Tag: The MC5s

Over the past month, you may have come across a couple of posts featuring the  Stockholm, Sweden-based psych rock band Marble Mammoth. Featuring members, who have played in The Unisex, and have collaborated with  The MC5s Mike Davis and The Hellacopters‘ and Imperial State Electric’s Nicke Anderson, the band quickly developed a reputation across their native Sweden for a sound that meshes the bluesy power chords of Led Zeppelin with the dreamy, psychedelia of the likes of Tame Impala — although “Wrecked Ship” reminded me of JOVM mainstays Goat and Black Sabbath, thanks to some blistering guitar pyrotechnics paired with soaring organ chords and rousingly anthemic hooks.

The act followed “Wrecked Ship,” with the gritty and anthemic prog rock-like single “Glitter Amongst Gravel,” which featured some incredible guitar pyrotechnics and an expansive and ambitious song structure, complete with twisting and turning organ chords. However, their latest single “Girl of a 1000 Thrills” while drawing from similar sources as their preceding singles is a bit of a sonic left turn for the Swedish psych rockers as it sounds as though it were influenced by Deep Purple and Steppenwolf but with a subtly modern twist reminiscent of the RidingEasy Records roster.

 

 

 

Earlier this month, I wrote about the Stockholm, Sweden-based psych rock band Marble Mammoth. Featuring members, who have played in The Unisex, and have collaborated with  The MC5s Mike Davis and The Hellacopters‘ and Imperial State Electric’s Nicke Anderson, the band quickly developed a reputation across their native Sweden for a sound that meshes the bluesy power chords of Led Zeppelin with the dreamy, psychedelia of the likes of Tame Impala — although their previously released single “Wrecked Ship” reminded me of JOVM mainstays Goat and Black Sabbath, thanks to some blistering guitar pyrotechnics paired with soaring organ chords and rousingly anthemic hooks. Unsurprisingly, the Swedish rock band’s latest single “Glitter Amongst Gravel” continues in a similar vein, further cementing their reputation for crating material with incredibly dexterous guitar pyrotechnics and incredibly ambitious and expansive song structures, complete with twisting and turning organ chords — but it may be among the most gritty and prog rock-like songs they’ve released to date.