Tag: Roosevelt Polydans

New Video: Roosevelt Shares Otherworldly Animated Visual for Collab with Nile Rodgers

While cutting his teeth for years touring around the world, collaborating with Washed Out and remixing work by artists like RhyeGlass AnimalsCHVRCHES and Charlotte Gainsbourg, Marius Lauber, the Viersen, Germany-born, Cologne-based singer/songwriter, multi-instrumentalist and producer, best known as Roosevelt quickly became one of most buzzed-about artists in electronic music. 

Lauber’s sophomore album, 2018’s Young Romance, saw the acclaimed artist and producer making a decided move away from the slickly produced EDM of his previously released work to a warmer, hook-driven, disco-inspired sound. Fittingly, the album focused on — well, young romance, including the trials, tribulations and frustrations of falling in and out of love, and of desperately trying to carve out some semblance of home while on the road. 

The German artist and producer’s third album, last year’s Polydans continued a remarkable run of critically applauded, dance floor friendly jams that effortlessly meshed 80s synth pop and disco — while serving as a love letter to electronic music, inspired by the interconnectivity found on the dance floor. 

“Passion,” Lauber’s first bit of new material since last year’s Polydans sees the acclaimed German artist and producer collaborating with the iconic Nile Rodgers on a sleek, club banger centered around the disco legend’s imitable funk guitar licks, Lauber’s plaintive vocals, a strutting and irresistible groove and glistening synths. Bim Amoako-Gyampah contributes soulful backing vocals on the track, too. 

While clearly inspired by and indebted to disco’s glorious heyday, “Passion” isn’t a soulless homage of a familiar and beloved sound; at its core it should remind listeners of what makes a great pop song and a club banger — deep, irresistible grooves paired with razor sharp, infectious hooks. 

Understandably, the collaboration for a dream come true for Lauber, who says: “Nile has been one of my biggest influences over the years, so working on a track together with him was an absolute dream come true. The track had many different shapes and forms over almost two years, so I’m happy to finally have a version that I’m happy with. Nile and I worked on the track remotely via phone calls and e-mails, before I finally met him in LA to celebrate the completion of it. The man is a living legend to me, and just talking to him about the early disco days was such a big inspiration. ‘Passion’ is an ode to Studio 54, a homage to the energy and ecstasy of late-70s disco.” 

Animated by Colombian design group Mero, the accompanying video for “Passion” visually recalls — and perhaps is inspired by — the video for Daft Punk’s “One More Time:” We see the video’s protagonists, animated versions of Roosevelt and Rodgers, struck by the power of disco and funk coming to life and jamming on another world. The video manages to capture the song’s hopeful and fun energy in a breezy yet surreal fashion.

While cutting his teeth for years touring around the world, collaborating with Washed Out and remixing work by artists like Rhye, Glass Animals, CHVRCHES and Charlotte Gainsbourg, Marius Lauber, the Viersen, Germany-born, Cologne-based singer/songwriter, multi-instrumentalist and producer, best known as Roosevelt quickly became one of most buzzed-about artists in electronic music.

Lauber’s sophomore album, 2018’s Young Romance, saw the acclaimed artist and producer making a decided move away from the slickly produced EDM of his previously released work to a warmer, hook-driven, disco-inspired sound. Fittingly, the album focused on — well, young romance, including the trials, tribulations and frustrations of falling in and out of love, and of desperately trying to carve out some semblance of home while on the road.

The German artist and producer’s third album, last year’s Polydans continued a remarkable run of critically applauded, dance floor friendly jams that effortlessly meshed 80s synth pop and disco — while serving as a love letter to electronic music, inspired by the interconnectivity found on the dance floor.

“Passion,” Lauber’s first bit of new material since last year’s Polydans sees the acclaimed German artist and producer collaborating with the iconic Nile Rodgers on a sleek, club banger centered around the disco legend’s imitable funk guitar licks, Lauber’s plaintive vocals, a strutting and irresistible groove and glistening synths. Bim Amoako-Gyampah contributes soulful backing vocals on the track, too.

While clearly inspired by and indebted to disco’s glorious heyday, “Passion” isn’t a soulless homage of a familiar and beloved sound; at its core it should remind listeners of what makes a great pop song and a club banger — deep, irresistible grooves paired with razor sharp, infectious hooks.

Understandably, the collaboration for a dream come true for Lauber, who says: “Nile has been one of my biggest influences over the years, so working on a track together with him was an absolute dream come true. The track had many different shapes and forms over almost two years, so I’m happy to finally have a version that I’m happy with. Nile and I worked on the track remotely via phone calls and e-mails, before I finally met him in LA to celebrate the completion of it. The man is a living legend to me, and just talking to him about the early disco days was such a big inspiration. ‘Passion’ is an ode to Studio 54, a homage to the energy and ecstasy of late-70s disco.” 

The acclaimed German artist and producer will be on the road for some extensive touring across the European Union and UK later this month through early June. He’ll be touring across North America for much of the summer, including a September 1, 2022 stop at Elsewhere’s Rooftop. Check out the tour dates below.

NORTH AMERICAN LIVE DATES

6.11 – Palm Springs, CA – Splash House 2022 (DJ SET)

6.17 – Houston, TX – White Oak Music Hall

6.18 – Dallas, TX – The Studio at the Factory

6.20 – Atlanta, GA – Terminal West

6.21 – Nashville, TN – Eastside Bowl

6.22 – Columbus, OH – Newport Music Hall

6.24 – Rothbury, MI – Electric Forest Festival

6.26 – Minneapolis, MN – Fine Line Music Cafe

6.28 – Englewood, CO – Gothic Theater

6.29 – Salt Lake City, UT – Soundwell

7.01 – San Francisco, CA – 1015 Folsom (DJ SET)

7.08 – Austin, TX – The Venue (DJ SET)

7.09 – Washington, DC – Flash Rooftop (DJ SET)

7.16 – East Hampton, NY – The Clubhouse Hamptons (DJ SET)

9.01 – Brooklyn, NY – The Rooftop at Elsewhere (DJ SET)

INTERNATIONAL LIVE DATES

5.26 – Hamburg, Germany – Gruenspan

5.27 – Berlin, Germany – Huxley’s

5.29 – Cologne, Germany – Carlswerk Victoria

6.02 – Paris, France – La Trabendo

6.03 – Amsterdam, Netherlands – Melkweg Max

6.06 – London, UK – Electric Ballroom

6.07 – Manchester, UK – Band on the Wall

6.08 – Brussels, Belgium – Orangerie

6.09 – Istanbul, Turkey – Zorlu Performing Arts Centre

8.14 – Buftea, Romania – Summer Well Festival

New Audio: Roosevelt Releases an Infectious Club Friendly Banger

Marius Lauber is a Viersen, Germany-born, Cologne, Germany-based singer/songwriter, multi-instrumentalist, producer, and creative mastermind behind the acclaimed solo recording project Roosevelt. Lauber exploded into the international scene with the release of “Elliot,” the title track off his debut EP, 2013’s Elliot: “Elliot” received praise from Pitchfork, who named the track one of their “Best New Tracks” that year.

2015’s double A-side single “Night Moves”/”Hold On,” helped the German artist further establish a warm, synth-based Euro-disco sound. Lauber’s 2016 self-titled, Roosevelt debut featured attention grabbing tracks like “Colours” and “Moving On” and was supported with tours with Hot Chip, Totally Enormous Extinct Dinosaurs, Crystal Fighters. Glass Animals, Jax Jones,Truls, Sundara Karma, Luca Vasta and Kakkmaddaf all remixed album tracks.

Lauber’s sophomore album, 2018’s Young Romance found the acclaimed German singer/songwriter, multi-instrumentalist and producer moving away from the slickly produced EDM towards a warmer, guitar and synth-based sound paired with a wistful escapism. Thematically, the album fittingly focused on — well, young romance, including the trials, tribulations and frustrations of falling in and out of love while featuring a narrator, desperately trying to find some semblance of home while on the road. As Lauber explained in press notes at the time, the album was inspired by deeply personal events: “I ended up processing a lot of emotions that I felt during my youth. Faded relationships that haunted me for years, being on the road for what seemed like forever and the constant search for a place to call home.”

Released earlier this year, Lauber’s third Roosevelt album, Polydans may arguably be one of his most critically and commercially successful efforts to date: Lauber has done live sessions for SPIN Magazine, Fender’s Artist Check-In and KEXP. The acclaimed German artist has also been interviewed by Apple Music 1, Filter, Rolling Stone, Interview Magazine, Clash Magazine, Earmilk, BrooklynVegan, Talkhouse and several others. Since the release of Polydans, Lauber has been rather busy, writing two new singles “On My Mind” and “About U” that serve as an extension to his latest album.

Lauber’s latest single, the achingly wistful yet sensual “On My Mind” is centered around shimmering synth arpeggios, Nile Rodgers-like guitar, a motorik-like groove, Lauber’s plaintive vocals expressing longing for that one who got away, and who the song’s narrator may never get back in their lives. Sonically “On My Mind” and its companion “About U” are deeply inspired by 00s French Touch — and as a result, find the German producer crafting euphoric bangers along the lines of Homework-era Daft Punk, Stardust and others.

My Mind’ and ‘About U’ were two demos that I was working on while I was finishing Polydans late last year,” Lauber explains in press notes. “I listened to a lot of early 2000s French House music at the time, so the songs were heavily influenced by acts like Stardust, Roger Sanchez, Benjamin Diamond or Room 5. The sounds of these records are still in my memory from watching MTV as a kid, so there was something really nostalgic in producing this release. I didn’t want to put them on Polydans, as they are sounding more electronic, less organic as the album, however they still feel like the same chapter to me. These will be part of the deluxe version of the album, that will come out later this year.