Tag: The Gramercy Theatre

New Video: The Rocket Summer Returns with a Slick Visual for Anthemic “Blankets”

Dallas, TX-based multi-instrumentalist, singer/songwriter and producer Bryce Avary is the creative mastermind behind the acclaimed, solo indie rock/indie pop recording project The Rocket Summer. With The Rocket Summer, Avary has released six albums and a couple of EPs, including 2010’s Of Men and Angels, which landed at #1 on the Top Album spot on iTunes and 2012’s Life Will Write the Words, which landed at #58 on the Billboard 200 and #12 on the Billboard Top Modern Rock/Alternative Albums Chart, as well as #12 on the Top Independent Albums Charts.

Avary’s soon-to-be released seventh album Sweet Shivers is slated for an August 2, 2019 and as you may recall, the album’s third single “Peace Signs”  was one part ardent plea for peace and one part ironically detached sire. centered around a breezy, summery groove an enormous Silversun Pickups-like hook. “Blankets,” Sweet Shivers latest single continues a run of singles featuring enormous, arena friendly hooks paired with motorik-like grooves, shimmering synths and Avary’s plaintive vocals. And while infectious, the track thematically focuses on surrendering a bit to the flotsam and jetsam that life will inevitably toss in your path — and finding whatever silver linings we can. Along with that, the song suggests that the cliche is true: there is strength in numbers. And that more important, that if you’re struggling, you’re not alone; we’ve all been there at some point. 

“I wrote the song in the middle of the night watching fuzzy TV in a cabin in rural Texas, long before I tracked it, but I’ll never forget what it was like having to cut this vocal in the studio only 2 hours after catching wind that my childhood friend had taken her life,” Avary says of the song’s creation. “While only parts of the song point to that type of narrative, I think it will forever resonate with me as a lyric that just simply needs to be sung. ”

“Sweet Shivers (which comes from a lyric in ‘Blankets’) is referring to an emotion: a feeling of excitement and joy in the unknown, even if the unknown itself is more dressed up in less than ideal feelings of uncertainty,” Avary continues. “A letting go of sorts; beauty in the free fall. Sonically, to me, the melancholic yet contrastingly hopeful spirit within the journey of the free fall is what this song sounds like. 

Directed by Dillon Slack and Ben Busch, the recently released video for “Blankets” stars Brianna Brill and Nick Morbitt, who travel through literal blankets to find one another. At its core, the video tells the story of two people, who come to terms with life and its chaotic moments — through the comfort of another.

New Video: The Rocket Summer Releases a Slick and Symbolic Visual for Breezy Summer Anthem “Peace Signs”

Bryce Avary is a Dallas, TX-based multi-instrumentalist, singer/songwriter and producer, who’s the creative mastermind behind the acclaimed solo indie rock/indie pop project The Rocket Summer. His growing catalog includes six previously released full-length albums and a couple of EPs — including 2010’s Of Men and Angels, which landed at #1 on the Top Album spot on iTunes and 2012’s Life Will Write the Words, which landed at #58 on the Billboard 200 and #12 on the Billboard Top Modern Rock/Alternative Albums Chart, as well as #12 on the Top Independent Albums Charts.  

Avary’s forthcoming Rocket Summer album Sweet Shivers is slated for an August 2, 2019 release and the album’s third and latest single is the anthemic “Peace Signs.” Centered around a breezy and summery groove, and an enormous Silversun Pickups-like hook, the song is one part ardent plea for peace and one part ironically detached satire, meant to play loudly while cruising in your car. 

Directed by Dillon Slack and Ben Busch, the recently released, slickly shot video follows Avary in a white convertible, wearing oversized, burnt-orange sunglasses, hair blowing in the wind and driving towards the beach — with two masked figures as passengers, who represent contrasting emotions.  

New Video: The Ass Kicking Visuals for Electric Citizen’s “Hide It In The Night”

With the release of 2014’s full-length debut Sateen, the Cincinnati, OH-based quartet Electric Citizen, currently comprised of husband and wife duo, Laura Dolan (vocals) and Ross Dolan (guitar), along with Nick Vogelpohl (bass) and Nate Wagner (drums), received attention across the blogosphere and elsewhere for a sound that owes a debt to Led Zeppelin, Black Sabbath, early 70s Rush and others. Building upon a growing profile, the band went on a busy schedule of touring both nationally and internationally with several renowned acts, including Fu Manchu, Wolfmother, The Budos Band, and Pentagram. The quartet’s critically applauded sophomore effort, 2016’s Higher Time found the band expanding upon their sound, as they were crafting muscular and anthemic hooks around prog rock-like structures but while retaining the conciseness of its predecessor. Additionally, the band’s sophomore album found Laura Dolan stepping up into more of a traditional frontperson role, which was reflected during the tour to support Higher Time as she strutted, stomped and swaggered across the stage with a larger-than-life confidence.

The band’s third, full-length effort Helltown was released through RidingEasy Records last month, and the album derives its name from the neighborhood in which the bandmembers live, practices and where the album was written, recorded and mixed. Now more prosaically known as Northside, Helltown earned its name in the early 1800s. thanks to a reputation for the rowdy taverns frequented by the neighborhood’s factory workers and immigrants. And while being an ode to the band’s neighborhood and its buried past, the album is also a decided return to form, employing a much grittier sound that in some way recalls their debut. Additionally, the album finds the band returning to their original lineup. As the band’s Laura Dolan says in press notes, “In many ways this album is a realignment to the first,” Laura says. “We experimented a lot on the second album, some of which we learned we didn’t like.”

“Hide It In The Night,” Helltown‘s first single is centered around Black Sabbath and Led Zeppelin power chords, thundering drumming, arena rock friendly hooks and Laura Dolan’s rock star belter vocals — and while heavily indebted to its influences, the track will further cement the Cincinnati-based band’s reputation for tough, gritty, power chord rippers with an anthemic, larger-than-life feel. Further emphasizing the gritty vibe of the song, the recently released video is centered around a brutal, winner-take-all street fight that the members of the band watch with a insouciant cool.

New Audio: Electric Citizen Releases a Black Sabbath-like New Single

With the release of 2014’s full-length debut Sateen, the Cincinnati, OH-based quartet Electric Citizen, currently comprised of husband and wife duo, Laura Dolan (vocals) and Ross Dolan (guitar), along with Nick Vogelpohl (bass) and Nate Wagner (drums), received attention across the blogosphere and elsewhere for a sound that’s indebted to Led Zeppelin, Black Sabbath, early 70s Rush and others. Building upon a growing profile, the band went on a busy schedule of touring both nationally and internationally with several renowned acts, including Fu Manchu, Wolfmother, The Budos Band, and Pentagram.

The Cincinnati heavy psych rock/heavy metal quartet’s sophomore effort, 2016’s sophomore effort Higher Time found the band expanding upon their sound, as they were crafting muscular and anthemic hooks around prog rock-like structures — within concise songs that typically clocked in at around 3 minutes or so. Additionally, the album found the band’s Lauran Dolan stepping up into more of a frontperson role, which was reflected in their live shows to support their sophomore effort, as she strutted, stomped and swaggered with a larger-than-life confidence. And unsurprisingly, the album was released to massive critical applause from the likes of Consequence of Sound, who placed it on their 20 Most Anticipated Albums of 2016.

Slated for a September 28, 2018 release through RidingEasy Records, Electric Citizen’s forthcoming, third full-length effort Helltown derives its name from the neighborhood in which the members of the band live, practices and where the album was written recorded and mixed. Although now more prosaically known as Northside, Helltown earned its name in the early 1800s. thanks to a reputation for the rowdy taverns frequented by the neighborhood’s factory workers and immigrants. And while being an ode to the band’s neighborhood and its buried past, the album reportedly is a sonic return to form with the band employing a grittier sound along the lines of their 2014 debut. Adding upon the overall homecoming theme, the band returns to their original lineup. As the band’s Laura Dolan says in press notes, “In many ways this album is a realignment to the first,” Laura says. “We experimented a lot on the second album, some of which we learned we didn’t like.”

“Hide It In The Night,” Helltown‘s first single is centered around Black Sabbath and Led Zeppelin power chords, thundering drumming, arena rock friendly hooks and Laura Dolan’s rock star belter vocals — and while heavily indebted to its influences, the track will further cement the Cincinnati-based band’s reputation for tough, gritty, power chord rippers with an anthemic, larger-than-life feel. Interestingly, the album’s latest single “New Earth” is centered around a blistering, bluesy power chord riff, thundering drumming, arena rock-friendly hooks, and Dolan belting her lungs out. Arguably, the song is one of the most straightforward, riff-centered Black Sabbath-like singles they’ve released in some time time. It’s a certifiable headbanger that’s perfect for drinking way too much in your local bar or while catching them live.

New Audio: Electric Citizen Returns with an Anthemic, Classic Rock-Inspired Single

With the release of 2014’s full-length debut Sateen, the Cincinnati, OH-based quartet Electric Citizen, currently comprised of husband and wife duo, Laura Dolan (vocals) and Ross Dolan (guitar), along with Nick Vogelpohl (bass) and Nate Wagner (drums), received attention across the blogosphere and elsewhere for a sound that owes a debt to Led Zeppelin, Black Sabbath, early 70s Rush and others. Building upon a growing profile, the band went on a busy schedule of touring both nationally and internationally with several renowned acts, including Fu Manchu, Wolfmother, The Budos Band, and Pentagram.

The Cincinnati heavy psych rock/heavy metal quartet’s sophomore effort, 2016’s sophomore effort Higher Time found the band expanding upon their sound, as they were crafting muscular and anthemic hooks around prog rock-like structures — within concise songs that typically clocked in at around 3 minutes or so. Additionally, the album found the band’s Lauran Dolan stepping up into more of a frontperson role, which was reflected in their live shows to support their sophomore effort, as she strutted, stomped and swaggered with a larger-than-life confidence. And unsurprisingly, the album was released to massive critical applause from the likes of Consequence of Sound, who placed it on their 20 Most Anticipated Albums of 2016.

Slated for a September 28, 2018 release through RidingEasy Records, Electric Citizen’s forthcoming, third full-length effort Helltown derives its name from the neighborhood in which the members of the band live, practices and where the album was written recorded and mixed. Although now more prosaically known as Northside, Helltown earned its name in the early 1800s. thanks to a reputation for the rowdy taverns frequented by the neighborhood’s factory workers and immigrants. And while being an ode to the band’s neighborhood and its buried past, the album reportedly is a sonic return to form with the band employing a grittier sound along the lines of their 2014 debut. Adding upon the overall homecoming theme, the band returns to their original lineup. As the band’s Laura Dolan says in press notes, “In many ways this album is a realignment to the first,” Laura says. “We experimented a lot on the second album, some of which we learned we didn’t like.”

“Hide It In The Night,” Helltown’s first single is centered around Black Sabbath and Led Zeppelin power chords, thundering drumming, arena rock friendly hooks and Laura Dolan’s rock star belter vocals — and while heavily indebted to its influences, the track will further cement the Cincinnati-based band’s reputation for tough, gritty, power chord rippers with an anthemic, larger-than-life feel.