Tag: Spotify US Viral Charts

Throughout the course of the past year or so, I’ve written quite a bit about Geowulf, a dream pop duo, comprised of Noosa, Australia-born, longtime friends, Star Kendrick and Toma Benjamin. And although the duo currently split their time between London, UKGothenburg, Sweden, Berlin, Germany and Australia, the duo have known each other since the were teenagers; but their musical collaboration began in earnest when Kendrick, whose parents were also musicians, began to serious pursue music a few years ago and enlisted the help of Benjamin to flesh out her earliest demos.

After a string of successful, critically applauded singles including “Saltwater,” a track that received over 1 million Spotify streams and reached Hype Machine‘s top ten before breaking at #4 on Spotify’s US Viral Charts,  “Don’t Talk About You,” which seemed to channel Mazzy Star covering  Fleetwood Mac but with a lovelorn ache, and the Phil Spector meets Still Corners “Drink Too Much” among others, the critically applauded blogosphere darlings recently announced that their highly-anticipated Duncan Mills-produced full-length debut Great Big Blue is slated for a February 16, 2018 release through 37 Adventures Records. Along with that they released their latest single, the first official single from the forthcoming album, the shuffling, 60s girl group pop-like single “Hideaway,” which pairs Kendrick’s sultry cooing with a lushly layered production featuring jangling guitar chords, shimmering strings, a propulsive backbeat and soaring hooks. Unsurprisingly, there’s a careful and deliberate attention to craft that brings to mind the aforementioned Phil Spector but with subtle, modern flourishes.

Much like the duo’s previously released singles, the duo’s latest single focuses on the complications, frustrations and aches of romantic relationships — in this case, as the duo notes, “The song is about feeling like you’ve been completely transparent with someone only to realize they haven’t truly let you in.” And as a result, the song bristles with a bitter sense of betrayal and confusion underneath the gleaming and upbeat surface.

New Video: The Mischievously Surreal Visuals for Geowulf’s “Drink Too Much”

Now, if you had been frequenting this site over the past year, you’d recall that I’ve written quite a bit about Geowulf, a dream pop duo, comprised of Noosa, Australia-born Star Kendrick and Toma Benjamin and although currently the duo split their time between  London, UK, Gothenburg, Sweden and Berlin, Germany, their musical project can trace its origins to Benjamin’s and Kendrick’s long-time friendship, a friendship that they can trace to when they were both in their teams; however, their musical collaboration began in earnest when Kendrick, whose parents were also professional musicians, began to seriously pursue music a few years ago, and enlisted the help of her closest friend to flesh out her early demos.

With the release of their debut single “Saltwater” Kendrick and Benjamin quickly saw attention across the blogosphere and elsewhere as the single received over 1 million Spotify streams and reached Hype Machine‘s top ten before breaking at #4 on Spotify’s US Viral Charts. The Australian-born, European-based duo followed up on the buzz of their debut with the release of “Don’t Talk About You,” a single that channeled Fleetwood Mac and Mazzy Star as Kendrick’s gorgeously ethereal vocals were paired with lush, shimmering and jangling guitar chords, but underneath the self-assured, 70s AM Rock vibes was a lovelorn ache. As the duo’s Star Kendrick explained in press notes at the time, “This song went through a geographical and creative metamorphosis over almost two years. We originally wrote it in Copenhagen, demo’ed it in Stockholm and then revisited it recently when Toma and I were both in London. I guess the song speaks for itself but ultimately it falls in the good ol’ ‘wanting-something-that-ain’t-good-for-you’ vein …”

The duo’s latest single “Drink Too Much” is arguably one of the duo’s most playful and subversively upbeat songs they’ve released to date, as it features jangling guitars, twinkling keys, propulsive drumming and an anthemic, soaring hook to create a sound and aesthetic that nods at Phil Spector and Still Corners while nodding at something much darker; in fact, as the duo explain in press notes, the song is ultimately about “bulk red wine + tired relationships = bad news, baby” but below the surface is the sense that ghosts haunt and linger when we’re at our most vulnerable.

The recently released video for “Drink Too Much” is cinematic and feverish vision, featuring the duo at the pool of a resort — but instead of being surrounded by the expected young, lithe, buxom and beautiful, the duo is surrounded by a collection of middle-aged retirees with way too much time on their hands. And while initially suggesting a slowly creeping dread, the video turns mischievously surreal as the members of the duo lead a poolside dance party; but underneath there’s a wistfulness for the passing of yet another summer. 

Earlier this year, I wrote about Geowulf, a dream pop duo, comprised of Noosa, Australia-born Star Kendrick and Toma Benjamin and although currently the duo split their time between  London, UKGothenburg, Sweden and Berlin, Germany, their musical project can trace its origins to Benjamin’s and Kendrick’s long-time friendship, a friendship that they can trace to when they were both in their teams; however, their musical collaboration began in earnest when Kendrick, whose parents were also professional musicians, began to seriously pursue music a few years ago, and enlisted the help of her closest friend to flesh out her early demos.

Now, as you may recall, with the release of their debut single “Saltwater” Kendrick and Benjamin quickly saw attention across the blogosphere and elsewhere as the single received over 1 million Spotify streams and reached Hype Machine‘s top ten before breaking at #4 on Spotify’s US Viral Charts. The Australian-born, European-based duo followed up on the buzz of their debut with the release of “Don’t Talk About You,” a single that channeled Fleetwood Mac and Mazzy Star as Kendrick’s gorgeously ethereal vocals were paired with lush, shimmering and jangling guitar chords, but underneath the self-assured, 70s AM Rock vibes was a lovelorn ache. As the duo’s Star Kendrick explained in press notes at the time, “This song went through a geographical and creative metamorphosis over almost two years. We originally wrote it in Copenhagen, demo’ed it in Stockholm and then revisited it recently when Toma and I were both in London. I guess the song speaks for itself but ultimately it falls in the good ol’ ‘wanting-something-that-ain’t-good-for-you’ vein …”

The duo’s latest single “Drink Too Much” is arguably one of the duo’s most playful and subversively upbeat songs they’ve released to date, as it features jangling guitars, twinkling keys, propulsive drumming and an anthemic, soaring hook to create a sound and aesthetic that nods at Phil Spector and Still Corners while nodding at something much darker; in fact, as the duo explain in press notes, the song is ultimately about “bulk red wine + tired relationships = bad news, baby” but below the surface is the sense that ghosts haunt and linger when we’re at our most vulnerable.