Tag: Thundercat Them Changes

Live Footage: JOVM Mainstay Thundercat Performs “Them Changes” at Adult Swim Festival with Ariana Grande, JD Beck, and DOMi

Throughout the course of this site’s decade-plus history, I’ve mangled to spill quite a bit of virtual ink covering the critically applauded, Grammy Award-wining singer/songwriter, bassist and JOVM mainstay artist Stephen “Thundercat” Bruner. Bruner has long been a cornerstone of the Brainfeeder Records universe, releasing an incredibly prolific amount of critically applauded material including 2011’s Golden Age of Apocalypse, 2013’s Apocalypse, 2015’s The Beyond/Where Giants Roam EP, 2017’s Drunk and this year’s It Is What It Is. Along with that, Bruner has established himself as a highly sought-after collaborator, contributing to Kamasi Washington’s aptly titled, critically applauded 2015 effort, The Epic and to Kendrick Lamar‘s 2016 commercial and critical smash hit, the Grammy Award winning To Pimp A Butterfly. He also worked with Flying Lotus to compose an original score for a 2018 episode of Donald Glover’s Golden Globe and Emmy Award-winning TV series Atlanta.

Because of the pandemic, concerts and festivals as we remember and love them aren’t possible -and as a result, this year’s Adult Swim Festival was a virtual event — but still chock full of awesome music, comedians and never-before-seen Adult Swim exclusives. Recently, the critically acclaimed JOVM mainstay played a stomping and strutting rendition of one of my favorite songs off 2015’s The Beyond/Where Giants Roam EP “Them Changes” with Ariana Grande, and JD Beck and DOMi that also features an extensive acid jazz fusion break.

“It feels like Ariana and I are forever connected through Mac [Miller] and this is part of the healing process,” Thundercat says.

Live Footage: JOVM Mainstay Thundercat Performs Three Songs from Latest Album on NPR’s Tiny Desk

If you’ve been frequenting this site over the past three or four years, you’ve likely come across a growing number of posts featuring the critically applauded bassist, vocalist and JOVM mainstay artist Stephen “Thundercat” Bruner. And as you may recall, the past two years or so have been incredibly busy for the renowned artists, as he’s collaborated with Kendrick Lamar  on Lamar’s Grammy Award-winning album, To Pimp A Butterfly and  Brainfeeder Records labelmate, Kamasi Washington’s The Epic, which he promptly followed up with one of my favorite releases of 2015, the mini-album The Beyond/Where the Giants Roam, an effort that further cemented his growing reputation as one of this decade’s most unique, genre-defying artists. 
Drunk, Bruner’s third, full-length effort was released earlier this year and the album was written as an epic journey into the bizarre, hilarious and sometimes dark mind of the singer/songwriter and bassist — and it features an All-Star list of collaborators including some of his go-to collaborators Kamasi Washington, Kendrick Lamar, Wiz Khalifa and Pharrell Williams, along with Michael McDonald and Kenny Loggins. As you know, the album features a few, previously released fan favorites like  “Bus In These Streets” but it also features the bitterly hilarious, Anti-Valentine Day/fuck being friend zoned track, “Friend Zone,”  “Them Changes,” a song that focuses on a heartbroken and dazed narrator trying to piece his life back together after a romantic relationship has ended, and the shimmering and slow-burning “Lava Lamp,” among a number of others. 

Bruner with a backing band featuring Dennis Hamm (keys), Justin Brown (drums) and Miguel Atwood Ferguson (violin) was recently on NPR Tiny Desk to perform the aforementioned “Lava Lamp,” “Friend Zone” and “Them Changes” and from the footage, a Thundercat performance seems to an almost otherworldly experience of trippy funky — with a mischievous bent. Enjoy, catching what may be the most inventive and interesting bassist since the late, great Jaco Pastorius. 

New Video: JOVM Mainstay Thundercat Returns with Sunny and Redemptive Visuals for Collaborative Single with Michael McDonald and Kenny Loggins

Now, if you’ve been frequenting this site over the course of the past couple of years, you’ve likely been made familiar with the he critically applauded  bassist, vocalist and JOVM mainstay Stephen “Thundercat” Bruner, and as you may recall, within the past three years or so, Bruner has been remarkably prolific as he’s made attention-grabbing guest appearances contributing his imitable bass and vocals to Kendrick Lamar’s Grammy Award-winning To Pimp A Butterfly and Brainfeeder Records labelmate, Kamasi Washington’s The Epic. Bruner followed that up by releasing what arguably best may have been one of the best releases of 2015, The Beyond/Where Giants Roam. 

Last year, Bruner teased us with some more new material, including “Bus In These Streets,” a comedic and playful ode to our reliance and dependence on technology in which Bruner collaborated with the renowned producer, beatmaker, electronic music artist and filmmaker Flying Lotus contributing programming and Louis Cole contributing keys and programming. And as you know, Bruner’s third, full-length album Drunk was released earlier this year, and the album was written as a journey deep into the bizarre, hilarious and sometimes very dark mind of its creator, who collaborated with an impressive array of friends and guests including the aforementioned Kamasi Washington and Kendrick Lamar, along with a few other folks you may have heard of, like Wiz Khalifa, Pharrell Williams, Michael McDonald and Kenny Loggins. 

Drunk’s first official single “Show You The Way”is a smooth and soulfully jazz-like pop track in which arpeggiated synths, stuttering drum programming and Bruner’s dexterous bass lines serve as a shimmering and silky bed over which Bruner, Kenny Loggins and Micheal Donald trade soulful vocals to create a song that feels like a polished and effortless synthesis of Michael McDonald’s “I Keep Forgettin’ (Every Time You’re Near)” and Bruner’s signature funky, retro-futuristic jazz fusion.

Directed by Katarzyna Sawicka and Carlos Lopez Estrada, the recently released music video for “Show You The Way,” follows the characters and the storyline the directors began with the surreal and darkly comic visuals they created in “Them Changes,”  and while that video ended in a grim note with an armless and heartbroken protagonist, “Show You The Way” is a sunny contrast, offering a semblance of redemption, healing and love for our armless protagonist.  

 

Now if you’ve been frequenting this site for a while, you’d know that the past couple of years have been incredibly productive and prolific for the critically applauded and renowned bassist, vocalist and JOVM mainstay artist Stephen “Thundercat” Bruner as he made guest appearances on two critically and commercially successful albums  — Kendrick Lamar‘s Grammy Award-winning album, To Pimp A Butterfly and  Brainfeeder Records labelmate, Kamasi Washington’s The Epic, and arguably one of of 2015’s best albums, The Beyond/Where the Giants Roam, an effort which further cemented Bruner’s reputation for being  a dexterous bassist and mischievous songwriter, as the material off that album possessed a retro-futuristic sound that nodded at Steve Wonder‘s legendary 1970s output, complete with wobbling and propulsive bass lines, arpeggio synths and Bruner’s sultry and plaintive falsetto.

Bruner’s third, full-length effort Drunk is slated for a February 24, 2017 release through Brainfeeder and the album will be an epic 23 track journey into the bizarre, hilarious and sometimes dark mind of the singer/songwriter and bassist — and the effort finds him collaborating with an All-Star list of collaborators including frequent collaborators and friends Kamasi Washington, Kendrick Lamar, Wiz Khalifa and Pharrell Williams, along with Michael McDonald and Kenny Loggins. While the album will feature fan favorites “Bus In These Streets” and “Them Changes,” one of my favorite tracks off The Beyond/Where The Giants RoamDrunk’s first single “Show You The Way” was a soulful, 1970s jazz fusion-leaning track in which shimmering arpeggio synth lines, stuttering drums, Bruner’s incredible bass work and sultry falsetto with the legendary vocal work of Kenny Loggins and Michael McDonald that interestingly enough reminded me of  Michael McDonald’s “I Keep Forgettin’ (Every Time You’re Near).”

Although Valentine’s Day has passed, Drunk‘s latest single is an Anti-Valentine’s Day anthem in which the song’s narrator complains about a love interest, who has not only friend zoned him, but continually plays games with him and his feelings. And throughout the song, the song’s narrator builds up the courage to tell the object of his attention that he’s had enough of having his emotions and heart fucked with — and instead of being friend zoned by an asshole, he would be better off by himself. Sonically, the song continues along a similar vein of the album’s preceding single as shimmering, arpeggio synth lines, a wobbling and propulsive bass line and four-on-the-floor drums paired with Bruner’s dreamy falsetto; however, unlike “Show You The Way,” “Friend Zone” is full of the bitter recriminations and frustrations of cruelly unrequited love.

 

 

 

 

 

 

 

 

The past two years were incredibly productive and prolific years for the critically applauded and rewound bassist, vocalist and JOVM mainstay  Stephen “Thundercat” Bruner as he made guest appearances on two critically and commercially successful albums — Kendrick Lamar‘s Grammy Award-winning album, To Pimp A Butterfly and  Brainfeeder Records labelmate, Kamasi Washington’s The Epic, as well as one of 2015’s best albums, The Beyond/Where the Giants Roam, which further cemented his reputation as a dexterous and playful bassist and songwriter, with material that sonically channeled Stevie Wonder’s incredible 70s output, as it possessed a retro-futuristic sound as wobbling and propulsive bass lines were paired with arpeggio synths and Bruner’s sultry and plaintive falsetto.

Now, as you may remember last year, I wrote about “Bus In These Streets,” the first bit of music from the renowned bassist and vocalist in over a year, and the single was a comedic and playful ode to our reliance and dependence on technology in which Thundercat’s dexterous and sinuous bass lines with Louis Cole (keys, drums and programming) contributing shimmering and twinkling keys and propulsive drum programming and frequent collaborator Flying Lotus contributing more programming and editing in a song that evokes a dreamy, distracted  self-absorption as the song’s narrator spends their time staring at their smartphone, not noticing the world pass him by — or the inherent danger he might be walking into as he stupidly stares into his phone.

Bruner’s third, full-length effort Drunk is slated for a February 24, 2017 release through Brainfeeder and the album will be an epic 23 track journey into the bizarre, hilarious and sometimes dark mind of the singer/songwriter and bassist — and the effort finds him collaborating with an All-Star list of collaborators including frequent collaborators and friends Kamasi Washington (a Brainfeeder labelmate), Kendrick Lamar, Wiz Khalifa and Pharrell Williams, along with Michael McDonald and Kenny Loggins. While the album will feature fan favorites “Bus In These Streets” and “Them Changes,” one of my favorite tracks off The Beyond/Where The Giants RoamDrunk‘s first single “Show You The Way” is a sleek and soulful jazzy  track in which shimmering arpeggio cascades of synths, stuttering drums, Bruner’s imitable bass lines are paired in an incredible collaboration that features Bruner’s sultry falsetto with the imitable vocals of Kenny Loggins and Micheal McDonald. Sonically speaking the song is an uncanny synthesis of Michael McDonald’s “I Keep Forgettin’ (Every Time You’re Near)” and Bruner’s signature funky, retro-futuristic jazz fusion.

So how did such a high-powered collaboration come about? Thundercat has publicly mentioned his love of Loggins and his work during interviews to promote both The Beyond and the tour for the album — and it lead to his keyboardist Dennis Hamm introducing Bruner to Loggins. According to both Bruner and Hamm, Loggins then suggested bringing in Michael McDonald on the track. And as Bruner adds in press notes “I think one of the most beautiful moments of it was realizing how amazing Michael McDonald was. He would go through so many ideas and have so much to offer.” As for the song, Bruner says “That song to me is about going down the rabbit hole, taking you to another place . . . On the edge of dark, there’s the brightest light. It means a lot to me in the sense of . . .the experience that I’ve had growing up with friends and people that I’ve been around where it’s inventing them into where I come from emotionally. Sometimes it’s a pretty intense thing. The point is how weird things can get. ”