Tag: U2

Throwback: Happy 66th Birthday, Bono!

JOVM’s William Ruben Helms celebrates U2 co-founder and frontman Bono’s 66th birthday.

New Video: Danger Mouse and Black Thought Team Up for a Banger

Born Brian Burton, Danger Mouse is arguably one of the most versatile and prolific artists and producers in music right now: As an artist he’s one-half of Broken Bells and Gnarls Barkley and has recorded collaborative albums with Yeah Yeah YeahsKaren O and the late, legendary MF DOOM. As a producer, he’s worked with Adele, U2, The Black Keys, Gorillaz, Red Hot Chili Peppers, Michael Kiwanuka, Parquet Courts and a lengthy list of others.

Born Tariq Trotter, Black Thought is a co-founder and frontman of The Roots. Trotter is an accomplished solo artist who has released a critically applauded album and two EPs: 2020’s Streams of Thought Vol. 3: Cane & Abel and 2018’s Streams of Thought Vol. 1 EP and Streams of Thought Vol. 2 EP. While considered by the cognoscenti as one of the dopest emcees to ever do it, Trotter has also acted in film and theater. And has producer and writing credits.

Their long-awaited joint album together Cheat Codes is slated for an August 12, 2022 release through BMG. While Cheat Codes marks Danger Mouse’s first hip-hop album since 2005’s DANGERDOOM with MF and the follow-up to Black Thoughts’ solo trilogy Streams of Thought, their collaboration can be traced back almost almost 20 years: Trotter and Burton first met back in 2005. They started working on material — but time went on, life happened, other projects and obligations came up.

Following 2004’s The Grey Album, Burton became one of the most in-demand and prolific producers of the day, helming several commercially and critically successful projects, which led to a bevy of accolades and awards. He also developed collaborations with a unique and eclectic array of artists while expanding upon and honing his own musicianship, production and writing.

During that same period of time, The Roots released some critically applauded albums and became the house band for Late Night with Jimmy Fallon then The Tonight Show Starring Jimmy Fallon. Trotter released his aforementioned, critically applauded solo trilogy Streams of Thought. He collaborated with the likes of Eminem, John Legend, Pusha T., Griselda, and a list of others. He wrote, composed and starred in the widely-praised off Broadway show Black No More. And adding to a lengthy list of accomplishments, he co-produced a TV series with his Roots bandmate Questlove.

Each mistakenly thought that the other had moved on and their collaboration just died, but as it turned out neither ever stopped wanting to work together. Burton felt an instinctive pull to go back to his roots and make a timeless hip-hop album. He knew that Trotter was the only emcee capable of fulfilling that vision. Simultaneously, Trotter was seeking a space, where he could express himself musically and creatively beyond the confines and structures of his own band.

This time, Burton was a far more seasoned songwriter and producer, Trotter an even more extraordinary emcee.  So, setting aside all distractions, Burton played Trotter some new music he had had. The ideas and words quickly flowed — and the experience was liberating.

Meticulously built over a period of several years, Cheat Codes reportedly finds Burton pushing widescreen, soul-infused hip-hop soundscapes to new directions paired with Trotter’s commanding presence, incisive lyricism and dexterous wordplay. Unlike the typical producer-meets-rapper/side project, Cheat Codes is an effort between two like-minded collaborators, who raise each other’s games to new heights.

The album also features an equally acclaimed cast of guests including A$AP Rocky, Run The Jewels, MF DOOM, Michael Kiwanuka, Joey Bada$$, Russ, Raekwon, and Conway the Machine.

Cheat Codes‘ first single “No Gold Teeth” is centered around a warm and dusty old school, psychedelic soul production that to my ears is a slick synthesis of RZA, Pete Rock, and DJ Premier. The production serves as a lush bed for Black Thought’s rapid fire, lyrical deluge. This is that real hip-hop: dope emcees spitting flames over dope beats.

Directed by UNCANNY, the UK-based creative duo of George Muncey and Elliot Elder, the accompanying video is a hypnotic and mind-bending collage of machine learning-created images superimposed over Black Thought’s head.

New Video: French Duo MD ONE Releases a Moving VIsual for Rousingly Anthemic “Espérance”

MD ONE — Marc Vindret (multi-instrumentalist, production) and David Bernard (lyrics, vocalist) — is a French indie electro pop/electro rock duo, who derive their name from the names of the project’s individual members — M for Marc Vindret, D for David Bernard and ONE for the unity between the duo. The duo’s full-length debut Twelve Stars is slated for a June 11, 2021 — and the album finds them quickly establishing their sound and songwriting approach Vindret aims for simplicity and strength through chord changes while Bernard’s lyrics thematically find him reflecting on his personal quest for serenity and spirituality while reflecting on his past and present emotions, his relationship to life and love.

Twelve Stars’ three previously released singles have amassed over 800,000 views on YouTube and continuing upon that momentum, MD ONE recently released the album’s fourth and latest single, the arena rock-like anthem “Espérance.” Deriving its title from the name of an Australian fishing port named Espérance,” the song is centered around rousingly anthemic hooks, buzzing power chords, twinkling keys and four-on-the-floor, Vindret’s plaintive vocals and a relentless motorik groove that makes the song sound — to my ears, at least — like a slick synthesis of early New Order and Violator-era Depeche Mode. But thematically, the song is ardent and politically charged in a way that may remind some of early U2 — with the song’s narrator delivering a call of arms to the listener to fight inequality and unfairness — and to make the world a better place.

The recently released Kevin Adler-directed video for “Espérance” can trace its origins to MD ONEs Bernard being moved by a news report on Miracles Foundation and their mission to reunite houseless Americans with their often long-lost families and friends. At its core, the video aims to remind the viewer of the dignity of all people — and that there’s hope even in the most desperate of times.

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Born to an English father and Italian mother,  Paris-born and-based composer, multi-instrumentalist, electronic music producer and electronic music artist, Frank Woodbridge grew up in a passionate, musical household: at an early age, the Woodbridge family spent their evening listening to their vinyl record collection in front of their huge stereo. “My father loved The KinksThe BeatlesThe Bee Gees and Al Jarreau. My mother introduced me to Stan Getz, Carole King and the romantic refrains of the crooners that reminded her of her childhood,” Woodbridge recalls fondly in press notes. “From the age of ten, I was already deep into The CureDepeche ModeU2. My teenage neighbor had decided to perfect my musical education. And then, Bernard Lenoir on Inter, the many weekends in London . . . I was an indie kid, that was my life.”

After spending many years in rock and electro pop groups as a singer/songwriter and self-taught multi-instrumentalist, Woodbridge has spent the past few years focusing on composing for films, the web, TV, as well as  sound design for events and stage music for theater. Currently, Woodbridge works with Andre Manoukian on his daily chronicle for the Daphne Burki-hosted TV show, Je T’aime, ETC — and he wrote a comic book Inversion, which follows its composer protagonist.

2020 has been a busy year for the French artist: companies like Kenzo Parfums and Oris Watches commissioned him to compose music for web campaigns and for a series of 10 films. He also composed the soundtrack for Florie Martin and Melissa Theuriau’s documentary  Seine Saint Denis Style, which aired on French station C8 earlier this year. Woodbridge also released an album of original compositions LOLA LIFE DEATH ETC earlier this year.  

I’ve written about two of LOLA LIFE DEATH ETC’s singles so far:

  • Lola dans le bus” a melancholic and cinematic M83-like track specially composed to drive to or daydream along with, inspired by personal experience: Woodbridge ran into an ex-girlfriend he had lost contact with. He saw her on a bus and waved at her but unfortunately, she didn’t see her. And as a result, the song is punctuated with a profound sadness over a missed connection, as well as nostalgia for something you can’t ever really get back.
  • To The End” is an optimistic, motorik-groove driven track, reminiscent of  New Order and From Here to Eternity and From Here to Eternity . . . and Back-era Giorgio Moroder As Woodbridge said at the time “It is music driven with an urge, a dream for something else, a lot of energy and yet peacefulness coming from inner strength and will, I composed it thinking of movies I love, where people are at a turning point of their lives knowing it or not, and heading for their future. Although slightly melancholic, it has a positive light and effect.”

LOLA LIFE DEATH ETC‘s lats single “Je me souviens de tout,” (which translates into English as I remember it all)” is a dreamy, downtempo track centered around shimmering synth arpeggios and thumping beats paired with a a heartfelt mantra as its main lyric, a lyric that simply says ” Love, in the end, is just love.” Interestingly, the track is one of the few off the album with lyrics — and was specifically written as a way to “escape gravy and access an inner light” as Woodbridge explains in press notes.