Tag: R&B

New Video: St. Panther Shares Strutting, Old School-Inspired “OUT ON THE CORNER”

Los Angeles-based Mexican/Colombian producer, singer/songwriter, rapper and multi-instrumentalist Dani Bojorges-Giraldo (they/them) is the creative mastermind behind the critically applauded recording project St. Panther. Bojorges-Giraldo’s previously released work was the soundtrack to the early part of this decade for many folks, but following their departure from the major label network, the Los Angeles-based artist took time to be among their peers, friends and loved ones. 

Last year’s McClenney and Bojorges-Giraldo co-produced EP Strange World featured a defiant, genre-transforming collection of soulful, modern pop songs that narrate and confront the wider climate of uncertainty and oblivion. Thematically, Strange World was as much about Bojorges-Giraldo’ and their world — their village, their people, themselves — but also, the very strange world we inhabit right now. Drawing from soul, R&B, jazz, hip-hop and alt-pop the EP’s material sets out to urge for a sense of purpose, security and love admits seemingly universal apathy and chaos. 

The EP featured the EP title track “Strange World,” the old-school Quiet Storm-meets D’Angelo-like “The Deal” and “American Dreams.”

Bojorges-Giraldo’s highly anticipated McClenney co-produced St. Panther full-length debut, East Side Love Story is slated for a November 20, 2026 release through Los Angeles-based label drink sum wtr. East Side Love Story is reportedly an effervescent, soulful set of love songs dedicated to both their hometown and their neighborhood. Work began subconsciously when the rising and acclaimed Los Angeles-based artist started Shazamming songs that their neighbors were playing every day, populating a playlist that they playfully titled “East Side Love Story,” a nod to their cat’s bustling social life. “She’s a stray, literally got her from my neighborhood outside. She has a roster of boyfriends who come to visit her at the door and window. Pretty soon, my life started mirroring hers,” explains Bojorges-Giraldo. East Side Love Story traces seasons of relationships, from the ecstasy of newness to the pitfalls of monogamy, the distance between one another on respective paths, and an evolving understanding of love in its totality.

Coloring their craft with their surrounding neighborhood and culture, the acclaimed Los Angeles-based artist’s full length debut captures a chapter in their life defined by freedom and love. Continuing their ongoing collaboration with McClenney, Bojorges-Giraldo sees the album as a culmination: “I’ve been able to apply my influences and build a world around what my signature is, pulling the best of my performances and musicality, figuring out the place that I want it all to sit.” 

East Side Love Story’s latest single “OUT ON THE CORNER” is a strutting blend of Chicano and Motown-era soul featuring twinkling keys, old-school soul drum fills, a supple bass line and soul/funk guitar stabs beneath Bojorges-Giraldo’s soulful, lullaby-like croon . While showcasing their uncanny knack for pairing catchy hooks with earnest, lived-in lyricism, “OUT ON THE CORNER” details the often complicated and fleeting nature of modern romance with a sweet, old school-inspired charm. Lemme tell y’all, sometimes a sweet love song is what you need when the world is on fire and everything is seemingly full of hopelessness and doom. I say that because life, dear friends, is often about the small moments — especially the seemingly endless process of falling in love, falling out of love, heartbreak and repeat.

“I was pacing around my apartment singing the ‘oo’s’ and quickly picked up my Cordoba to try and sound out the chords,” Bojorges-Giraldo says of OUT ON THE CORNER’S creative process. “That demo was like an ear worm, it lent all the space for a Motown approach but we still needed a modern touch. After reworking it with Chris (McClenney) I called in Brian Gazo to track some “oo’s” on top of mine. There’s these isolated moments that crack a whole album open, hearing Brian’s first takes was exactly that. By the end of that session his vocals were on four songs on the album.” 

They continued: “What was important to me was capturing this particular moment in time on a record. I think we’ll look back on records like this and be able to appreciate that from Boyle Heights to Long Beach we were a movement of brown artists, the next generation of the music we grew up loving. To be able to have him across the album felt just right, like a family photo that will be passed down for generations.”

Directed by St. Panther and Khari Cousins, the accompanying video for “OUT ON THE CORNER” follows the acclaimed Los Angeles-based artist through their neighborhood and hometown, lovingly capturing its soul and character, as well as the warmth and kindness of its people.

New Audio: Zacchae’us Paul Returns with Swaggering “TEN outta Ten”

Atlanta-born and based producer, singe/songwriter and multi-instrumentalist Zacchae’us Paul released his highly-anticipated sophomore album JAZZ MONEY VOL. 2: SWINGIN’ R&B this past Friday. Sonically, the album sees the rising Atlanta-based artist effortlessly crafting a seamless blend of jazz, R&B, neo-soul and hip-hop that features razor sharp beats complementing nimble, acoustic jazz drumming, emcees effortlessly spitting bars alternating with jazz solos.There’s R&B-styled crooning and sangin.’ There are producer tags, interludes and spoken word sections. And it’s all anchored in jazz improvisation and cinematic storytelling influenced by hip-hop’s golden age.

JAZZ MONEY VOL. 2: SWINGIN’ R&B includes the previously released “LOOK TO THE SKY” “SHE F*CK WITH THE RACKS,” the Zacchae’us Paul and DJ OOOCHILD co-produced “BETTER MUST COME” feat. happy qavah, donSMITH, Keenyn Omari and Derzon Douglas, the Down To Mars-produced “STAY” feat. donSMITH and the album’s release day single “TEN outta TEN.” “TEN outta TEN” is a sleek and effortless blend of trap, R&B and jazz that pairs thumping, eardrum shattering low end and trap beats with soulful crooning, thoughtful lyricism, hip-hop swagger and lounge-ready sophistication.

As a Georgia native, Paul created the song to pay tribute to legendary local hip-hop producer Zaytoven. “I’ve always felt a connection to Zaytoven,” Paul explains. “We’re both preacher’s kids and organists whose musical foundation was built in the church. Even after all of his success, he still plays in church today. That has always inspired me because it reminds me that your gift belongs to God before it belongs to the industry.”

He continues, “Ironically, trap was the first style of music I ever learned to produce. I started making beats in middle school before I ever considered myself a jazz musician. From there, I became obsessed with exploring every branch of Black American music—jazz, gospel, blues, R&B, soul, funk, hip-hop, and beyond. To me, they’re all connected. This record is where those worlds meet: a tribute to one of Atlanta’s greatest producers through my own musical language.”