Charles Mingus was a towering giant of American music, known for his powerhouse sound and authoritative technique, irascible personality and most importantly, his original compositions, which featured a blend of jazz, European classic music, bebop, avant-garde, blues, gospel and more, a sound that he famously dubbed “Mingus Music.”

The legendary bassist and composer’s Sunday afternoon set at the seventh annual Monterey Jazz Festival in 1964 was met with breathless praise from the likes of the New York Herald, where legendary critic and Monterey Jazz Festival co-founder Ralph J. Gleason wrote, “Mingus erased the memory of any bass player in jazz” while the San Francisco Chronicle opened its review, “Monterey beyond to Charles Mingus this year. All the way.” Considering that year’s festival also featured sets from Duke Ellington, Thelonious Monk and Miles Davis that wasn’t an easy feat, y’all.

Initially released on Mingus’ own short-lived mail order Jazz Workshop label and out of print for more than 40 years, Mingus at Monterey captures the legend at the height of his creativity and musical prowess. Perhaps the most consistently requested reissue by Mingus fans across the world, Mingus at Monterey proved to be a sensation upon its sold-out limited edition run for Record Store Day 2025 earlier this year, ranking as Redeye Distribution’s top-selling Record Store Day release while reaching the Top 20 on Billboard‘s Traditional Jazz Albums and Jazz Albums charts, #82 on the overall Top Catalog Albums chart and #102 on the Independent Albums Chart.

Candid Records, in conjunction with Mingus’ Jazz Workshop, Inc. will celebrate the legend’s genius with the long-overdue and highly-anticipated reissue of Mingus at Monterey, which is slated for an October 10, 2025 release on CD, 2 LP vinyl and for the first time ever on all DSPs and streaming services.

The live album has been remastered by five-time Grammy Award-winning engineer Micheal Graves with vinyl mastering by renowned engineer Jeff Powell. The two LP vinyl set includes the album’s original gatefold jacket artwork, meticulously restored and reproduced.

The forthcoming wide release of Mingus at Monterey is heralded by a hard swinging, hard-charging rendition of the Billy Strayhorn-penned, Duke Ellington-performed jazz standard “Take the A Train,” that features some incredible solos from Charles McPherson (alto sax), Jaki Byard (piano), Lonnie Hilyer (trumpet), John Handy (tenor sax) and Dannie Richmond (drums) that’s performed as a medley dedicated to the legend’s musical hero, the equally legendary Duke Ellington.

Ellington was Mingus’ lodestar, the early influence, who showed the bassist and composer how music could simultaneously hold majesty, complexity and popular appeal. Mingus’ take on the classic, standard tune is deeply loving but in no means, straightforward. It seems to swing harder than the original, evoking the A train’s length run from 207th Street in Inwood to its final stop at Mott Avenue in Rockaway Beach — from its assorted characters and neighborhoods it passes through, to the pace of the train as it races between 125th Street and 59th Street. And while retaining the familiar melody, Mingus’ tribute to his hero is roomy enough to allow each member of the band to solo in a way that highlights their talents and sensibilities.

As Mingus said of the album at the time, “It’s taken me a long time to get to where I want musically. I just wish that I could give you that picture, that moment at Monterey along with this music. This is the sound that people heard at Monterey and the life of the music is there. That’s why I bring this record to the people. I give you the Monterey music as a token of love, as a memory.”