Tag: VHS

New Video: The 80s Inspired Sounds and Visuals of Up-and-Coming Boston-based Duo Modesta

Comprised of Arjun Viswanathan and Kostas Papadopoulous, the up and-coming, Boston-based duo Modesta specialize in a retro-futuristic synth pop sound that will remind most listeners of John Carpenter soundtracks and 80s synth funk, as well as contemporaries like Umberto and others — although interestingly enough, the duo cites Roosevelt, The Shins and Unknown Mortal Orchestra as major influences while saying that their own own sound and aesthetic is rooted in diversity and experimentation.

Since their formation, the duo have accrued almost half a million streams on Spotify with over 15,000 monthly listeners, and along with that the duo have built a home recording studio from the ground up, while learning new ways to improve their craft and experiment with their sound and songwriting process. Their debut EP VHS is slated for a January 12, 2018 release and reportedly the EP will find the duo meshing contemporary, electronic production, analog synthesizers, and organic instrumentation while further cementing their reputation for crafting material that’s indebted to 80s synth pop; in fact, as you’ll hear on EP title track and first single “VHS,” Viswanathan and Papadopoulous as the duo pair shimmering layers of arpeggiated, analog synths, thumping beats, a sinuous bass line, ethereal vocals and a slick hook. But underneath the moody iciness of the song is a swooning devotion of love. 

The recently released music video further emphasizes the retro-futuristc theme and vibe of the song as it features VHS player noises, grainy footage shot on VHS tape and incredibly 80s-like graphics and special effects. 

Currently comprised of Josh Hageman (vocals, guitar), Morgan Travis (guitar), Chris Costalupes (bass) and Gavin Tiemayer (drums), Seattle, WA-based (by way of Reno, NV) band Violent Human System or VHS have developed a reputation for a grainy, abrasive 80s leaning punk  rock sound that’s been compared to the likes of early Killing Joke, Big Black, Christian Death and others — and for eschewing proper studio recordings for home-recorded cassette tapes.

Gift of Life, VHS’ long-awaited, full-length debut slated for a June 17 release  derives its name from Hageman’s personal experience working on the periphery of the medical field. As Hageman explains in press notes the album title “came from some generic blood donation poster I saw in one of the hospitals. It said ‘give the gift of life’ with a photo of a happy family at a park on a sunny day with some pamphlets under it. It was a visual image that stood in stark contrast to the somber surrounding environment. Other songs on the album focus on addiction, the misery and tragedy within the sanitized walls of a modern Western hospital and more — or in other words, the material pulls back the curtain to reveal the rot and grime underneath everything.  The album’s latest single “Public Act” is a tense and abrasive punk/post-punk song that conveys a creeping and uneasy paranoia thanks in part to slashing, angular guitar chords played through reverb and effects pedals, shouted lyrics, anthemic hooks and propulsive drumming.