Tag: The Black Angels — Live at LEVITATION

Live Footage: King Gizzard and The Lizard Wizard Perform “Robot Stop” and “Hot Water” at Levitation

Levitation Festival (initially founded as Austin Psych Fest) can trace its beginnings to a simple idea devised by the members of JOVM mainstay act The Black Angels in the back of a tour van back in 2007: “Let’s invite all of our favorite bands and all of our friends for our version of a music festival.” 

The inaugural Austin Psych Fest was in March 2008 — and by popular demand, the festival expanded to a three-day event the following year. Within a relatively short period of time, Austin Psych Fest became an international destination for psych fans across the globe, with the festival featuring lineups that included up-and-comers, cult favorites, legendary and influential acts and a headlining set from the festival’s founders, The Black Angels. A few years ago, the festival was renamed Levitation in honor of Austin psych rock pioneers The 13th Floor Elevators, but in in its almost 15 year run, the festival has helped spark a new, international psych rock movement while inspiring the creation of similar events across the globe, including Levitation Festival events in ChicagoVancouver, France and a SXSW showcase, as well as other special events in Europe and Latin America.

Late last year, Levitation Festival’s record label, The Reverberation Appreciation Society announced the launch of a new live album series, Live at LEVITATION. Comprised of material played and recorded throughout the festival’s history, the live album series specifically captures and documents key artists in the contemporary psych rock scene. Of course, many of these moments were also important moments of Austin’s live music scene. 

  • The live series’ first album Kikagaku Moyo — Live at LEVITATION featured two different Kikagaku Moyo sets — their 2014 Levitation Festival set, which was one of the Japanese psych rock act’s first Stateside shows and their return to Levitation back in 2019, during a sold-out Stateside tour, which included a stop at Warsaw that year with Japanese krautrockers Minami Deutsch.
  • The series’ second album The Black Angels — Live at LEVITATION featured the festival’s founders The Black Angels. The Black Angels live album is comprised of material recorded at Austin Psych Fest 2010, 2011 and 2012, and captures a rare glimpse of the festival’s earlier, more humble days. And of course, for Black Angels fans, like myself, the album features live version of six songs from their first two albums — Passover and Directions to See a Ghost
  • The series third album Primal ScreamLive at LEVITATION features the legendary and influential British psych rockers — currently, Bobby Gillespie (vocals), Andrew Innes (guitar), Martin Duffy (keys), Simone Butler (bass) and Darrin Mooney (drums) — during their career spanning 2015 LEVITATION set. The set featured hits from landmark albums like  ScreamadelicaGive Out But Don’t Give UpXTRMNTR and others

The Reverberation Appreciation Society surprised psych rock fans with the surprise release of the fourth installment of their Live at LEVITATION series — King Gizzard and The Lizard WizardLive at LEVITATION. The double LP features the acclaimed JOVM mainstays’ 2014 and 2016 Levitation Festival appearances.

The Aussie JOVM mainstays’ 2014 appearance is presented in full on the first LP. That set is historic because it’s their first North American show, ever — and it includes a live performance of their then-unreleased “I’m in Your Mind Fuzz” suite. The rest of the set includes early versions of material loved by fans today while offering a look into the creative process of a band that was just about to explode into the global scene. After their 2014 North American tour, the band spent the summer in Brooklyn recording I’m Not Your Mind Fuzz and Quarters.

The second LP consists of King Gizzard and The Lizard Wizard’s 2016 Levitation Festival appearance: The band returned to celebrate the release of that year’s critically applauded, mind-bending effort Nonagon Infinity. Unfortunately, that year’s festival was canceled because of severe weather; but the recording on the second LP is one of two shows Gizz played at Barracuda thats weekend. Sadly, Barracuda is no longer.

Both shows were recorded by Craig Lawrence and mixed by the band’s mastermind Stu Mackenzie at their Melbourne-based studio — and specifically mastered for vinyl. To celebrate the live album’s release, The Reverberation Appreciation Society and the band released some blistering live footage of the band playing Nonagon infinity rippers “Robot Stop” and “Hot Water.” Play loud and then rock out.

The vinyl release will feature four unique colorways, each limited to 2000 in a matte gatefold featuring unique gold foil embossed numbered jackets numbered 1-8000. The first run will be the only one with those features — and a special record for anyone who collects records.

The album is also bundled with a super limited edition of tees, tie dyes and screen printed foil prints featuring artwork by Alan Forbes from the 2016 show and the long lost 2014 poster by C.M Ruiz.

Live Footage: Primal Scream at LEVITATION Festival

ea devised by the members of JOVM mainstay act The Black Angels in the back of a tour van back in 2007: “Let’s invite all of our favorite bands and all of our friends for our version of a music festival.”

The inaugural Austin Psych Fest was in March 2008 — and by popular demand, the festival expanded to a three-day event the following year. Within a relatively short period of time, Austin Psych Fest became an international destination for psych fans across the globe, with the festival featuring lineups that included up-and-comers, cult favorites, legendary and influential acts and a headlining set from the festival’s founders, The Black Angels. A few years ago, the festival was renamed Levitation in honor of Austin psych rock pioneers The 13th Floor Elevators, but in in its almost 15 year run, the festival has helped spark a new, international psych rock movement while inspiring the creation of similar events across the globe, including Levitation Festival events in Chicago, Vancouver, France and a SXSW showcase, as well as other special events in Europe and Latin America.

last year, Levitation Festival’s record label, The Reverberation Appreciation Society announced the launch of a new live album series, Live at LEVITATION. Comprised of material played and recorded throughout the festival’s decade-plus history, the live album series specifically captures and documents key artists in the contemporary psych rock scene. Of course, many of these moments were also important moments of Austin’s live music scene. 

The live series’ first album Kikagaku Moyo — Live at LEVITATION featured two different Kikagaku Moyo sets — their 2014 Levitation Festival set, which was one of the Japanese psych rock act’s first Stateside shows and their return to Levitation back in 2019, during a sold-out Stateside tour, which included a stop at Warsaw that year with Japanese krautrockers Minami Deutsch.
The series’ second album The Black Angels — Live at LEVITATION featured the festival’s founders The Black Angels. The Black Angels live album is comprised of material recorded at Austin Psych Fest 2010, 2011 and 2012, and captures a rare glimpse of the festival’s earlier, more humble days. And of course, for Black Angels fans, like myself, the album features live version of six songs from their first two albums — Passover and Directions to See a Ghost.

e (vocals), Andrew Innes (guitar), Martin Duffy (keys), Simone Butler (bass) and Darrin Mooney (drums) — have embraced an eclectic and diverse array of styles and sounds from psych pop, degenerate rock ‘n’ roll, euphoric rave and industrial gloom while going through a complicated series of lineup changes that have also included The Stone Roses’ Mani and My Bloody Valentine’s Kevin Shields, and the death of beloved guitarist Robert “Throb” Young. They’ve collaborated on material with George Clinton and Kate Moss. And throughout their run, they’ve managed to capture the mood and tone of the UK several times over — while surviving narcotic oblivion and countless personal traumas.

Slated for a November 19, 2021 release through The Reverberation Appreciation Society, Primal Scream — Live at LEVITATION is centered around the British legends’ 2015 LEVITATION set, a career spanning set, which pulled hits from landmark records like Screamadelica, Give Out But Don’t Give Up, XTRMNTR and others. To build up buzz for the album, LEVITATION, The Reverberation Appreciation Society and Primal Scream released two singles off the album: muscular renditions of Give Out But Don’t Give Up track “Jailbird” and XTRMNTR track “Accelerator.” The accompanying live footage serves as a reminder that Primal Scream is one of the best live bands in the entire world.

A/Canada and British and European stores, a Rough Trade vinyl exclusive and a very special American feature as part of the annual Ten Bands One Cause charity initiative. That feature will launch around National Breast Cancer Awareness Month in October — and will benefit Red Door Community, where no one faces cancer alone.

Live Footage: The Black Angels Perform “Young Men Dead” at LEVITATION Festival

Levitation Festival (formerly known as Austin Psych Fest) can trace its beginnings to a simple idea devised by the members of  The Black Angels in the back of a tour van in 2007 — let’s invite all of our favorite bands and all of our friends for our version of a music festival. 

The inaugural Austin Psych Fest was in March 2008 and by popular demand, the festival expanded to a three day event the following year. Austin Psych Fest quickly became an international destination for psych rock fans with lineups featuring up-and-comers, cult favorites, legendary and influential acts and a headlining set from The Black Angels. Renamed Levitation in honor of Austin psych rock pioneers The 13th Floor Elevators, the festival has sparked an new, international psych rock movement while inspiring the creation of several similar events across the globe, including Levitation Festival events in Chicago, Vancouver, France and a SXSW showcase, as well as other special events in Europe and Latin America.

Late last year, Levitation Festival’s record label, The Reverberation Appreciation Society announced the launch of a new live album series, Live at LEVITATION. Comprised of material played and recorded throughout the festival’s decade-plus history, the live album series specifically captures and documents key artists in the contemporary psych rock scene. Of course, many of these moments were also important moments of Austin’s live music scene. 

The live series’ first album Kikagaku Moyo — Live at LEVITATION featured two different Kikagaku Moyo sets — their 2014 Levitation Festival set, which was one of the Japanese psych rock act’s first Stateside shows and their return to Levitation back in 2019, during a sold-out Stateside tour, which included a stop at Warsaw that year with Japanese krautrockers Minami Deutsch.

Live at LEVITATION‘s second album The Black Angels — Live at LEVITATION features the festival’s founders The Black Angels. The Black Angels live album is comprised of material recorded at Austin Psych Fest 2010, 2011 and 2012, and captures a rare glimpse of the festival’s earlier, more humble days. And of course, for Black Angels fans, like myself, the album features live version of six songs from their first two albums — Passover and Directions to See a Ghost. “Since the beginning The Black Angels were meant to be heard live,” the band’s Christian Bland explains in press notes. “This record captures the rumble of the drums and amps, and the very essence of the way it should sound. Now future generations and new listeners can now hear how these songs were meant to be heard.”

The album’s first single was a hypnotic and equally menacing version of Passover single “Manipulation” that featured a mesmerizing guest spot from Elephant Stone‘s bassist, sitarist and frontman Rishi Dihr. And building up more buzz for the album’s release day — which is tomorrow — the band released the live album’s second and latest single, a muscular and menacing version of Passover single “Young Men Dead.” The accompanying live footage captures the band and their live sound with an uncanny fidelity.

This weekend is a big weekend for the band: As I mentioned their live album, Black Angels — Live at LEVITATION is slated for a digital and vinyl release tomorrow. And if you’ve been frequenting this site over the past year, you’d recall that The Black Angels and MIEN frontman Alex Mass released his solo debut, a meditative and gentler take on the psych rock sound he’s developed throughout his nearly two decade career, inspired by the birth of his son Luca.

Much like countless other artists across the globe, the pandemic has put touring on hold indefinitely. So, Maas and his backing band — Bryan Richie, Jake Garcia and Rob Kidd — decamped to nearby Bastrop, TX to bring the live show that they had developed around the album’s material to the world through a live performance film, shot in the Texan city’s historic downtown.  “We shot this down in an old opera house built in 1889 and a 100 year old German tailor mercantile building in historic downtown, which is now Astro Records,” Maas says in press notes. “This session is a glimpse of what a tour on Luca would look like had we not been in a pandemic. It was a joy to get out and get back with the friends and collaborators I created this album with, and bring these songs to life. For now this is the world tour, and a look at what we’re looking forward to being able to do on stage when we are back up and rolling! Thank you to Jonas Wilson of Mr. Pink Records who asked me originally to film this in the beautiful city of Bastrop.” 

Featuring sections from Luca and three new songs, the live session shot in Bastrop, TX will stream as a Levitation Session on March 27, 2021 at 7:00PM Central.

Live Footage: The Black Angels Performs “Manipulation” at LEVITATION Festival with Elephant Stone’s Rishi Dihr

Levitation Festival (formerly known as Austin Psych Fest) can trace its beginnings to a simple idea devised by the members of The Black Angels in the back of a tour van in 2007 — let’s invite all of our favorite bands and all of our friends for our version of a music festival.

The inaugural Austin Psych Fest was in March 2008 and by popular demand, the festival expanded to a three day event the following year. The festival quickly became an international destination for psych rock fans with lineups featuring up-and-comers, cult favorites, legendary and influential acts and a headlining set from The Black Angels. Renamed Levitation in honor of Austin psych rock pioneers The 13th Floor Elevators, the festival has sparked an new, international psych rock movement while inspiring the creation of several similar events across the globe, including Levitation Festival events in Chicago, Vancouver, France and a SXSW showcase, as well as other special events in Europe and Latin America.

Late last year, Levitation Festival’s record label, The Reverberation Appreciation Society announced the launch of a new live album series, Live at LEVITATION. Comprised of material played and recorded throughout the festival’s decade-plus history, the live album series specifically captures and documents key artists in the contemporary psych rock scene. Of course, many of these moments were also important moments of Austin’s live music scene.

The live series’ first album Kikagaku Moyo — Live at LEVITATION featured two different Kikagaku Moyo sets — their 2014 Levitation Festival set, which was one of the Japanese psych rock act’s first Stateside shows and their return to Levitation back in 2019, during a sold-out Stateside tour. Live at LEVITATION’s second album The Black Angels — Live at LEVITATION features the festival’s founders The Black Angels. Comprised of material recorded at Austin Psych Fest 2010, 2011 and 2012, the album captures a rare glimpse of the festival’s early days — and for Black Angels fans, like myself, it also features six songs from their first two albums, Passover and Directions to See a Ghost.

The Black Angels — Live at LEVITATION is slated for a March 26, 2021 digital and vinyl release through The Reverberation Society, and as The Black Angels’ Christian Bland explains in press notes, “Since the beginning The Black Angels were meant to be heard live. This record captures the rumble of the drums and amps, and the very essence of the way it should sound. Now future generations and new listeners can now hear how these songs were meant to be heard.”

The album’s first single is hypnotic and menacing live version of Passover single “Manipulation” that features a mesmerizing guest spot from Elephant Stone’s bassist, sitarist and frontman Rishi Dihr. The accompanying live footage was filmed at Austin’s Seaholm Power Plant.