Tag: Social Distortion

 

Late last year, I wrote about the Boston-based alt rock quintet Aneurysm, and as you may recall, the band formed back in 2014 and since then, they’ve developed a reputation for relentless touring and realizing a handful of 7 inch vinyl releases. Their long-awaited full-length debut Awareness is slated for a February 1, 2019 release through Tor Johnson Records, and the album, as the band’s Dan Bahto explains in an interview with No Echo, the material on the album is sort off a collection of things they had been working on since they started.

Awareness‘ first single was the pummeling, mosh pit friendly “St. E.” Centered round enormous power chords, thunderous drumming and howled vocals, the track brought Nirvana, METZ and others to mind. The album’s second and latest single “Newport” continues on a similar vein as its predecessor while rooted in a melodicism that brings Social Distortion to mind; in fact, the song is centered around world-weary and hard-fought reflections on sex, drugs, cops, death and rock ‘n’ roll.  The song kicks ass but as I turn 40 in a couple of months, it has a sobering air: it’s full of the recognition of that you’re getting older; that the scene is slowly phasing you out; that with each passing day you’re looking at your mortality in the mirror.

 

New Video: The Chavez Ravine Releases a Darkly Ironic Visual for “Bermuda Triangle”

Comprised of Manny Nieto (vocals, guitar), Phil Guerrero (drums) and Mando Lopez (bass), the indie rock trio The Chavez Ravine may arguably be as Los Angeles as it can get: the trio of grizzled local scene veterans features members, who have played in a number of renowned bands including Distortion Felix, FEAR, The Breeders, and Morrissey‘s backing band — and the band’s name is derived from the name of the Los Angeles that was appropriated by the city in 1958 to make room for Dodger Stadium. “I think our name The Chavez Ravine does mean something, considering we are all SoCal Latinos making music that’s not metal, as a DJ or playing hip-hop,” Nieto says. “Our DNA is more Devo vs. Wipers.” Additionally, Nieto is known for his work at Suplex Audio, where he has produced albums by HEALTH, Trash Talk, The Breeders, Darker My Love, Los Lobos and others. 

The Los Angeles-based trio recently took part in Dangerbird Records‘ MICRODOSE monthly single release and live event series, which celebrates new music from the city’s Eastside neighborhood — and beyond.  And their contribution is the 90s grunge rock-inspired “Bermuda Triangle,” a muscular and insistent track centered by fuzzy power chords, a steady backbeat, down-tuned bass and a hook that subtly recalls Social Distortion (at least to my ears). 

The recently released video stars Richard “Cully” Roberts as a distraught lover, who desperately attempts to bring his dead girlfriend, Chloe Diaz with his car. Once brought back to life, Roberts takes Diaz out to dance at a quiet bar, where the members of The Chavez Ravine are playing the song. While heading to the car, a distracted Roberts gets hit by a car and dies; however, instead of attempting to bring her lover back to life, she gleefully kills him. Darkly ironic, indeed.