Lauren Lakis is a Baltimore-born, Los Angeles-based singer/songwriter and musician, who specializes in a brooding and churning take on shoegaze paired with authentic and honest lyricism. So far her work has been praised by Earmilk, who said that her material are “a refreshing change from today’s polite rock . . .”
The Baltimore-born, Los Angeles-based singer/songwriter and musician and her backing band have toured the West Coast extensively, playing bills with Drowse, Coastland, Elizabeth Colour Wheel’s Emmet Palaima, Flor and Winnetka Bowling League. Lakis and her band have played in front of a sold-out Doug Fir Lounge and at Santa Cruz’s The Catalyst. Adding to a growing profile, Lakis has played two solo sets opening for Grammy Award-nominated rocker Tracy Bonham.
Much like countless other acts, Lakis and her backing band had plans for a momentum changing 2020: they were scheduled to play at this year’s cancelled SXSW and they had hopes of setting up further tour dates. However, they’ve remained busy, releasing new material, including their latest single “Sail Away.” Centered around shimmering and reverb-drenched guitars, dramatic drumming, a sinuous bass line, darkly Romantic vibes and Lakis’ plaintive yet ethereal vocals,” Sail Away” is a brooding track that reminds me — to my ears at least — of PJ Harvey, Siouxsie and the Banshees, and Chelsea Wolfe.
Interestingly, the song is an uneasy and brooding examination of Lakis’ own dysfunctional and painful childhood and a desire to reconnect to a lost yet much-needed innocence. “Thematically, ‘Sail Away’ explores the idea of running away with my inner child, protecting and parenting her,” Lakis explains in press notes. “It’s me becoming my own mother, which was something I had to do at a young age.
“As the daughter of my mother, I had to learn how to take care of myself and grow up quickly. She struggled with addiction until I was almost 10 years old; I don’t have many memories of my childhood before that age. I’ve spent some years in Alanon, connecting to my inner child and learning how to ‘re-parent’ her as a way of healing those wounds,” Lakis continues. “The inner child is the part of us that is innocent, vulnerable, playful, full of wonder, freely trusting and loving. It hasn’t always been easy to connect with that side of myself.
“I didn’t feel like I had a voice as a kid, and I had no control over what was happening around me. In spite of, or perhaps because of this, I grew into an extremely strong, resilient, capable adult. This song explores my longing for having had an adult like me around, when I was a child…as well as the anger I’ve carried with me for having missed out. I’ve had to accept that no one can go back in time and fix that for me.”
The recently released video is a cinematic and equally brooding visual with a fever dream-like quality that finds Lakis is a lace full-body suit.