Tag: The Budos Band

Best known as a member of Charles Bradley‘s backing band The Extraordinaries and Sharon Jones‘ backing band The Dap Kings, Lee Fields‘ backing band The Expressions, Antibalas and The Budos Band and for collaborating with Mark Ronson and others, the Chicago, IL-born, New York-based trumpeter Billy Aukstik began writing his own soul-inspired compositions and founded Brooklyn-based indie soul label Dala Records. And since founding the label, Aukstik has produced the debut efforts of a handful of locally-based artists including singer/songwriter, John Fatum, The Rad Trads, Michael Harlen, Patrick Sargent and Camellia Hartman, as well as his own solo work under the moniker Billy the Kid.

Last year, I wrote about a Dala Records split 7 inch single “Breathing Hard (Over You)”/”Honey Bee” featuring Camellia Hartman and its founder Aukstik, with both artists backed by the Dala Records house band, The Soulful Saints. And as you may recall, Hartman is an East Village-born and-based vocalist and multi-instrumentalist, who as a child studied the Suzuki method on violin, bass and guitar at rock ‘n’ roll day camp, trombone in middle school and a cappella in high school.  Hartman’s latest single is the Billy Aukstik penned, “Return the Favor,” which is centered around the East Village-born and -based multi-instrumentalist and vocalist’s effortless and old-timey soulful vocals and an arrangement featuring twinkling keys, shuffling drums, and a loose, bluesy guitar line and a sultry horn line. Sonically, the song, which draws from Northern Soul production brings to mind the sounds of The Supremes and others, complete with a swooning and aching longing.

 

 

 

 

 

 

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Perhaps best known for lengthy stints in the backing bands for Charles Bradley, Sharon Jones and Lee Fields, as well as the horn sections of Antibalas and The Budos Band and for collaborating with Mark Ronson, the incredibly accomplished Chicago, IL-born, New York-based trumpeter, composer, producer and vocalist Billy Aukstik began writing his own soul-inspired compositions and founded the Brooklyn-based indie soul label Dala Records. And since the label’s founding, Aukstik has produced the debut efforts of a handful of locally-based soul and soul-leaning artists including singer/songwriter, John FatumThe Rad TradsMichael HarlenPatrick Sargent and Camellia Hartman, as well as his own solo work under the moniker Billy the Kid.

Slated for an April 2, 2018 release, Aukstik’s solo debut EP Stay Strong was recorded over the course of two years between two different studios — the first being an East Village-based DIY space, where Aukstik’s only recording gear was a Tascam 388 8-track tape machine, and the second being his new, self-built Bushwick, Brooklyn-based studio Hive Mind Recording. As a result, the listener may hear a subtle yet noticeable change in texture and fidelity throughout the EP; but as Aukstik explains in press notes, “the compositions and arrangements are crafted in a way that make the transitions from song to song smooth and welcoming.” Aukstik adds that the “EP could be considered a concept record by its evolution in sound from track one through nine, as well as the underlying story that can be pieced together as each song goes by.” Unsurprisingly, the EP features contributions from members of Charles Bradley’s Extraordinaires, Antibalas and The Dap Kings — and from the EP’s first single “Oh, Emily,” Aukstik will further cement his reputation for crafting sweeping soul indebted to the late 60s and early 70s; in fact, Aukstik has long employed the use of the Maestro Rhythm King, a 1970s drum machine made popular by Sly Stone and Shuggie Otis. But more important, “Oh, Emily” is a sweetly swooning, old-fashioned love song with an elegant horn line that to my ears makes a subtle nod to The Beatles‘ “Martha, My Dear” — although about an actual human.

 

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Perhaps best known as a member of Charles Bradley’s backing band The Extraordinaires, the late, great Sharon Jones’ backing band The Dap Kings, Lee Fields’ backing band, The Expressions, Antibalas and The Budos Band, who has also collaborated with Mark Ronson and others, the Chicago, IL-born, New York-based trumpeter Billy Aukstik began writing his own soul-inspired compositions and founded Brooklyn-based indie soul label Dala Records. And since founding the label, Aukstik has produced the debut efforts of a handful of locally-based artists including singer/songwriter, John Fatum, The Rad Trads, Michael Harlen, Patrick Sargent and Camellia Hartman, as well as his own solo work under the moniker Billy the Kid.

Dala Records’ latest rlease “Breathing Hard (Over You)”/”Honey Bee” is a split 7 inch single featuring labelmates Camellia Hartman and its founder Aukstik, backed by the Dala Records house band, The Soulful Saints. Hartman is an East Village-born and raised vocalist and multi-instrumentalist, who as a child studied the Suzuki method on violin, bass and guitar at rock ‘n’ roll day camp, trombone in middle school band and a capella in high school — and her contribution to the split 7 inch, “Breathing Hard (Over You)” was recorded and mixed on an 8 track tape machine, which further emphasizes the classic Motown meets Northern soul production. And while making the song sound as though it could have been released as a 45rpm single back in 1964, the production manages to give Hartman’s tender yet playfully coquettish vocals room to express an aching yet somewhat girlish longing and desire.

Aukstik’s contribution “Honey Bee” is a twangy, slow-burning, 70s AM rock meets Muscle Shoals-leaning bit of soul that features Aukstik’s tender falsetto over an arrangement featuring lap steel guitar, Farfisa organ, Maestro Rhythm King drum machine, fuzzy guitar chords and a sinuous hook — and while nodding at psych rock, the song to my years reminds me a bit of Sandra Rhodes’ sadly forgotten Muscle Shoals meets Nashville solo debut, Where’s Your Love Been.

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New Video: The Trippy and Cinematic Sounds and Visuals of Gramps The Vamp’s “The Cave of 10,000 Eyes”

Building upon their growing profile, the band’s sophomore effort The Cave of 10,000 Eyes is slated for an October 18, 2016 release and the album’s material draws from Afrobeat, funk, soul, ethio-jazz an other genres for an ominous, moody and dangerous take on 70s funk as you’ll hear on the album’s latest single and title track “The Cave of 10,000 Eyes,” a track that sonically speaking bears a resemblance to The Budos Band and He Miss Road/Expensive Shit-era Fela as the act pairs a deep, funky groove with a sweepingly cinematic feel and a wild, untamed spirit.

Directed by Alaric Rocha, the recently released video for “The Cave of 10,000 Eyes”stars Veronica Roy and fittingly pays homage to 70s Grindhouse cinema, Mad Max, the work of George Romero and Quentin Tarantino.

Live Footage: Charles Bradley Performing “Ain’t It A Sin” on Late Show with Stephen Colbert

Originally released as a Record Store Day B-side to his incredibly soulful cover of Black Sabbath‘s “Changes” with fellow Daptone Records labelmates The Budos Band, and a regularly occurring part of his live sets “Ain’t It A Sin,” is the third and latest […]

Rather unsurprisingly, over the past couple of years, Brooklyn-based soul singer, Charles Bradley has not only become a JOVM mainstay, the “Screaming Eagle of Soul” has become a national and international sensation with the release of a documentary about his life, Charles Bradley: Soul of America and the release of his critically praised and commercially successful first two albums, No Time For Dreaming and Victim of Love.  Bradley has also developed a reputation for an incredibly heartfelt and powerful live show that has lead him to playing Bonnaroo,CoachellaGlastonburyPrimavera Sound FestivalThe Apollo TheaterThe Beacon Theatre and countless other venues of adoring fans across the globe.

April 1 2016 will mark the release of Bradley’s third full-length album Changes named after his popular and achingly soulful cover of Black Sabbath‘s “Changes” with Daptone Records labelmates The Budos Band, which was initially released as a Record Store Day 45 a couple of years ago. And with the forthcoming release of Changes, it’ll mark the first time that Bradley’s rendition of the song will be available digitally, as it’ll also appear on the album. The album’s second single “Changes For The World” is Bradley’s desperately heartfelt and earnest plea to the listener that we need to stop hiding behind hate, divisiveness  and religion and learn how to truly love one another with open hearts, minds and arms. I suspect that most of us would feel that he’s right — and that maybe it’s time to really start changing our world for the better.