Helms celebrates the 43rd anniversary of the birth of Amy Winehouse.
Leon Bridges performs “Happiness Anytime” medley on “The Tonight Show Starring Jimmy Fallon.”
Robert Charlebois’ “Je reviendrai à Montréal” and some quick thoughts upon my return.
JOVM’s William Ruben Helms celebrates Bee Gee’s co-founder Barry Gibb’s 80th birthday.
JOVM’s William Ruben Helms celebrates Gloria Estefan’s 68th birthday.
JOVM’s William Ruben Helms celebrates Meshell Ndegeocello’s 57th birthday.
Atlanta-born, Fort Worth, TX-raised singer/songwriter and musician Leon Bridges quickly established himself as one of America’s most exciting new artists with 2015’s platinum-certified, Grammy Award-nominated debut Coming Home, which featured breakout singles “Coming Home” and “River.” Bridges followed up with 2018’s critically applauded Good Thing, which saw him expanding upon his sonic panic while earning a Grammy Award-nomination for Best R&B Album and a Grammy Award for Best Traditional R&B Performance for “Bet Ain’t Worth the Hand.”
2021’s Gold-Diggers Sound was the acclaimed Atlanta-born, Fort Worth-based artist’s most adventurous album to date, and the album received critical applause while earning another Grammy Award-nomination for Best R&B Album. His most recent album, 2024’s Lean is an introspective effort inspired by his Texan roots and his artistic evolution.
Along with his solo work. he has collaborated with equally acclaimed act Khraungbin on two albums — 2020’s Texas Sun and 2022’s Texas Moon. Bridges who has earned six Grammy Award-nominations — three for Best R&B Album — and a Grammy Award-win, has also collaborated with an eclectic array of artists, including John Mayer, Kacey Musgraves, Robert Glasper, Terrace Martin, Gunna, The Avanlanches, Gary Clark, Jr. and Shaboozey, all of which showcase a remarkably versatile artist.
Adding to a rapidly growing profile, Bridges has a long-held reputation as a captivating live performer, who has made a run of the global concert and festival circuit, playing an increasing number of the world’s major festivals while making appearances on Saturday Night Live, NPR’s Tiny Desk Concert and Austin City Limits.
Bridges fourth album, the J Lloyd-Watson and Lydia Kitto-produced fifth album, Happiness Anytime is slated for a September 25, 2026 release through Columbia Records. Happiness Anytime reportedly sees the acclaimed Atlanta-born, Fort Worth-based artist returning to the warmth of his 2015 debut but while seeing the members of Jungle and Bridges’ signature sensibilities blending to create something entirely new — an expansive, borderless sound and approach that pushes the Grammy Award-winning artist into band new territory. The material reportedly echoes Fela Kuti, Paul Simon’s 1990 effort The Rhythm of The Saints and Jorge Ben without feeling referential. At its core, the album is reportedly boundary pushing while remaining unmistakably Leon Bridges, rooted in his imitable vocal, effortless charisma and melodic sensibilities.
The album was written and recorded across three fast and furious sessions with Lloyd-Watson and Kitto, a collaboration that can trace its origins to the trio repeatedly crossing paths across the global festival circuit. The trio decided to attempt a low-pressure writing session at Los Angeles-based Chaplin Recording Studios. Four days later, they ha come up with six songs — half of the completed album. Pino Palladino contributed bass during the sessions. The end result is a timeless body work of that feels unfussy and breezy — that they all hope will make the listener feel happiness anytime they play it.
“For me, happiness is not a feeling that you chase,” Bridges says,“I want this album to be something that lingers with people and lingers in people’s bones. There’s this feeling that we have to fix the problems of the world; you feel inadequate or it can be debilitating. My role is to be light. I hope that comes across with this album.” With Happiness Anytime, Bridges actively sets out with a desire to not only find joy but to find movement again.
Early in his career, Bridges was out in front dancing — and that was something that has wanted recently. He wanted to get back to making music to dance to, music to excise the stresses and frustrations of modern life, and to feel grounded in the rhythms of the present. Interestingly, over the summer, he has been introducing audiences to the new album with sets in Paris, Cannes, Los Angeles, Montreux Jazz Festival, London, Chicago and Outside Lands. And as he has being playing the new material live, he has unveiled “Leon Bridges Presents Happiness Anytime,” a reimagined stage production featuring a vinyl DJ, a horn section, three backing vocalists and Bridges out in front dancing and singing. Partly inspired by the communal spirt of Jamaican dancehall culture, the live set mirrors the album’s emphasis on movement — and on dancing your stresses and frustrations away for a bit.
In the meantime, Bridges recently released the second of three, 4-song EPs that will comprise the entire album. The second EP features album title track “Happiness Anytime,” “All Day All Night” feat. Lydia Kitto, “Fly Baby,” and “Talk It Over.” Featuring a strutting and jubilant, dance at the function groove beneath Bridges’ effortless, old-school soul-inspired delivery, “Talk It Over” is an ode to working things out and trying to make it all work that seemingly channels a blend of Al Green’s “Let’s Stay Together,” and The Rhythm of the Saints while showcasing his unerring knack for catchy hooks.
Directed by D+Y and shot in Amsterdam, the accompanying video features Bridges and a multi-racial collection of beautiful dancers performing choreography by the Plue Agency. The video is centered around the album’s inspirations — movement, dancing and ebullient, infectious joy. And honestly, we could all use a lot more joy in our lives.
JOVM’s William Ruben Helms celebrates Tears for Fears co-founder Roland Orzabal’s 65th birthday.