Tag: Rodaidh McDonald

New Video: Love Spells Returns with Flirty “Don’t Touch”

Sir Teagan Harris is the Houston-born creative mastermind behind the rising, solo recording project Love Spells. At 18, Harris poured his passion for love into music, manifesting a career out of ambition and drive, while battling homelessness for years. Eventually, he wound up in California, where he lived with a friend he met online, traveling to different music studios everyday to perfect his sound. After six months, he returned to Houston and received a call from Kevin Abstract, who invited him to work on his most recent album, last year’s Bluish.

Working on Kevin Abstract’s Blush connected Harris to his now frequent collaborators Dominic Fike and Deb Never. That life changing experience pushed Harris to return to Los Angeles and work on his highly-anticipated Love Spells debut, LOVE IS THE LAW. Released this past Friday through RCA Records, the rising Houston-based artist’s debut album seems him working with a talented cast of collaborators including Danny Parra, Boy Deco, Brad Hale, Rodaidh McDonald, Alex Craig, and Rick Nowels to create material that recalled his nights at Numbers, a beloved Houston area dance club and safe heaven for alternative communities.

While spending time at Numbers, Harris frequently danced to 70s, 80s and New Wave, and he specifically wanted to inject that particular genre-blurring feeling into his work, seeking out similar spaces in Los Angeles and leaning heavily on those eras in the studio. Movies like Dirty Dancing and Footlose were also sources of inspiration, helping the Houston-based artist and his collaborators craft a “theatrical yet authentic” feeling.

Our lives revolve around love, it governs nearly every aspect of human life,” Harris says of the record. “LOVE IS THE LAW is a grand declaration, it’s in your face and there’s nothing to hide. The album title means exactly what it says – to hold love above everything else. That message is something I’ll declare for the rest of my life.”

LOVE IS THE LAW will include the previously released “Crutch,” “Keep It To Yourself,Maybe I Still Love You” and the album’s latest single “Don’t Touch.” “Don’t Touch” is sultry and seductive bit of honky tonk-inspired pop built around a strutting and twangy acoustic guitar and shimmering pedeal steel beneath Harris’ aching falsetto. Lyrically nodding at Prince‘s “Raspberry Beret” and The Georgia Satellites‘ “Keep Your Hands To Yourself,” “Don’t Touch” features a narrator, who tells a story of a meet cute with a mysterious stranger, who knows the art of seduction — and gets what she wants.

Directed and choreographed by Shay Latukolan, the accompanying video for “Don’t Touch” is set in a half-filled Texas honky tonk and features dance and movement as a form of seduction between the video’s incredibly attractive central couple.

New Video: Love Spells Shares Atmospheric and Yearning “Maybe I Still Love You”

Sir Teagan Harris is the Houston-born creative mastermind behind the rising, solo recording project Love Spells. At 18, Harris poured his passion for love into music, manifesting a career out of ambition and drive, while battling homelessness for years. Eventually, he wound up in California, where h lived with a friend he met online, traveling to different music studios everyday to perfect his sound. After six months, he returned to Houston and received a call from Kevin Abstract, who invited I’m to work on his most recent album, last year’s Bluish.

Working on Kevin Abstract’s Blush connected Harris to his now frequent collaborator Dominic Fike and Deb Never. That life changing experience pushed Harris to return to Los Angeles and work on his highly-anticipated Love Spells debut, LOVE IS THE LAW. Slated for a July 24, 2026 release through RCA Records, LOVE IS THE LAW found the Houston-born artist working with Danny Parra, Boy Deco, Brad Hale, Rodaidh McDonald, Alex Craig, and Rick Nowels to create material that recalled his nights at Numbers, a beloved Houston-based dance club and safe heaven for alternative communities. While at Numbers, Harris danced to 70s, 80s and New Wave, and he specifically wanted to inject that feeling into his work, seeking out similar spaces in Los Angeles and leaning on those eras in the studio. Movies like Dirty Dancing and Footlose were also sources of inspiration, helping the Houston-based artist and his collaborators craft a “theatrical yet authentic” feeling.

LOVE IS THE LAW will include the previously released “Crutch,” “Keep It To Yourself” and the album’s latest single “Maybe I Still Love You.” “Maybe I Still Love You” is a slow-burning and atmospheric bit of Quiet Storm-meets-Bill Withers-inspired R&B that features Harris’ achingly tender and yearning falsetto dancing alongside a sparse arrangement of twinkling piano, bursts of shimmering and soulful guitar, a simple backbeat, a supple bass line. The song’s narrator finds closure and freedom in recognizing the true depths of his emotions.

“‘Maybe I Still Love You’ is for anyone still fighting with feelings they can’t ignore, that moment of coming to terms with the fact that you still care and want to keep caring,” Harris explains. “Because above all, you have to believe in love for love to be seen.”

Directed by Colt Grice, the accompanying video for “Maybe I Still Love You” features a couple doing a simple two-step slow dance together while embracing. The couple’s story is up to interpretation but there’s palpable sense of love, the sort of love that at times is demanding and difficult yet worth fighting for.

New Video: Youth Lagoon Shares Meditative and Compassionate Ode to Failure “Football”

Boise-based singer/songwriter Trevor Powers is the creative mastermind behind the critically applauded psych/dream pop recording project Youth Lagoon. After a lengthy hiatus, which saw him recording under his own name, Powers returned with the critically applauded Heaven Is a Junkyard, the first Youth Lagoon album in eight years.

Powers begins 2024 with “Football,” the follow-up to Heaven Is a Junkyard, which sees him continuing his collaboration with co-producer Rodaidh McDonald. “Football” is a dreamily minimalistic track built around twinkling keys, a supple bass line, jazz-inflected four-on-the-floor-like rhythms and bursts of bluesy guitar paired with Powers’ gentle croon waxing metaphysically while telling tales of damaged people and failure with a compassionate, knowing sense of empathy.

“‘Football’ is really a celebration of failure,” Powers says. “Society has a terrible habit of only recognizing achievement while glossing over the greatness in the shadows. We’re so distracted trying to earn love, worth and value that we forget it’s something we inherently already have. I wanted to play with this idea through the lens of sports ‘cuz, in a lot of ways, sports are the truest religion. When I was young, it was the only way I knew how to connect with my dad. We didn’t have a lot in common, but we could both throw the ball. There were rules and rituals we could see eye-to-eye on. We didn’t have to argue over who was right or wrong. The difference in my family was, it didn’t matter how good I was. The act of just throwing a ball was communion. It didn’t matter if I caught it. I love my Dad for that.”

“Football” is accompanied by a video by Caleb Halter that’s nostalgia-inducing and charmingly old-timey as we see footage from old parades set in the screen, much like an old photo book.

Currently comprised of founding members Alexis Taylor and Joe Goddard, along with Owen Clarke, Al Doyle, and Felix Martin, the critically applauded, Grammy Award-nominated, London-based electro pop act Hot Chip can trace its origins back to when its founding duo of Taylor and Goddard met while studying at Elliot School, Putney. Bonding over a shared love of R&B and house music, Hot Chip’s founding duo started collaborating together musically as early as 1998.

After releasing 2001’s Mexico EP, 2002’s San Frandisco EP and a handful of other material through small labels and independently, the act caught the attention of Moshi Moshi Records, who signed the band in 2003 and subsequently released their full-length debut, 2004’s Coming on Strong. Interestingly around this time, the project expanded to a full-fledged band with the additions of Owen Clarke, Felix Martin and Al Doyle. And with their new lineup, the act began working on their sophomore album The Warning while signing a UK and US record deal with DFA Records and EMI Records, which resulted in Astralwerks releasing their full-length debut in the States in 2005.

Released in 2006, The Warning earned the band a more mainstream following while being critically applauded — the album featured two UK Top 40 singles  “Over and Over” and “Boy from School,” before eventually being shortlisted for that year’s Mercury Prize and Mixmag‘s Album of the Year. Adding to a growing national profile. “Over and Over” was named the best single of that year by NME.

The acclaimed London-based electro pop act’s third, full-length album, 2008’s Made in the Dark featured “Ready for the Floor,” which peaked at #6 on the UK charts. Building upon the buzz the single received, the band made appearances on Friday Night with Jonathan RossJimmy Kimmel Live! and Last Call with Carson Daly — with the song receiving a Grammy nod for “Best Dance Recording,” eventually losing out to Daft Punk’s “Harder Better, Faster, Stronger (Alive 2007).

After completing a lengthy world tour to support Made in the Dark, the members of Hot Chip returned to London and began writing and recording their fourth full-length album, 2010’s disco and early house music influenced One Life Stand, which found the band collaborating with This Heat‘s and Camberwell Now’s Charles Hayward, The Invisible’s Leo Taylor and Trinidadian steel panist Fimber Bravo.

Since then the band released two more albums: their fifth album, 2012’s In Our Heads, an album that the band’s Alexis Taylor said was written and recorded in a speedier fashion with less pressure and more fun — and 2015’s Why Make Sense, which featured album single “Huarache Lights.”

Hot Chip’s seventh full-length album A Bath Full of Ecstasy is slated for a June 21, 2019 release through Domino Records — and while being their third album for Domino, the album reportedly finds the band firmly cementing the sound they’ve been celebrated for — bringing euphoria and melancholy with breezy and colorful melodies, plaintive vocals and propulsive beats. Interestingly, the album which was recorded in Paris and London finds the act opening themselves up to a more adventurous and collaborative songwriting process, choosing to work with outside producers for the first time in their history —Cassius‘ Philippe Zdar, who has worked with Phoenix and Rodaidh McDonald, who has worked with the likes of The xx, David Byrne, Sampha and others.

Clocking in at 6 minutes, the album’s first single  “Hungry Child” is centered around glistening synths, tweeter and woofer rocking beats, finger snaps, plaintive vocals, an anthemic hook and a motorik-like groove — and while clearly being indebted to classic house and sultry French electronica, the track also subtly recalls JOVM mainstay Beacon. And as a result, it has a bittersweet air; the sort that comes from the recognition that joy is often paired with pain.
2019 will also see the members of Hot Chip embarking on what may arguably be the biggest tour of their entire history with a number of club shows during the Spring across Europe and North America, including a sold out April 29, 2019 stop at Elsewhere — before making stops across the European festival circuit. They return to New York in the fall with two dates — September 3, 2019 and September 4, 2019 at Brooklyn Steel. Check out the tour dates below.
Tour Dates
4/4 – London @ Village Underground SOLD OUT
4/5 – Brighton @ Concorde 2 SOLD OUT
4/6 – Bristol @ Trinity SOLD OUT
4/8 – Paris @ Trabendo SOLD OUT
4/9 – Brussels @ Botanique Orangerie SOLD OUT
4/11 – Cologne @ Luxor SOLD OUT
4/12 – Hamburg @ Mojo SOLD OUT
4/13 – Berlin @ Columbia Theatre SOLD OUT
4/14 – Amsterdam @ Paradiso Noord SOLD OUT
4/29 – Brooklyn, NY @ Elsewhere SOLD OUT
5/1 – Los Angeles, CA @ El Rey Theatre SOLD OUT
5/2 – Pioneertown, CA @ Pappy and Harriet’s SOLD OUT
5/4 –  San Francisco, CA @ August Hall SOLD OUT
5/24 – London @ All Points East Festival
6/1 – Egeskov Castle, Denmark @ Heartland Festival
6/8 – Helsinki, Finland @ Sideways Festival
6/14 – 6/18 – Mannheim, Germany @ Maifeld Derby Festival
6/28 – 6/30 – Somerset @ Glastonbury Festival
6/4 – Catalonia Spain @ Vida Festival
6/5 – Six-Fours-les-Plages, France @ Pointu Festival
6/11 – Lisbon, Portugal @ NOS Alive Festival
6/11 – 6/13 – Bilbao, Spain @ Bilbao Live Festival
6/19 – 6/21 – Jodrell Bank, Macclesfield @ Bluedot Festival
6/19 – 6/21 – Biarritz, France @ Biarritz en été Festival
6/26 – Aulnoye-Aimeries, France @ Les Nuits Secrètes Festival
8/2 – 8/4 – Waterford, Ireland @ All Together Now Festival
8/4 – Glasgow @ Playground of Sound Festival
8/16 – St Malo, France @ La Route du Rock Festival
8/16 – 8/18 – Hasselt, Belgium @ Pukkelpop Festival
8/30 – Vlieland, Netherlands @ Into The Great Wide Open Festival
Autumn 2019 headline tour
9/3 – Brooklyn, NY @ Brooklyn Steel
9/4 – Brooklyn, NY @ Brooklyn Steel,
9/7 – Washington, DC @ 9:30 Club
9/8 – Philadelphia, PA @ Union Transfer
9/9 – Boston, MA @ Royale
9/10 – Montreal, QC @ MTELUS
9/12 – Toronto, ON @ Phoenix Concert Theatre
9/13 – Chicago, IL @ Riviera Theatre
9/14 – Minneapolis, MN @ First Avenue
9/17 – Vancouver, BC @ Vogue Theatre
9/18 – Seattle, WA @ The Showbox
9/19 – Seattle, WA @ The Showbox
9/20 – Portland, OR @ Roseland Theater,
9/24 – Santa Cruz, CA @ The Catalyst
9/25 – Oakland, CA @ Fox Theater
9/27 – Los Angeles, CA @ Shrine Auditorium
10/17 – Dublin @ Olympia
10/18 – Birmingham @ O2 Institute 1
10/21 – Bristol @ O2 Academy
10/22 – Nottingham @ Rock City
10/24 – Norwich @ LCR
11/30 – Milan @ Alcatraz
12/2 – Amsterdam @ Melkweg
12/3 – Berlin @ Columbiahalle
12/4 – Luxembourg @ den Atelier
12/5 – Lausanne @ Les Docks
12/7 – Paris, @ Elysée Montmartre
12/11- Hamburg @ Docks
12/14 – Stockholm @ Vasateatern
12/15 – Oslo @ Rockefeller