Tag: Rodes Rollins

 

Roughly over the past 2 years or so, I’ve written quite a bit about Rodes Rollins, a Boulder, CO-born singer/songwriter, who spent a stint living abroad in Buenos Aires, Argentina and is now primarily based in New York. And as you may recall, Rollins quickly emerged into the national scene with the release of “Young and Thriving,” the first single off her critically applauded debut EP Young Adult, an incredibly self-assured effort written as a portrait of an artist as a young woman, in which the narrator looks back at her most formative experiences with a nostalgic yet wizened flashback of sorts — and the perspective of someone, who now sees how her decisions for better or for worse, planned or serendipitous have influenced who she has become and where her life is at this moment.

Earlier this year, I wrote about “Nasty Woman,” a bold and self-assured feminist anthem that according to Rollins was largely centered on empowerment and pride, while focusing on ” . . .the multi-dimensionality of what it means to be a woman in society — being who you are, as you are; and being proud of that. This song is not presented from only my singular perspective, or through just one medium. The very point of what I’m trying to express is that being a woman shouldn’t be a restrictive identity, but rather a broad and inclusive one.” Sonically, the song is based around a bluesy and reverb-y guitar line, propulsive drumming from Portugal, The Man’s Kane Ritchotee an infectious hook and Rollins’ sultry cooed vocals — and while sultry, the song lyrically features inclusive and intersectional lyrics. Rollins followed that up with “Boom Pow,” which was centered around a circular, hypnotic guitar riff and African-inspired percussion and rhythms, and an infectious hook paired around the New York-based singer/songwriter’s sultry and self-assured vocals. Sonically, the song finds the JOVM mainstay pushing her sound in a new direction — but while retaining the essential elements of the sound and approach that captured the attention of the blogosphere; in fact, as Rollins explained at the time, the song was inspired by a wide array of influences from Tinariwen to Jane Birkin.  Adding to a busy, attention-grabbing 2018 Rollins recently released the Velvet A/B side single, which features the looping and galloping “Mystery Man,” single that draws some influence from a short story she wrote about an abandoned desert town, where there was a fugitive on the run from the law — the eponymous Mystery Man character. Naturally, the song is an atmospheric and moody track that evokes Spaghetti Western soundtracks but with a sultry and soulful air. The B-side single “Wrong Turn” is an equally atmospheric but slow-burning and gorgeous ballad that reminds me a bit of Pavo Pavo but with a fiery guitar solo at its coda. Both of Rollins’ latest tracks reveals an artist, who has confidently found her own unique voice — and I’m looking forward to see where her songwriting and career go next.

 

 

 

 

 

Over the past 12-18 months or so, I’ve written quite a bit about Rodes Rollins, a Boulder, CO-born singer/songwriter, who spent a stint living abroad in Buenos Aires, Argentina and is now primarily based in New York, and as you may recall, she quickly emerged into the national scene with “Young and Thriving,” the first single off her critically applauded debut EP Young Adult, an incredibly self-assured effort written as a portrait of an artist as a young woman, in which the narrator looks back at her most formative experiences with a nostalgic yet wizened flashback of sorts — with the perspective of someone, who now sees how her decisions for better or for worse, planned or serendipitous have influenced who she has become and where her life is at this moment.

Earlier this year, I wrote about “Nasty Woman,” a bold and self-assured feminist anthem that according to Rollins was largely centered on empowerment and pride, while focusing on ” . . .the multi-dimensionality of what it means to be a woman in society — being who you are, as you are; and being proud of that. This song is not presented from only my singular perspective, or through just one medium. The very point of what I’m trying to express is that being a woman shouldn’t be a restrictive identity, but rather a broad and inclusive one.” Sonically, the song is based around a bluesy and reverb-y guitar line, propulsive drumming from Portugal, The Man’s Kane Ritchotee an infectious hook and Rollins’ sultry cooed vocals — and while sultry, the song lyrically features inclusive and intersectional lyrics.

Rollins’ latest single “Boom Pow” is centered around a circular, hypnotic guitar riff and African-inspired percussion and rhythms, and an infectious hook paired around the New York-based singer/songwriter’s sultry and self-assured vocals. Sonically, the song finds the JOVM mainstay pushing her sound in a new direction — but while retaining the essential elements of the sound and approach that captured the attention of the blogosphere. As Rollins says of the song “‘Boom Pow’ is a song inspired by a wide array of influences from Tinariwen to Jane Birkin. I write Americana inspired music and felt compelled to explore the different influences of the Americana genre by showcasing West African-tinged percussion and rhythms. I’m excited to showcase a different side of my sound with this song. I really feel like I’m covering different territory with this one.”

Rollins is playing a free set at Elsewhere’s Rooftop. And you can RSVP here: https://www.facebook.com/events/231823890926934.

New Video: Rodes Rollins Releases Sultry and Self-Assured Visuals for “Nasty Woman”

Now, over the past 12-18 months or so, I’ve written a bit about Rodes Rollins, a Boulder, CO-born singer/songwriter, who spent a stint living abroad in Buenos Aires, Argentina and is now primarily based in New York. Rollins emerged into the national scene with “Young and Thriving,” the first single off her critically applauded debut EP Young Adult, an incredibly self-assured effort written as a portrait of an artist as a young woman, in which the narrator looks back at her most formative experiences with a nostalgic yet wizened flashback — with the perspective of someone, who now sees how her decisions for better or for worse, planned or serendipitous have influenced who she has become and where her life is at this moment.

“Nasty Woman,” Rollins’ latest single is a bold, self-assured, feminist anthem that according to Rollins is largely centered on empowerment and pride, while focusing on ” . . .the multi-dimensionality of what it means to be a woman in society — being who you are, as you are; and being proud of that. This song is not presented from only my singular perspective, or through just one medium. The very point of what I’m trying to express is that being a woman shouldn’t be a restrictive identity, but rather a broad and inclusive one.” Sonically, the song is based around a bluesy and reverb-y guitar line, propulsive drumming from Portugal, The Man‘s Kane Ritchotee  an infectious hook and Rollins’ sultry cooed vocals — and while sultry, the song lyrically features inclusive and intersectional lyrics.

Directed by Louis Browne, the recently released video for “Nasty Woman” is as sultry and self-assured as the song it accompanies. As Rollins says of the video treatment, “‘Nasty Woman’ is my own personal feminist anthem. Tonally and thematically it’s very different from my other material. It was really empowering and fun for me to write and record this one. I wanted that to come through in the visuals for the song too. So, we made an effort for the video to incorporate bold, bright colors and a strong energy. Performing in this video really gave me a platform to showcase the confidence when I sing ‘Nasty Woman.'”

Lyric Video: Rodes Rollins Releases a Boldly Self Assured Feminist Anthem

Over the past year or so, I wrote a bit about Rodes Rollins, a Boulder, CO-based singer/songwriter, who has had stints living abroad in Buenos Aires, Argentina and is now primarily based in New York. And as you may recall, Rollins first emerged into the national scene with “Young and Thriving,” the first single off her critically applauded debut EP Young Adult, an incredibly self-assured album that told the story of the artist’s most formative experiences of her youth in a sort of nostalgic yet wizened flashback — or in other words with the perspective of someone, who now sees how her decisions, both for better or for worse, planned or serendipitous have influenced where her life is at this very moment. 

“Nasty Woman,” Rollins’ latest single is a boldly self-assured, empowering, feminist anthem that according to Rollins centers on empowerment and pride, while focusing on  “. . . the multi-dimensionality of what it means to be a woman in society — being who you are, as you are; and being proud of that. This song is not presented from only my singular perspective, or through just one medium. The very point of what I’m trying to express is that being a woman shouldn’t be a restrictive identity, but rather a broad and inclusive one.” Interestingly, the song will further cement the up-and-coming singer/songwriter’s reputation for crafting infectious hook-laden pop but this time centered around a propulsive and bluesy guitar line and propulsive drumming from Portugal, The Man’s Kane Ritchotee — but while featuring deeply inclusive, intersectionally focused lyrics. 

 

Rodes Rollins is  Boulder, CO-born pop artist, who has spent time living abroad in Buenos Aires, Argentina and now currently splits her time between New York and Los Angeles. Rollins first emerged into the national spotlight with “Young & Thriving,” the first single off her recently released debut EP Young Adult, a single that possessed a wistful sense of nostalgia, along with acceptance and wonder over the circumstances and people that initially seem random and serendipitous, but wind up influencing and dictating the course of your life paired with a sultry, subtly Spaghetti Western-tinged psych pop production.  With the attention “Young & Thriving” received, Rollins followed with the EP’s second single “Wes Come Back,” a single about the artist’s first love, a man who endured hardship throughout his life while reportedly drawing inspiration from Broken Bells and Ennio Morricone.

The EPs their single “Feedback” much like the EP’s previous singles draws from Rollins’ most formative experiences of her youth, told in a sort of nostalgic flashback — with the perspective of someone who now sees how the various decisions, foibles, and events of her life have influenced where she is at this moment. In the case of “Feedback,” the song’s narrator looks back towards a confusing and heartbreaking love affair/fling she had when she was young — and in one way, the song suggests that the narrator’s trust was profoundly shaken, while also hinting that that the experience had shaped how the narrator proceeds in her relationships for better or for worse.

Sonically, the song balances moody atmospherics with a soaring and anthemic hook that gives the song a dramatic ebb and flow, while being roomy enough for Rollins’ sultry and smoky vocals while revealing that the up-and-coming artist can write an infectious hook.

 

 

 

Rodes Rollins is  Boulder, CO-born pop artist, who has spent time living abroad in Buenos Aires, Argentina and now currently splits her time between New York and Los Angeles. Her latest EP Young Adult was produced by Alex Goose, who has worked with Kevin Gates and Weezer, and the material on the EP is largely inspired by her experiences living about while also thematically focusing on the fleeting nature of beauty and youth — and as a result, as you’ll hear on the EP’s latest single “Young & Thriving,” the material possesses a wistful sense of nostalgia, acceptance and wonder over the circumstances and people that inform and influence one’s life. And it’s paired with a sexy and subtly Spaghetti Western, psych pop sound reminiscent of Betty Black.