Formed back in 2012 by Jake Ingalls, a former member of The Flaming Lips, the self-professed “retro-futurist dream rock” outfit Spaceface is currently split between Memphis and Los Angeles, and features a collection of current and past members of The Flaming Lips and Pierced. In the decade since their formation, the members of Spaceface have developed a reputation for crafting catchy songs with elements of dream pop, funk, rock and post-disco.

Now, if you’ve been frequenting this site over the course of the past year, you’d recall that the JOVM mainstays sophomore album Anemoia was released through Montreal-based label Mothland. The album is the result of several months spent back in 2019 at Blackwatch Studios, where the band spent several months working with Jarod Evans writing material inspired by funk rock and the turn of the millennium psychedelia revival.

Although the material can be initially perceived as a feat of efficient and minimalistic songwriting by Ignalls and a cast of friends and collaborators, centered around slick melodies, lush arrangements and effortlessly flowing rhythmic grooves, each spin reportedly will reveal a new layer while painting a positive but somewhat critical portrayal of modern life.

In the lead up to Anemoia‘s release, Spaceface and Mothland released six singles off the album, including “Happens All The Time,” “Earth In Awe,” and “Piña Collider,” which featured samples and choir vocals from actual CERN scientists and “ were all previously released to praise across the blogopshere.

I’ve managed to write about three more released singles:

• “Long Time:” a woozy and funky contemplation of life choices and alternate realities centered around a strutting bass line, glistening synth arpeggios and infectious hooks paired with guest vocals from Penny Pitchlynn, best known for her work with BRONCHO and LABRYS.
• “Rain Passing Through:” an Oracular Spectacular era MGMT meets  Nile Rodgers-like bop with guest vocals from  Mikaela Davis about the fleeting moments one may have with former or future lovers in passing turbulent times, and despite knowing that it probably shouldn’t, wouldn’t or can’t happen, that it was okay to feel good and safe, even if it was for a brief, lovely moment. 
• “Millions & Memes,” a hook-driven ear worm centered a buzzing, phaser-drenched guitar riff and funky boom bap beats that — to my ears, at least — sounds like a slick and seamless synthesis of Currents era Tame Impala, 70s glam rock and funk. Much its predecessors, “Millions & Memes” is rooted in deeply detailed psychological observation and overwhelmingly positive messaging. 

 Anemoia‘s seventh — that’s right seventh! — single “Classic Style” is an anthemic, hook-driven banger, centered around buzzing power chords, thumping beats, dreamy vocals and twinkling keys. While to my ears, sounding as though it were indebted to Lonerism and Currents era Tame Impala, “Classic Style” is a swaggering yet earnest pick up line to that pretty young thang at the club, who just caught your eye.

Directed by longtime collaborator Jarod Evans, the accompanying video for “Classic Style” features cameo from The Flaming Lips’ The Brothers Griiin and employs a rather simple concept: a sort of behind the scenes look at the shooting of a video, fittingly shot in a lysergic haze.