Tag: Summertime

Now, if you’ve been frequenting this over the past few years, you’ve come across several posts featuring JOVM mainstay artist Rhythm Scholar, who has developed a reputation for being both incredibly prolific and for a series of genre-mashing remixes stuffed to the gills with both obscure and recognizable samples that are reminiscent of  Paul’s Boutique-era Beastie Boys and Girl Talk. He’s also developed reputation for releasing a series of more straightforward and traditional-leaning remixes, including a breezy and jazzy remix of A Tribe Called Quest’s “Can I Kick It?” consisting of cascading organs, strummed guitar, double bass, warm blasts of funky horn and swirling electronics and a breezy, lounge funk/lounge jazz leaning remix of Tribe’s “Bonita Applebum.” 

Rhythm Scholar returns with a remix of DJ Jazzy Jeff and The Fresh Prince’s 1991 smash-hit “Summertime” and while retaining Will Smith‘s cool delivery and the song’s overall nostalgia-tinged Roy Ayers-like vibe the remix adds bits and snippets of samples from Kool and The Gang, Dexter Wansel, James Brown, Dave Grusin, The Eagles and a few other hidden gems, including some soulfully meandering keys and boom-bap beats.

 

 

Now, if you’re been frequenting JOVM over the past couple of months, you might recall that I’ve written about the  Victoria, BC-based quintet Astrocolor. Comprised of Andrew Poirier (guitar), Anand Greenwell (saxophone), Chris Mackenzie (drums), William Farrant (bass), and Piers Henwood (guitar), the Canadian quintet decided that they wanted to tackle traditional and familiar Christmas songs for their latest recoded effort, Lit Up: Music for Christmas.

Featuring guest vocals from KandleRykkaJets Overhead‘s Antonia Freybe-Smith, and Abi Rose and co-produced by the Canadian quintet and Colin Stewart, best known for his work with Black MountainDan Mangan and AC Newman, the compositional and sonic approach was largely inspired by jazz great Stan Getz’Getz Au Go-Go, as well as Massive AttackAir and St. Germain. As the band explained in press notes, Stan Getz’s rendition of “Summertime,” “became a jumping off point for what we were trying to do, taking the classic ‘summertime and the livin’ is easy’  hook and reshaping it into an exploratory piece. We too wanted to create a sense of familiarity and exploration within the context of a Christmas album.”

The album’s first single “We Three Kings” was a noir-ish and moodily atmospheric song that managed to sound as though it owed a sonic debt to jazz, as much as it did to dubstep and trip-hop as Abi Rose’s seductive, jazz standard vocal stylings were paired with a mournful horn line, swirling electronics, angular, funk guitar and bass and plinking keys submerged in layers of reverb to craft a cinematic and sensual rendition of a familiar and beloved holiday song. The album’s latest single is a dubby and jazz-leaning rendition of “Sleigh Bells” that pairs Rose’s husky, jazz standard vocal stylings with angular bass lines, twisting and turning guitar chords played through gentle amounts of feedback and wah wah pedal, and warm blasts of expressive horns and subtly slows down the song’s familiar tempo and melody to create a trippy and breezy rendition of a beloved Christmas song we’ve all sung at some point — while sounding as though it drew influence from the Josh Roseman Unit‘s dub-leaning rendition of Burt Bacharach‘s “Long Day, Short Night.” And it does while reminding the listener of the song’s playful nature.

Comprised of Andrew Poirier (guitar), Anand Greenwell (saxophone), Chris Mackenzie (drums), William Farrant (bass), and Piers Henwood (guitar), the  Victoria, BC-based quintet Astrocolor decided that they wanted to tackle Christmas songs for their forthcoming album Lit Up: Music for Christmas. Featuring guest vocals from Kandle, Rykka, Jets Overhead‘s Antonia Freybe-Smith, and Abi Rose and co-produced by the Canadian quintet and Colin Stewart, best known for his work with Black Mountain, Dan Mangan and AC Newman, the approach to the album was largely inspired by jazz great Stan Getz’s Getz Au Go-Go, as well as Massive Attack, Air and St. Germain. As the band explained in press notes, Stan Getz’s rendition of “Summertime,” ” became a jumping off point for what we were trying to do, taking the classic ‘summertime and the livin’ is easy’  hook and reshaping it into an exploratory piece. We too wanted to create a sense of familiarity and exploration within the context of a Christmas album.”

“We Three Kings,” the first single off Lit Up: Music for Christmas is a noir-ish and moodily atmospheric song that sounds as though it owes as much of a sonic debt to jazz as it does to dubstep and trip hop as Abi Rose’s seductive, jazz standard vocal stylings are paired with a mournful horn line, swirling electronics, angular, funk guitar and bass, and plinking keys submerged in layers upon layers of reverb to craft a rendition of a familiar song that’s hauntingly mournful and cinematic — while being simultaneously intimate and sensual.

I’ve played the song a number of times before writing this post, and every time I can picture the three kings with their gifts riding through moonlit, desert skies to Bethlehem to see the baby Christ. But perhaps more important, it puts a modern spin on to a song that many of us have heard so much that its meaning and importance has been reduced to background music at the mall or in a commercial.