Tag: Ramonda Hammer

I’ve written quite a bit about the Seattle, WA-based heavy metal quartet Thunderpussy over the past handful of years, and as you may recall the act quickly exploded into the national scene as a result of a string of critically applauded live shows and co-signs from Rolling Stone and Pearl Jam’Mike McCready. Building upon a rapidly growing profile, the band released their Mike McCready-produced self-titled debut through Stardog Records/Republic Records, and the album which featured the Led ZeppelinBlack Sabbath meets Joan Jett-like anthem “Speed Queen” and the bluesy “Velvet Noose,” further cemented the band’s reputation for crafting self-assured, arena friendly rock.

The strutting, AC/DC-like “Never Know” is the first bit of new material from the band since the release of their self-titled debut, and while centered around enormous hooks, a booze-fueled 12 bar blues and Molly Sides’ sultry vocals — and while continuing a run of arena friendly rock, the song which features a new drummer, also manages to possess a different energy and air; that of an ambitious band that wants to take over the entire world.

“‘Never Know’ was a labor of lust!” The band says in press notes. “We dove deep, got stuck and let it go. Turns out it came back to us with a new energy and a new drummer! This was our first experience recording in LA with a group of producers that blew us away. We feel like the sound is something we’d been searching for a while and ended up being there all along. You truly never know what will happen when you let something go. If it’s mean tot be, it always finds a way back!”

The band is currently touring this summer with Black Pistol Fire, Hollis Brown and Ramonda Hammer and the tour includes a stop at Brooklyn Bowl tonight. Check out the tour dates below.

 

Tour Dates 
8/9: Brooklyn, NY @ Brooklyn Bowl #
8/10: Philadelphia, PA @ Milkboy #
8/11: Baltimore, MD @ Metro Gallery #
8/13: Nashville, TN @ High Watt #
8/15: Indianapolis, IN @ Hi-Fi Indy #
8/16: Chicago, IL @ Reggie’s Rock Club #
8/17: Saint Paul, MN @ Turf Club #
8/19: Bozeman, MT @ The Eagles Ballroom #
8/20: Boise, ID @ Humpin’ Hannah’s #
9/30: Anaheim, CA @ Chain Reaction *
10/1: San Diego, CA @ House of Blues – Voodoo Room *
10/3: Las Vegas, NV @ The Bunkhouse Saloon *
10/4: Los Angeles, CA @ House of Machines *
10/5: San Francisco, CA @ The Midway San Francisco

# w/ Hollis Brown
*w/ Ramonda Hammer

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New Video: The 120 Minutes-Inspired Sounds and Visuals for Ramonda Hammer’s “Destroyers”

Over the past few months, I’ve written a couple of posts featuring the Los Angeles, CA-based indie rock/grunge rock quartet Ramonda Hammer. Comprised of  founding member, frontwoman and primary songwriter Devin Davis, along with Andy Hengl, Justin Geter and Mark Edwards, the quartet derive their name from a woman, who was featured on the early 2000s reality TV show Cheaters, and with the release of their 2016 debut effort, Whatever That Means, the act quickly received attention both locally an nationally, as the album was released to praise from the likes of  Impose Magazine, Earmilk, PureVolume, Fuse TV and others. 

Building upon a growing profile, the Los Angeles-based indie rock quartet signed with New Professor Records and released “Zombie Sweater” to applause from Brooklyn Vegan, She Shreds Magazine, Blurred Culture and others; in fact, the band also was named one of “LA’s hardest-working bands of 2016” by Oh My Rockness and one of the “best LA emerging bands of 2017 by The Deli Magazine. The quartet released the Destroyers EP earlier this month, and the EP’s latest single, EP title track “Destroyers” is a jagged and off-kilter track that channels The Breeders, Veruca Salt, The Mallard, Bleeding Rainbow, and others, complete with a rousingly anthemic hook before dissolving into a stormy yet chaotic and cathartic coda; but at the core of the song is a bitter, emotional ambivalence, as the song manages to be simultaneously feral yet ironic, triumphant and ass-kicking yet yearning for more — without quite knowing how to get there. 

Directed by Matthew Anderson and featuring the members of Ramonda Hammer along with Elizer Rios, Dylan Karate, Jessie Payo, Gayly Singletary, Addison Murphy, Caleb Hammond, and Justin Jackson, the recently released video draws from 120 Minutes-era visuals — but with a decidedly hazy, feverish vibe, as it features two toga wearing men, drinking wine until one drops dead presumably from poison, a series of Ancient Greek-like characters on the fringes, much like a Greek tragedy before splitting into focusing on the band performing the song, as though it’s the soundtrack to the proceedings. 

Earlier this week, I wrote about the Los Angeles, CA-based indie rock/grunge rock quartet Ramonda Hammer. Comprised of founding member and primary songwriter Devin Davis, along with Andy Hengl, Justin Geter and Mark Edwards, the quartet derive their name from a woman, who was once featured on the early 2000s reality TV show Cheaters. Their self-released 2016 debut Whatever That Means was released to critical applause from Impose MagazineEarmilk, PureVolumeFuse TV and elsewhere, and as a result of a rapidly growing local and national profile, the band signed with New Professor Records and released “Zombie Sweater” to applause from Brooklyn VeganShe Shreds MagazineBlurred Culture and others. Adding to a growing profile, the band was named one of “LA’s hardest-working bands of 2016” by Oh My Rockness and one of the “best LA emerging bands of 2017 by The Deli Magazine.

Ramonda Hammer’s forthcoming EP Destroyers is slated for an August 4, 2017 release, and the effort’s jagged and off-kilter title track “Destroyers” received attention from this site and elsewhere for a sound that channeled  The BreedersVeruca SaltThe MallardBleeding Rainbow, and others, complete with a rousingly anthemic hook before dissolving into a stormy yet cathartic coda; but at the heart of the song is an emotional ambivalence, as the song manages to be simultaneously feral yet bitterly ironic, triumphantly ass-kicking yet a little sad.

The EP’s latest single “Bender” as Davis explains was written while she was binge-watching Shameless for two weeks straight and she just couldn’t get off the couch to anything remotely productive. “In retrospect, I guess I could call it ‘research’ or whatever, because I ended up writing this song. But yeah, the lyrics are really just a conversation between two opposing sides in one’s brain. The verses ask questions from the more sane, healthy part of one’s psyche, and the choruses respond from the anxiety-ridden, depressed, and very frustrated side. And the reason this person (okay, it’s me!) is so effing frustrated is because they care so so so much, but when crippling depression sets in from time to time, when they get caught in a bender of some sort, it’s so hard to do the things that make you happy. In a final cry, I end the song with, ‘I swear that I deserve good things’ because I think I do and I know other people feel the same.” And while arguably being the most personal song Davis has written, it may be one of the more melodic and anthemic tunes they’ve released to date, sounding as though it could have been released between 1992 and 1996.

Comprised of founding member, frontwoman and primary songwriter Devin Davis, along with Andy Hengl, Justin Geter and Mark Edwards, the Los Angeles, CA-based indie rock/grunge rock quartet Ramonda Hammer derive their name from a woman, who was featured on the early 2000s reality TV show Cheaters.

The quartet’s self-released 2016 debut Whatever That Means was released to critical praise from Impose MagazineEarmilk, PureVolume, Fuse TV and elsewhere. Building upon the growing attention they’ve received, the quartet signed with New Professor Records and released “Zombie Sweater” to applause from Brooklyn Vegan, She Shreds Magazine, Blurred Culture and others; in fact, the band also was named one of “LA’s hardest-working bands of 2016” by Oh My Rockness and one of the “best LA emerging bands of 2017 by The Deli Magazine.

Interestingly, 2017 looks to be a big year for the up-and-coming Los Angeles-based quartet as they’ll be releasing their new EP, Destroyers on August 4, 2017 — and the EP’s latest single, EP title track “Destroyers” is a jagged and off-kilter track that channels The Breeders, Veruca Salt, The Mallard, Bleeding Rainbow, and others, complete with a rousingly anthemic hook before dissolving into a stormy yet cathartic coda; but at the heart of the song is an emotional ambivalence, as the song manages to be simultaneously feral yet bitterly ironic, triumphantly ass-kicking yet a little sad.