Now, over the past 12-18 months or so, I’ve written quite a bit about the up-and-coming, attention-grabbing Halifax, UK-based act The Orielles. The act which features founding members Sidonie B. Hand-Halford (drums); her younger sister, Esmé Dee Hand-Halford (bass, vocals); and their best friend, Henry Carlyle Wade (guitar, vocals) had a great deal of buzz surrounding them in their native UK when Heavenly Recordings‘ head Jeff Barrett signed the band after catching them open for labelmates The Parrots in late 2016 and immediately signed them to the renowned indie label.
Last year saw the members of The Orielles releasing a series of attention-grabbing singles, including The Mallard‘s Finding Meaning in Deference-like “Sugar Taste Like Salt,” the psych rock-like “I Only Bought It For The Bottle,” and the funky, almost dance floor friendly freakout of “Let Your Dogtooth Grow.” Building upon a growing national and international profile, the band released their highly-anticipated full-length debut Silver Dollar Moment earlier this year, and from the likes of album single “Blue Suitcase (Disco Wrist),” the album found the band continuing in a similar vein as it immediate predecessor as it found the band mischievously meshing elements of psych rock, pop and disco — in particular, as the band notes, Luther Davis Group’s “You Can Be A Star” and Rita Lee’s “Chega Mais,” while centered around an anecdote of someone spotting an unaccompanied blue suitcase on a train platform. Naturally, this was followed by allegorical discussions and theories about what was in the suitcase and why it was left behind.
Interestingly, since the release of Silver Dollar Moment the band’s founding trio recruited their newest member Alex Stephens on keyboards and with their newest member, they went into the studio to record two new tracks “Bobbi’s Second World” and a cover/rework of Peggy Gou’s “It Makes You Forget (itgehane)” — and both songs finds the band’s sounding leaning increasingly in the direction of dance floor-friendly New Wave, recalling early 80s Talking Heads, ESG and others while still being centered around rock-based instrumentation. With their releases, the members of The Orielles have revealed themselves to be restlessly expanding, playing with and experimenting with their sound and as a result, I’m excited to see which direction they wind up going next.
As the band writes in press notes, “‘Bobbi’s Second World’ written with the addition of a new member on keys, exhibits an explosion of new sounds and ideas that came to fruition after a long summer of playing festivals and taking inspiration from music that made us dance. It centres around the story of a cat named Bobbi who, in order to become a lady, has to experience the extremities of two complex and differing realities- situated in her front and back gardens respectively. The eccentric instrumentation, influenced by northern soul, post-punk and funk music, matches the quirkiness of the lyrics to create a song that concerns a young cats maturity whilst displaying a certain maturity in the music itself. After noticing a passion for songs that make us emotional; want to dance and quite literally ‘forget’, we decided to cover one of Peggy Gou‘s latest floor fillers, ‘Itgehane aka It Makes You Forget’ hoping that we could evoke the aforementioned qualities of music within other listeners!”