Brooklyn-based post punks TVOD (Television Overdose) can trace their origins back to 2019 when its founder Tyler Wright recorded a high-energy cassette of punk songs on a Tascam 4-track tape recorder in the abasement of the DIY space he was living in at the time. Since then, the band went on to independently release two EPs, 2020’s Daisy and 2021’s Garden along with standalone singles “Alien,” “Mantis,” “Goldfish” and “Poppies,” and two limited run 45s.
Influenced by post-punk, krautrock and egg punk, the Brooklyn-based post punk outfit quickly established a sound and approach that sees them pairing emotional, sometimes juvenile lyrics with driving, hook-driven arrangements that get crowds moving and moshing. Thematically, the material draws from personal and external inspirations like the nightlife/music scene, heartache, World War II, the untimely death of a beloved pet fish and more while telling a gritty, often tongue-in-cheek picture of being a DIY artist grinding it out in New York, complete with tales about the degenerate lifestyle and all the good and bad that comes with it.
Wright then recruited a standout lineup of freaks from the Brooklyn scene that includes Mem Pahl (drums), Micki Piccirillo (bass), Jenna Mark (synths), Serge Zbritzher (guitar) and Denim Casimir (guitar), who now join I’m both live and in the studio. Now, as a sextet, the rising, Brooklyn-based sextet have quickly developed a reputation for raw, unpredictable and explosive live shows, which they’ve taken across the North American and global festival circuit, making stops at SXSW, Hopscotch, Sled Island, Concrete Jungle and FME among others. They’ve also shared stages with the likes of Warmduscher, Snõõper, Gustaf, Civic, Soul Glo, Balkans and Iguana Death Cult.
The rising Brooklyn outfit went up to Montréal-based Gamma Recording Studio with producers Félix Bélisle and Samuel Gemme to record their Mothland debut, “Car Wreck” features a krautrock-like baseline, a steady backbeat, fuzzy and squiggling guitar lines, woozy synth bursts and the band’s penchant for catchy, shout-along worthy hooks serving as a propulsive bed for Wright’s punchy delivery singing lyrics about being reckless and happily embracing it.
Based on an illustration by TVOD’s Tyler Wright, the animated visual by Scott Palazzo features a Batmobile-like car speeding through a New York street.
