Although she is all of 25, the New York-based singer/songwriter, multi-instrumentalist and studio engineer Eva Lawitts has had a rather accomplished music career –beginning as a high schooler, she’s had stints in the likes of Vagabon, Citris and others, touring across the US a number of times — and as a studio engineer, she runs Wonderpark Studios with Chris Krasnow.
Interestingly, Lawitts’ solo recording project Stimmerman finds the accomplished New York-based singer/songwriter, multi-instrumentalist and studio engineer stepping out on her own as a creative mastermind and frontperson; in fact, with her Stimmerman debut, Pleasant Vistas in a Somber Place EP, Lawitts wrote, arranged and performed all of the vocal, guitar and bass parts with Beach Fossils‘ touring drummer Russel Holzman and acclaimed trumpeter Adam O’Farrill on an effort that as she told New Noise Magazine were drafts of a songs written for a new album by a now-defunct band she was in. “I had completed most of the instruments by fall 2016, the band I had written the songs for broke up in December, and I spent the firs half of 2017 racing around on tour with a horde of other musicians and bands, mostly getting really depressed in vans and hotels around about the sudden lack of direction in my life, and attempting to complete these songs on my own,” she explained. And as a result, the EP’s material reflects a childish moroseness and an impotent bitterness and frustration.
Reportedly, the EP’s latest single “Tough Talk” were culled from half-remembered conversations during a particularly intense period of touring, as well as her running commentary on those memories, followed by a sort of conclusion about how even attempting to reach a conclusion about what it all was supposed to mean was futile, and those observations give the song a bilious fury and frustration — while sonically, the song finds Lawitts drawing from prog rock, indie rock, noise and punk in a way that reminds me of The Mallard‘s Finding Meaning in Deference.