Seattle-based psych rockers/shoegazers New Age Healers will be releasing their fifth album, Blowing Smoke Through the Choir is slated for an August 19, 2026 release. The album is a reportedly an expansive evolution of the shoegaze-psych hybrid they developed and sharpened on 2024’s The Spin Out that sees the band pushing their sound further sonically and structurally while brining new collaborators into their dense, dreamlike orbit, including Film School’s Greg Bertens and Karate Guns & Training‘s Valerie Green.

For the first time in their history, the new album sees frontman Owen Murphy sharing songwriting duties with guitarist Jeramy Koepping, whose ideas form the backbone of four tracks. The addition of vocalist Elisa Notthingham helps to deepen their already immersive sound while threading new textures through their signature swell of ethereal guitars, luminous synth work and muscular rhythm section. “It was amazing to have someone present ideas and get to sing over them,” Murphy says of co-writing with Koepping. 

While the music opens up, the lyric remain characteristically oblique. “These are political songs hidden within love songs,” Murphy explains. “There’s no possible way someone like me can make a record right now and not, in some way, shape, or form have what’s happening in the world affect it thematically.”

The album also marks the band’s first collaboration with producer and mixer John Goodmason, “It was really interesting working with John, because besides being an outrageously great guy and extraordinarily talented, his resume blasts out of the pages,”says Murphy. “He’s the guy that mixed or recorded the likes of Bikini Kill, Sleater-Kinney, Blonde Redhead, and he’s worked with a local band here called Suzzallo that is incredible. So I was just so grateful that we got to work with him, hear his ideas, and have the opportunity to trust him to help us make something great.”

Thematically, Blowing Smoke Through the Choir is about emotional accumulation — how personal and collective anxieties bleeding into one another. Murphy credits his work producing KEXP’s The Morning Show with John Richards as a major influence on the album. “It’s a different kind of radio show in which John, through music, is communicating emotions of all types, and the audience responds to us, often calling to share birthdays or to tell us of loved one’s passing,” Murphy explains. “It’s incredibly powerful. We’ve been doing this five days a week amidst the last ten years of pure chaos, and all of that experience, probably more than anything, is infused into this record.”

Blowing Smoke Through the Choir‘s latest single “Moored” is a shimmering and slow-burning shoegaze track featuring Murphy’s urgent yet melodic croon beneath skittering drums, swirling and atmospheric guitars. shimmering synths and a supple bass line. Seemingly channeling a blend of Luminous-era The Horrors, A Storm in Heaven-era The Verve and others, “Moored” is ethereal yet grounded, suggesting that we remain tethered to something — whether it’s hope, faith or something less easily named and more difficult to describe.

Murphy explains that the central characters of the song are a bit of a reflection of the voting public, and how over the past decade or so, everyone just wants to throw Molotov cocktails into the system, not caring about the results and without any thought towards the future, ““Like the couple in the song, they’re just along for the ride. And so, the next part of the lyric says, “Leave them out in the sun like you want to burn them,” just let everything burn. And we’ll see what happens, for better or worse.”