Tag: Primal Scream Evil Heat

Rising Geneva-based act Cyril Cyril features two of the city’s most acclaimed experimental musicians collaborating together:

  • Cyril Yeterian: In Geneva, Yeterian may be best known for being the frontman and accordion player for acclaimed Cajun blues trio Mama Rosin, an act that released four albums of material that evoked the ghosts of the Mississippi Delta and Mardi Gras before splitting in 2015. Yeterian also co-founded the forward-thinking, global, taste-making record store and label Bongo Joe Records.
  • Cyril Bondi: Bondi is a stalwart figure in the Swiss experimental scene, best known for being the founding member of Plaistow and for leading the Insub Meta Orchestra, an experimental ensemble featuring 60 musicians. Bondi has also collaborated a number of acts including diatribes, La Téne and Komatsu.

Interestingly, Cyril Cyril can trace its origins back to 2017. With the duo both seeking new creative challenges, Yeterian took on the banjo, adding a shit ton of effect pedals to it, so that it began to sound more like a bouzouki (a Greek, long-necked lute) or a krar (a five or six sting lyre, played mostly in Ethiopia and Eritrea) — and simultaneously, Bondi cobbled together a cannibal drum kit with massive jingle bells and tropical nut shells embedded into his marching bass drum.

2018’s full-length debut, Certaine Ruins quickly established their unique sound, a sound that generally meshes the tough plucking and rhythmical patterns of Lebanon, The Levant and North Africa. The duo supported the album with rapturously received, relentless touring across the European Union which helped the band develop an electric live show which was equally at home on a big festival stage as it was in a small, sweaty club.

Building upon a rapidly growing profile across the European Union, the duo’s highly-anticipated sophomore album Yallah Mickey Mouse is slated for an October 16, 2020 release through the aforementioned Bongo Joe Records and Born Bad Records. The album’s title is derived from a true incident: Yeterian and Bondi were touring with Swiss experimental transppop duo Hyperculte through the Middle East. While on a trip visiting the pyramids, Hyperculte’s Vincent Bertholet (double bass) rode a camel hilariously named Mickey Mouse. “He [Betholet] was so uncomfortable riding a camel, it was such a scene,” Cyril Cyril’s Cyril Yeterian recalls in press notes. “Watching him tell with a very French accent  ‘yallah’  to the camel to have him step forward on the sand.  So  ‘yallah mickey mouse’  was born. We immediately thought about the power this sentence had politically speaking. No words to add. Arabic world vs. American imperialism? Is there anything to say people don’t know already?”  

To celebrate the album announcement, the Geneva-based duo released three singles from the album:

  • “Les Gens,” Yallah Mickey Mouse‘s first single is a hypnotic and hallucinogenic fever dream centered around galloping African polyrhythm, shimmering banjo arpeggios played through tons of effects, dub-like reverb, punchily delivered call and response vocals — and of course MORE COWBELL! Sonically, “Les Gans” is a slick synthesis of Evil Heat-era Primal Scream, Levitation-era Flamingods and traditional Middle Eastern and African music. Yes, it’s the genre-defying sounds that I’ve long championed — but it’s only possible in a borderless, genre-less world. “The idea of the song was paradoxically born at a moment where we were completely fed up with how extreme tourism had become in both the most popular spots close to us and all around the world.” Cyril Yeterian explains in press notes. “What turned out really odd is that a few months later, everything was stopped by the Covid. And suddenly there was no one in the streets, and we realized our song could be understood as the nostalgia we have about the time we were gathering altogether. So we invite anyone to get this song the way they prefer!”  
  • “Al Boustan,” the album’s second single is centered around a hypnotic, dance floor friendly groove, shimmering banjo and organ and a forcefully insistent thump. While clearly drawing from the Middle East, the song seems to also hint at Bollywood as a result of the song possessing a cinematic expansiveness. It’s mind-bending — and if you put yourself in the right situation, the song can help you head to a higher plane of existence. “’Al Boustan’ looks at how our narcissism and the narrow fascination of ourselves deserve to come up against the unalterable force of the elements that decorate our daily lives,” the duo explain. “The trees will always grow and the moon will rise and set as long as a human eye looks up to the sky. Nevertheless. Against everything. We are many and we are nothing.”
  • “X-Crise,” the album’s third single is centered around driving polyrhythm, percussive banjo arpeggios, punchy melodies and an infectious hook. This song sounds as though it comes from a much-older place, something far older than time, when our earliest ancestors sat in front of the fire telling stories about the origins of everything. And in some fashion, it’s the most Tinariwen-like track of the three — but while brimming with a mischievous sense of adventure.

All three tracks reveal two things to me:

  • Bongo Joe Records is releasing some of the wildest, most forward-thinking music out there today.
  • Cyril Cyril may arguably be one of Geneva’s most forward-thinking and uncompromisingly challenging acts.

I’m looking very forward to the album and more of the labels’ releases — and to this album.

New Video: Maltese Indie Act Beesqueeze Releases a Trippy and Summery Anthem

Beesqueeze is a Siggiewi, Malta-based duo, comprised of Kriz Zahra (guitar, bass, synth, vocals) and Chris Mallia (drums, vocals, guitar, effects) that specializes in what they’ve dubbed alterdelic (alternative + psychedelic) dance rock, influenced by The Strokes, MGMT, Tame Impala, Gorillaz and Pixies among others. And with their debut EP, 2017’s Crowd Control, the duo quickly established their unique sound, as well as a reputation for an explosive live show. 

The band is currently holed up in their small home studio working on their full-length debut, which is slated for an Autumn 2020 release. In the meantime, the Maltese duo’s latest single, the David Vella co-produced “Say You Do” is breezy and anthemic track centered around propulsive synth arpeggios, thumping kick drum, strummed acoustic guitar, a blazing guitar solo, and breathily delivered vocals. And while being a summery, dance floor friendly track that reveals the duo’s unerring knack to craft an infectious hook reminiscent of Evil Heat-era Primal Scream, the song encourages the listener to be bold and express their desires. By doing so, you may actually get what you want you want and need. 

“I do some work in a cool friendly bar and many times I get newcomers asking me to do a special drink or cocktail or something that’s not on the menu so I usually say ‘yes.’ I go head getting this [drink] together, now this always happens: I can notice one of the regulars staring at me, giving the look, like [they’re’] trying to say ,’Hey, what’s that. That’s new! I want it!’ but says nothing. So then I’m like ‘Hey due, if you want one, just say you want one, it’s okay,” the band’s Chris Mallia says of the song’s inspiration. 

“The song came together fast. We were preparing for a small show and I thought this new synth I got off a friend on the same day just for fun. Chris was on guitar going through these chords and I just plugged in the synth, and it happened like that,” Kriz Zahra says of the song’s creative process. “10 minuets later, we were listening to it on this lo-fi recording and we thought it was good. So we recorded it a few days later. I remember it was a quick and smooth process, just how we like it.” 

Directed by the members of Besqueeze, the recently released video features the band performing the song in front of bright, neon colored backgrounds and trippy effects — and as a result, the video captures the band’s energy and the song’s overall lysergic feel. 

New Audio: Human Love Releases a Cinematic and Otherworldly New Single

Formed in 2010, the critically applauded New York-based act The Dig — Emilie Mosseri (vocals, bass), David Baldwin (vocals, guitar), Erick Eiser (keys, guitar) and Mark Demiglio (drums) released two albums and two EPs — 2010’s full-length debut Electric Toys, 2012’s Midnight Flowers and 2013’s Tired Hearts EP and You & I EP. Last year, the member of the New York-based act relocated to Los Angeles. and the move managed to spark  a major period of transformation for each of the individual bandmembers — with each member pursuing their own creative projects. Notably, Emilie Mosseri established himself as a film and television composer, who earned widespread acclaim for crafting the score for A24 Films‘ critically applauded Last Black Man in San Francisco, as well as the scores for the TV series Homecoming, which currently stars Janelle Monae and Kajillionaire, which will star Miranda July.

 Working separately proved to have a unifying effect on the band’s individual members — they were emboldened to take new risks, which resulted in a completely new musical project for its longtime collaborators — the newly named Human Love. Black Void EP, Human Love‘s Sonny DiPerri-co-produced, four song debut EP was released last week and Black Void sees the longtime collaborators changing up the creative process they established during their run as The Dig.  “In the past, one person would bring in an idea and we’d build everything from there, but now the process is so much more collaborative, with everyone bringing in their specific perspective to everything we make,” the band’s David Baldwin says in press notes. “I think there’s something beautiful about us going in different directions and then coming back together like this,” EmilIe Mosseri adds “We’re taking what we’d explored on our own and feeding it back into this music, and pushing everything forward to create something completely new.”

So far I’ve written about two of the EP’s previously released singles, the  This Is Happening-era LCD Soundsystem-like “Goldmine, and the Evil Heat-era Primal Scream-like “Lemon Dove.”  The EP’s third and latest single, EP title track “Black Void” may arguably be the most cinematic of its released singles. Centered around Kamilah’s otherworldly and ethereal vocals, reverb-drenched guitars, stuttering beats and atmospheric synths, “Black Void” sounds as though it were influenced by Ennio Morricone and the soundtrack for 2001: A Space Odyssey.

“I initially wrote the seed of what became the title track ‘Black Void’ for Terence Nance’s show Random Acts of Flyness.  I recorded Kamilah, who also sang on Last Black Man In San Francisco, singing this melody that was designed for a theremin,” Mosseri says in press notes. “I didn’t know it could be sung by a human voice because of the sweeping range of the thing, but we gave it a shot and she produced this amazing sound.  The band later re-recorded and fleshed out the track up at recording studio Panorama House in Stinson Beach for the Human Love EP.  I love what Kamilah brought to the track, this sort of alien yet human sound that felt old and new all at once.”

New Video: Genre-Defying French Artist MHUD Releases a Bloody Commentary on Violence and Toxic Masculinity

Initially beginning his creative career as a painter, the mysterious Strasbourg-born, Paris-based singer/songwriter, multi-instrumentalist, electronic music artist and electronic music producer MHUD got into music as a creative outlet relatively recently. And in short period of time, the Strasbourg-born, Paris-based artist has developed a reputation for material that thematically focuses on man’s spiritual, emotional and intellectual split from himself — paired with a sound that’s genre defying. 

The mysterious Strasbourg-born, Paris-based artist’s full-length debut is slated for a March 2020 release, and the album’s latest single “Cheval de Bataille” is a slickly produced track that possesses elements of trip hop, electroclash, electro pop and arena rock as its centered around tweeter and woofer rocking beats, buzzing, distortion pedal-fueled guitar lines, a motorik-like groove, expressive blasts of horn and arpeggiated synths. Sonically speaking, the song — to my ears, at least — reminds me a bit of synthesis of fellow countrymen Black Strobe, Dystopico-era Kriget, Third-era Portishead, Evil Heat-era Primal Scream and The Deltahorse.  

Produced by David Garnacho and Nicolas Bouf, the recently released video for “Cheval de Bataille” follows the violent fantasies of a nerdy and relentlessly bullied office drone, who gets his revenge at a team-building paintball game. In the face of psychological violence in relation to economic and societal pressures, some people feel as though the only response they have is to respond with physical violence, the Strasbourg-born, Paris-based artist says of the video treatment. The directors and the artist went with a hyper realistic take on violence — so that the impact it has on people can’t be trivialized or glorified. But on another level. it points out how toxic masculinity can lead to increasing amounts of brutal and senseless violence. 

New Video: JOVM Mainstays Flamingods Release a Lysergic and Feverish Visual for “Olympia”

Over the better part of this year, I’ve written a bit about the acclaimed multi-continental-based psych rock act Flamingods, and as as you may recall, the band’s Bahraini-born founder and frontman, Kamal Rasool has traveled widely to collect rare and unique instruments from Tanzania, The Amazon and elsewhere. When Rasool relocated to London to study music, he recruited a few friends from Bahrain and London to start a band, including the members of the band’s current lineup — Karthik Poduval, Sam Rowe and Charles Prest. Their first live show together was a highly praised, attention-grabbing set during 2010’s ATP Festival, which quickly led to a national profile.

Building upon a growing profile, the members of Flamingods quickly released two EPs, 2010’s Sun and 2011’s Away. 2013’s full-length debut Sun was a reimagining of the material off the EP of the same name that featured “Quesso,” a collaboration with Ponytail‘s Dustin Wong on lead guitar. Around the time of Sun’s release, the British government enacted new visa laws, which forced Rasool to return to Bahrain after finishing school. He then moved to Dubai, where he worked for an independent magazine and coffee shop. And although at that point, the members of the band were rising on different continents and unable to play together, they managed to find a way to continue working on new material, which would eventually become their critically applauded sophomore album, Hyperborea, an album that established a globe-spanning take on psychedelia that the band has dubbed “Exotic Psychedelia.”

During the release of Hyperborea, Prest relocated to Dubai to work closely with Rasool. Shortly after Prest’s relocation, the band began working on their third full-length album, 2016’s Majesty, an album that was largely inspired by the likes of Les Baxter, Tito Puente, Arthur Lyman and others. The album was released to generally mixed reviews, but it was championed by BBC Radio 6‘s Gilles Peterson and Lauren Laverne, who both invited the band to record live sessions. With Rasool and Prest able to return to the UK, the band was finally able to extensively across the UK and the European Union to support the album, including sets at Green Man Festival, End of the Road Festival, and Fusion Festival.

In February 2017, the band signed with Moshi Moshi Records,who released that year’s Kewali EP. The band toured to support the effort, which included their SXSW debut. The band also released a remix album of  Majesty that featured remixes of album material by Ibibio Sound Machine, Meridian Brothers and Oasis‘ Andy Bell. They also released a Dan Carey-produced live version of “Hyperborea.”

The band’s fourth album Levitation was released earlier this year, and the album was largely inspired by the disco, funk and psychedelic sounds out of the Middle East and South Asia in the ’70s — but filtered through mysticism, positivity and sun-drenched imagery. More importantly, the Levitation recording sessions found the band living and working together on the same continent for the first time in about four years. And as a result. the album’s material may arguably be the most unified effort they’ve written and released to date. 

The album’s first single “Marigold” was a trippy bit of psych rock centered around a motorik groove, shimmering and arpeggiated synths delivered with a Brit Pop-like swagger. Interestingly, the album’s second single, album opening track “Paradise Drive” continues in a fairly similar vein as its predecessor, complete with a motorik groove, shimmering and arpeggiated synths — but the song may arguably bear the most uncanny resemblance to Evil Heat-era Primal Scream of the entire album.  Interestingly, the album’s latest single is the breezy, Sgt. Pepper-like “Olympia.” Centered around fluttering synths, fuzzy and distorted guitars, a propulsive rhythm section and Rasool’s dreamy vocals the track is a seamless and brightly colored synthesis of 60s psychedelia and Brit Pop. 

Directed by Andrea Mae, the recently released video for “Olympia” is a lysergic fever dream, featuring the members of the band having wild visions while in a sauna. “For this video, I was inspired by the ghosts that haunt each of us human beings. I chose to have one of these as a central character of the narrative and to give it a place filled with light, positivity, or perhaps a touch of humour,” Mae explains. “The sauna was an addition to this concept because it is purifying place, a room where you are in company and in a state of peace. I wanted something that looked like a modern day psychedelic cartoon, but mixed with some vintage, experimental footage to try and create a hybrid that looks part 60’s and part now.”​

New Video: Up-and-Coming Swedish Psych Rock Act Phogg Releases a Surreal and Post Apocalyptic Visual for “Three Shirts”

With the release of last year’s full-length debut Slices, the Stockholm, Sweden-based indie act Phogg quickly emerged into the Swedish psych rock scene with a sound that’s been compared to the likes of Ariel Pink and Unknown Mortal Orchestra — and as a result. they’ve received airplay on Sweden’s P3, and praise from the likes of HYMN, Nordik Simit and Born Music Online among others. 

Building upon a growing national profile, the up-and-coming Swedish psych rock act’s sophomore album Mofeto: Mashine Adamkosh is slated for a fall release through Ouyee Bayou Records. Mofeto: Mashine Adamkosh’s trippy, first single “Three Shirts” is centered around a motorik groove reminiscent of Join the Dots-era TOY, Evil Heat-era Primal Scream and Flamingods’ forthcoming Levitation paired with jangling guitars, blasts of shimmering synths, a rousingly anthemic hook and some blazing guitar solos. Interestingly, the recently released video for “Three Shirts” is a surrealistic romp that owes a debt to 60s and 70s promotional videos, as it features the members the band in a post-apocalyptic quarry. It begins with the lead singer, showing up to an old computer with a cup of coffee, as though he’s going to work. We see the other bandmates riding around on motorcycles; at points his bandmates interrupt the frame or do some other odd thing to disrupt the goings on. There’s no rhyme or reason for anything — and yet it’s trippy and pretty hilarious. 

New Video: Acclaimed Multi-Continental Pysch Rock Act Flamingods Release a Lysergic Animated Visual for Motorik Groove-Driven Single “Paradise Drive”

Growing up in the Kingdom of Bahrain, Kamal Rasool, the founding member of acclaimed multi-continental-based psych rock act Flamingods has traveled widely to collect rate and unique instruments from Tanzania, the Amazon and elsewhere. When Rasool relocated to London to study music, he recruited a few friends from Bahrain and London to start a band, including the members of the band’s current lineup — Karthik Poduval, Sam Rowe and Charles Prest.  Interestingly, their first live show together was an attention-grabbing show at the 2010 ATP Festival, which quickly led to a national profile.

Building upon a growing profile, the members of Flamingods quickly released two EPs, 2010’s Sun and 2011’s Away. 2013’s full-length debut Sun was a reimagining of the material off the EP of the same name that featured “Quesso,” a collaboration with Ponytail‘s Dustin Wong on lead guitar. Around the time of the album’s release, the British government enacted new visa laws which forced Rasool to return to Bahrain after he finished school. Rasool then moved to Dubai, where he worked for an independent magazine and coffee shop. And although at that point, the members of the band were residing on different continents and unable to play together, they continued to work on new material that eventually wound up becoming their critically applauded Hyperborea, an album that established a globe-spanning take on psychedelia that the band has dubbed “Exotic Psychedelia.”

During the release of Hyperborea, Prest relocated to Dubai to work closely with Rasool. And shortly after that, the members of Flamingods began working on their third full-length album, 2016’s Majesty, an album that was largely inspired by the likes of Les BaxterTito PuenteArthur Lyman and others. Although the album received mixed reviews, it was championed by BBC Radio 6‘s Gilles Peterson and Lauren Laverne, who both invited the band to record live sessions. With Rasool and Prest able to return to the UK, the band was finally able to extensively across the UK and the European Union to support the album, including sets at Green Man Festival, End of the Road Festival, and Fusion Festival.

In February 2017, the band signed with Moshi Moshi Records,who released that year’s Kewali EP and the band toured to support the album, including their SXSW debut. The band also released a remix album of Majesty that featured remixes of album material by Ibibio Sound MachineMeridian Brothers and Oasis‘ Andy Bell. And the band released a Dan Carey-produced live version of “Hyperborea.

Flamingods’ fourth, full-length album Levitation is slated for a May 3, 2019 release through Moshi Moshi Records, and the album is largely inspired by the disco, funk and psychedelic sounds out of the Middle East and South Asia in the ’70s but while channeled through mysticism, positivity and sun-drenched imagery. But perhaps much more important, the Levitation recording sessions found the band living and working on the same continent for the first time in about four years, and as a result, the album’s material may arguably be the most unified effort they’ve written and released in years. The album’s first single “Marigold” was a trippy bit of psych rock centered around a motorik groove, shimmering and arpeggiated synths delivered with a Brit Pop-like swagger. Interestingly, the album’s second single, album opening track “Paradise Drive” continues in a fairly similar vein as its predecessor, complete with a motorik groove, shimmering and arpeggiated synths — but the song may arguably bear the most uncanny resemblance to Evil Heat-era Primal Scream of the entire album with the song sounding like a disco-like “Autobahn 66” meets LCD Soundsystem, thanks to the copious use of cowbell.

Animated by Mien’s John Mark, the recently released video uses the incredibly trippy album artwork created by Indonesian artist Ardneks. “I wanted something that looked like a modern day psychedelic cartoon, but mixed with some vintage, experimental footage to try and create a hybrid that looks part 60’s and part now,” Marks says of the video.

Growing up in the Kingdom of Bahrain, Kamal Rasool, the founding member of acclaimed multi-continental-based psych rock act Flamingods has traveled widely to collect rate and unique instruments from Tanzania, the Amazon and elsewhere. When Rasool relocated to London to study music, he recruited a few friends from Bahrain and London to start a band, including the members of the band’s current lineup — Karthik Poduval, Sam Rowe and Charles Prest.  Interestingly, their first live show together was an attention-grabbing show at the 2010 ATP Festival, which quickly led to a national profile.

Building upon a growing profile, the members of Flamingods quickly released two EPs, 2010’s Sun and 2011’s Away. 2013’s full-length debut Sun was a reimagining of the material off the EP of the same name that featured “Quesso,” a collaboration with Ponytail‘s Dustin Wong on lead guitar. Around the time of the album’s release, the British government enacted new visa laws which forced Rasool to return to Bahrain after he finished school. Rasool then moved to Dubai, where he worked for an independent magazine and coffee shop. And although at that point, the members of the band were residing on different continents and unable to play together, they continued to work on new material that eventually wound up becoming their critically applauded Hyperborea, an album that established a globe-spanning take on psychedelia that the band has dubbed “Exotic Psychedelia.”

During the release of Hyperborea, Prest relocated to Dubai to work closely with Rasool. And shortly after that, the members of Flamingods began working on their third full-length album, 2016’s Majesty, an album that was largely inspired by the likes of Les Baxter, Tito Puente, Arthur Lyman and others. Although the album received mixed reviews, it was championed by BBC Radio 6‘s Gilles Peterson and Lauren Laverne, who both invited the band to record live sessions. With Rasool and Prest able to return to the UK, the band was finally able to extensively across the UK and the European Union to support the album, including sets at Green Man Festival, End of the Road Festival, and Fusion Festival.

In February 2017, the band signed with Moshi Moshi Records, who released that year’s Kewali EP and the band toured to support the album, including their SXSW debut. The band also released a remix album of Majesty that featured remixes of album material by Ibibio Sound Machine, Meridian Brothers and OasisAndy Bell. And the band released a Dan Carey-produced live version of “Hyperborea.

Flamingods’ fourth, full-length album Levitation is slated for a May 3, 2019 release through Moshi Moshi Records, and the album is largely inspired by the disco, funk and psychedelic sounds out of the Middle East and South Asia in the ’70s but while channeled through mysticism, positivity and sun-drenched imagery. But perhaps much more important, the Levitation recording sessions found the band living and working on the same continent for the first time in about four years — and as a result, the album’s material may arguably be the most unified effort they’ve written and released in years. Now, as yo may recall, the album’s first single “Marigold” was a trippy bit of psych rock centered around a motorik groove, shimmering and arpeggiated synths delivered with a Brit Pop-like swagger. Interestingly, the album’s second single, album opening track “Paradise Drive” continues in a fairly similar vein as its predecessor, complete with a motorik groove, shimmering and arpeggiated synths — but the song may arguably bear the most uncanny resemblance to Evil Heat-era Primal Scream; in fact, “Paradise Drive” reminds me quite a bit of one of my favorite Primal Scream songs, “Autobahn 66” but with a subtle disco element to it,  complete with cowbell.

 

New Video: Flamingods Release Trippy Visuals for Their Motorik Groove-Driven New Single “Marigold”

Growing up in the Kingdom of Bahrain, Kamal Rasool, the founding member of acclaimed multi-continental-based psych rock act Flamingods traveled widely and collected rate and unique instruments from Tanzania, the Amazon and elsewhere. When Rasool relocated to London to study music, he recruited a few friends from Bahrain and London to start a band, including the members of the band’s current lineup — Karthik Poduval, Sam Rowe and Charles Prest.  Interestingly, their first live show together was an attention-grabbing show at the 2010 ATP Festival, which quickly led to a national profile. 

Building upon a growing profile, the members of Flamingods quickly released two EPs, 2010’s Sun and 2011’s Away and 2013’s full-length debut Sun, a reimagining of the material off the EP of the same name that featured “Quesso,” a collaboration with Ponytail’s Dustin Wong on lead guitar. Around the time of the album’s release, the British government enacted new visa laws which forced Rasool to return to Bahrain after he finished school.  

Rasool moved to Dubai, where he worked for an independent magazine and coffee shop. Although the members of the band were on different continents and unable to play together, they continued to work on new material that eventually wound up becoming their critically applauded Hyperborea, an album that established a globe-spanning take on psychedelia that the band has dubbed “Exotic Psychedelia.” 

During the release of Hyperborea, Prest relocated to Dubai to work closely to Rasool. The band quickly began working on their third full-length album, 2016’s Majesty, an album that was largely inspired by the likes of Les Baxter, Tito Puente, Arthur Lyman and others. Although the album was received mixed reviews, it was championed by BBC Radio 6’s Gilles Peterson and Lauren Laverne, who both invited the band to record live sessions. With Rasool and Prest able to return to the UK, the band was able to extensively across the UK and the European Union to support the album, including sets at Green Man Festival, End of the Road Festival, and Fusion Festival. 

In February 2017, the band signed with Moshi Moshi Records, who released that year’s Kewali EP and the band toured to support the album, making their SXSW debut. The band also released a remix album of Majesty that featured remixes of album material by Ibibio Sound Machine, Meridian Brothers and Oasis’ Andy Bell. Additionally. the band released a Dan Carey-produced live version of “Hyperborea.” 

The acclaimed act’s fourth, full-length album Levitation is slated for a May 3, 2019 release through Moshi Moshi Records, and interestingly, the album is largely inspired by the disco, funk and psychedelic sounds out of the Middle East and South Asia in the ’70s but channeled through mysticism, positivity and sun-drenched imagery. Interestingly, the album’s recording sessions found the band living and working in the same continent for the first time in about four years — and as a result, the album’s material has a unified feel. Levitation’s first single “Marigold” is a trippy and sunny bit of psych rock centered around a motorik groove, shimmering and arpeggiated synths and while delivered with a self-assured swagger, the song sonically reminds me of Evil Heat-era Primal Scream. 

Directed by Barbu.TV, the recently released video was shot during a trip the band made to Oman — in particular, the remote city of Nizwa, known for a gang of vintage motorbike riding youths — and the trip involved hazardous border crossing, self-made ornate, denim jackets. Additionally the video features some innovative camerawork and some appropriately hypnotic animation. As the band’s Kamal Rasool says of the video, “We had heard about this gang of motorbike riding youths through our friend [photographer] Ali Al Sharji and knew immediately that we wanted to make a music video with them. They live in a remote city in Oman called Nizwa and have had these vintage bikes passed down from generation to generation. The police aren’t so fond of them but they are some of the nicest guys we’ve ever met.  We joined them riding through the city and had a proper road trip along the way with the Barbu. TV guys, exploring through deserts, mountains, skate parks, palm groves and old monuments. I think the motion of them riding the bikes melded with the motorik groove of the song perfectly and the sun-soaked environment was just what we needed to capture the song’s themes”