Tag: Tom Tom Club Genius of Love

New Video: The Classic House Inspired Sounds and Visuals of Moon King’s “Ordinary Lover”

Initially begun as a solo recording project of its Toronto, ON-born creative mastermind, primary songwriter, multi-insrumentalist and producer Daniel Benjamin, Moon King may arguably be best known for the several year period in which Benjamin collaborated with Maddy Wilde (vocals, guitar); but with Wilde’s departure last year, Benjamin has returned to his roots — recording as a solo project. Coincidentally, Benjamin also relocated to Detroit, MI around the same time as Wilde’s departure, and spent that year working and living in the Detroit neighborhood of Hamtramck. .

Benjamin’s stint in Hamtramck inspired a new batch of material, Hamtramck 16, a mixtape that not only documents his arrival into a new, unfamiliar place, it also is a radical change in sonic direction and songwriting approach, as the material on the mixtape captures the Canadian producer, singer/songwriter and multi-instrumentalist’s growing obsession with electronic dance music. And while in Detroit, Benjamin began collaborating with local artists and musicians, until he formed a new band — with the intention of crafting a sound that currently draws from disco, classic, Detroit house, synth pop — and even pop.  Mixtape single “In & Out” found Benjamin pairing his dreamy falsetto with a dance floor-friendly production that channels Nile Rodgers-era Madonna (i.e.,  “Lucky Star” and “Holiday“), Tom Tom Club (i.e., “Genius of Love“) and Larry Levan-era house as a driving groove is paired with fluttering, shimmering and cascading layers of synths, a sinuous bass line, four-on-the-floor-like beats and a razor sharp hook. And much like the sound and period, Benjamin is drawing from, the song manages to be incredibly accessible; in fact, if it wasn’t for the subtly modern production, the listener may have been tricked into believing that the song may have been released in 1983.

The mixtape’s second and latest single “Ordinary Love” is a much more straightforward production and song as arpeggio bursts of keys, tweeter and woofer rocking 808s and swirling electronics are paired with Benjamin’s falsetto vocals — and while seemingly influenced by Nu Shooz’s “I Can’t Wait” and classic house, the song manages to reveal a subtly modern production sheen that nods at Octo Octa‘s Between Two Selves and the 100% Silk Records roster. 

Directed by Bronwyn Ford, the recently released music video manages to be a spot on ode to late 80s and early 90s dance music videos, as the video features a diverse and eclectic array of club-goers dancing to the club-baning track; and it’s shot on similar grainy video that will briefly trick some viewers into thinking that they’ve stumbled on to some rarely played house music gem. 

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New Video: The Trippy 80s-Inspired Visuals for Park Hotel’s “Going West”

Centered on its founding and primary songwriting duo Tim Abbey and Rebeca Macros-Roca, the London, UK-based post-electronic dance act Park Hotel have developed a reputation for a sound that meshes neo-disco and dance punk with off-kilter, downtown art scene-based songwriting — and unsurprisingly, the duo’s sound has been favorably described as a joyfully communal face-off between LCD Soundsystem, Earth, Wind and Wire with flashes of Talking Heads and a sprinkle of Steely Dan. Along with that, they’ve developed a reputation for a live show in which the project expands to a sextet featuring three-way vocal harmonies, rhythm and lead guitar, drums and lots of cowbell.

Produced by Eliot James, mixed by Nathan Boddy and mastered at New York’s Sterling Sound, the act’s debut single “Gone as a Friend” was recorded after playing a number of critically applauded, buzz-worthy shows across London before officially releasing it earlier this year. And building upon their growing buzz, the act’s latest single “Going West,” is an off-kilter, dance floor-friendly track that sounds inspired by Tom Tom Club‘s “Genius of Love,” Talking Heads’ “Making Flippy Floppy,” Miami Horror‘s “Leila” and The Rapture‘s “House of Jealous Lovers” as the song possesses an infectious, ear-worm worthy, hook paired with boy-girl harmonizing, shimmering synths, a Nile Rodgers-like guitar line and an even funkier bass line, but they manage to do so in a fashion that feels like a fresh and mischievous take on a familiar, crowd pleasing fashion.

Collaborating with mononymic artist Henry, the recently released video for “Going West” manages to draw from two different eras  — 60s psych pop and early 80s pop and rock videos, as we follow the members of Park Hotel on a rooftop with neon bright backdrops featuring Basquiat-like art and expansive and trippy blue skies. 

Initially begun as a solo recording project of its Toronto, ON-born creative mastermind, primary songwriter, multi-insrumentalist and producer Daniel Benjamin, Moon King may arguably be best known for the several year period that it was known as a duo featuring Maddy Wilde (vocals, guitar); but with Wilde’s departure last year, the project has managed to return to its roots. Coincidentally, Benjamin relocated to Detroit, MI around the same time as Wilde’s departure  — notably, the Detroit neighborhood of Hamtramck, where he spent the better part of a year.

Benjamin’s stint in Hamtramck inspired a new batch of material, Hamtramck 16, a mixtape that not only documents his arrival into a new, unfamiliar place, it also is a radical change in sonic direction and songwriting approach, as the material on the mixtape captures the Canadian producer, singer/songwriter and multi-instrumentalist’s growing obsession with electronic dance music.

Finally having some time to himself after years of relentless touring, Benjamin began collaborating with local artists and musicians, until he formed a new band — with the intention of crafting a sound that currently draws from disco, classic, Detroit house, synth pop — and even pop.  Mixtape single “In & Out” found Benjamin pairing his dreamy falsetto with a dance floor-friendly production that channels Nile Rodgers-era Madonna (i.e.,  “Lucky Star” and “Holiday“), Tom Tom Club (i.e., “Genius of Love“) and Larry Levan-era house as a driving groove is paired with fluttering, shimmering and cascading layers of synths, a sinuous bass line, four-on-the-floor-like beats and a razor sharp hook. And much like the sound and period, Benjamin is drawing from, the song manages to be incredibly accessible; in fact, if it wasn’t for the subtly modern production, the listener may have been tricked into believing that the song may have been released in 1983. The mixtape’s second and latest single “Ordinary Love” is a much more straightforward production, as arpeggio bursts of keys, tweeter and woofer rocking 808s and swirling electronics are paired with Benjamin’s falsetto vocals — and while seemingly influenced by Nu Shooz‘s “I Can’t Wait” and classic house, the song manages to reveal a subtly modern productions been that nods at Octo Octa‘s Between Two Selves and the 100% Silk Records roster.

The mixtape is slated for an August 4, 2017 release through Arbutus Records and Benjamin, along with his backing band will be on a mostly American tour throughout August and September to support the new effort, and it includes a September 8, 2017 stop at Silent Barn. Check out the rest of the tour dates below y’all.

 
TOUR DATES
08/11 – Baby G – TORONTO, ON 
08/12 – PN, MONTRÉAL, QC
08/18 – El Club, DETROIT, MI
09/02 – Schubas, CHICAGO, IL
09/03 – The Bishop, BLOOMINGTON, ID
09/04 – MOTR, CINCINNATI, OH
09/05 – Double Happiness, COLUMBUS, OH 
09/06 – Sound Hole, PHILADELPHIA, PA
09/07 – Charlies American Cafe, NORFOLK, VA
09/08 – Silent Barn, BROOKLYN, NY
09/11 – One Caroline, SARATOGA SPRINGS, NY 
09/12 – Bard College, ANNANDALE-ON-HUDSON, NY
09/13 – House Of Targ, OTTAWA, ON
09/14 – Le Cercle, QUEBEC, QC

New Video: The 80s-Inspired Sounds and Visuals for Moon King’s “In & Out”

Initially formed as a solo recording project of its Toronto, ON-born creative mastermind, primary songwriter, multi-insrumentalist and producer Daniel Benjamin, Moon King may arguably be best known as a duo featuring Maddy Wilde (guitar, vocals) for the bulk of the project’s existence to date; but with Wilde’s departure from the project in 2016, the project has returned to its roots — as a solo project. And interestingly enough, around the same time, Benjamin relocated to Detroit, MI  — notably, the Detroit neighborhood of Hamtramck, which unsurprisingly inspired a new batch of material, Hamtramck 16, a mixtape that not only documents his arrival into a new and unfamiliar place but serves as a radical change in sonic direction for him, as the material on Hamtramck 16 captures Benjamin’s growing obsession with electronic dance music. 

Finally having some time to himself after years of relentless touring, Benjamin began collaborating with local artists and musicians, until he formed a new band — with the intention of crafting a sound that currently draws from disco, classic, Detroit house, synth pop — and even pop. In fact, as you’ll hear on Hamtramck 16’s latest single “In & Out,” Benjamin pairs his dreamy falsetto with a dance floor-friendly production that channels Nile Rodgers-era Madonna (i.e.,  “Lucky Star” and “Holiday”), Tom Tom Club (i.e., “Genius of Love”) and Larry Levan-era house as a driving groove is paired with fluttering, shimmering and cascading layers of synths, a sinuous bass line, four-on-the-floor-like beats and a razor sharp hook. And much like the sound and period, Benjamin is drawing from, the song manages to be incredibly accessible; in fact, if it wasn’t for the subtly modern production, the listener may have been tricked into believing that the song may have been released in 1983. 

The recently released visuals for “In & Out” feature neon-bright animation from Jordan Minkoff that channels the visuals for the aforementioned “Genius of Love” and George Clinton’s “Atomic Dog.” 

Centered on its founding and primary songwriting duo Tim Abbey and Rebeca Macros-Roca, the London, UK-based post-electronic dance act Park Hotel have developed a reputation for a sound that meshes neo-disco and dance punk with off-kilter, downtown art scene-based songwriting — and unsurprisingly, the duo’s sound has been favorably described as a joyfully communal face-off between LCD Soundsystem, Earth, Wind and Wire with flashes of Talking Heads and a sprinkle of Steely Dan. Along with that, they’ve developed a reputation for a live show in which the project expands to a sextet featuring three-way vocal harmonies, rhythm and lead guitar, drums and lots of cowbell.

Produced by Eliot James, mixed by Nathan Boddy and mastered at New York’s Sterling Sound, the act’s debut single “Gone as a Friend” was recorded last year and after playing a number of critically applauded, buzz-worthy shows across London before officially releasing their debut single earlier this year. Building upon their growing profile, the act’s latest single “Going West,” is an off-kilter, dance floor-friendly track that sounds inspired by Tom Tom Club‘s “Genius of Love,” Talking Heads’ “Making Flippy Floppy,” Miami Horror‘s “Leila” and The Rapture‘s “House of Jealous Lovers” as the song possesses an infectious, ear-worm worthy, hook paired with boy-girl harmonizing, shimmering synths, a Nile Rodgers-like guitar line and an even funkier bass line, but they manage to do so in a fashion that feels like a fresh and mischievous take on a familiar, crowd pleasing fashion.

 

 

Crush Club is an up-and-coming New York-based indie electro pop act and their debut single “Get Me Off” manages to channel Nu Shooz‘s “I Can’t Wait” and Tom Tom Club‘s “Genius of Love” as the act pairs a sinuous disco funk bass line, Nile Rodgers-like guitar, shimmering and tumbling cascades of synths, sultry, come hither vocals and an infectious, anthemic hook in a sexy, club-friendly track.

Crush Club makes their live debut this Friday at Rough Trade, opening for Bright Light Bright Light.