Michelle Blades is a Mexican-Panamanian singer/songwriter and self-taught multi-instrumentalist, who grew up in a family of salsa musicians — and as a result, a young Blades soaked up notions of her heritage, studio life and production. When Blades was seven, her family fled Panama as a result of the vestiges of violence and unrest left by Manuel Noriega, eventually relocating to Miami, where they all learned English and lived in different recording studios and apartments.
Ironically, music was all but forbidden at home and many of Blades’ artistic aspirations were halted by the family patriarch until she moved out when she turned 16. She then spent time juggling a number of different jobs including — being a journalist for the local CBS affiliate, producing a biweekly show, Focus on South Florida, selling smoothes, working for MIA Skatepark, and pursuing a passion for film and video by producing skate videos for her website 2TEN AM Productions. Interestingly, this love of film would wind up being important for her aspirations and her career, as it paved the way for her to direct and produce music videos for several artists.
After buying a ukulele with her first paycheck, Blades relocated to Arizona, where she immersed herself in Phoenix’s and Tempe’s DIY scenes, learning guitar, drums, synths and bass, eventually recording and releases EPs under her own name and with the noise punk trio North Dakota. Along the way, Camaraderie Limited Records, a small Paris-based label invited Blades to go on a month-long tour of house shows and while discovering Europe for the first time, she also made friends, who would change her life. As the story goes, during her third tour of France, Blades befriended the team at Midnight Special Records — and it prompted a move to Paris, where she created the bulk of her work to date, collaborating with the label and artists in a familial sort of collective of like-minded souls.
Since relocating to Paris, Blades has been rather prolific as she has released 2015’s Ataraxia, 2016’s Polylust EP, and 2017’s Premature Love Songs EP, written music and arrangements for Laure Briard, played bass in Fishbach, put together a Transatlantic band Michelle Blades y Los Machetes, and directed videos for Clea Vincent’s “Retiens mon desir” and “Chateau Perdu” among a list of others.
Slated for a March 29, 2019 release, Blades’ forthcoming album Visitor continues the Mexican-Panamanian multi-disciplinary artist, singer/songwriter and multi-instrumentalist’s ongoing collaboration with Midnight Special Records. The forthcoming album’s third and latest single “Politic” is a remarkably topical song that to my ears sounds like a seamless synthesis of campy B52s-like garage rock/garage pop, angular and neurotic More Songs About Food and Buildings era Talking Heads-like post punk and Fever to Tell-era Yeah Yeah Yeahs as the song is centered around arpeggiated synths, looping garage rock guitar lines, a propulsive groove, an infectious hook and lyrics delivered in wild yelps, squeals and howls. At its core, the song expresses an anxious, existential frustration — with everything. The recently released video is centered around live footage of Blades and her backing band performing the song shot with trippy filters and colors and strobe lights galore.