Tag: Virginie B Astral 2000

New Video: JOVM Mainstay Virginie B. Shares Euphoric “Chamaille”

JOVM mainstay Virginie B is a rising, Montréal-based self-taught singer/songwriter, multi-instrumentalist, producer, and self-described “extravagant mess” has long been influenced by a wide range of music, including experimental electronic music, classical, old-timey jazz, 90s R&B, art pop, art rock and more. 

Her full-length debut, 2022’s INSULA was released to praise from ICI PremièreLe DevoirLa Presse, Montreal Rocks!, and PAN M 360. The album also earned a GAMIQ. Pop Album of the Year nomination. And adding to a growing profile, the French Canadian artist has made a run of the provincial festival circuit, playing sets at Francofoiles de MontréalCoup de Cœur FrancophoneLe Phoque OFFSanta Teresa FestivalTaverne Tour, 2022’s M for Montréal. She also played at SXSW back in 2023.

2024’s Astral 2000, which featured album opener and title track “Astral 2000” saw the Montréal-based artist releasing what may arguably be the province’s first hyper pop album. Since then she’s been busy collaborating with fellow JOVM mainstay Super Plage and a list of others.

Produced by long-time collaborator Louis Jeay-Beaulieau, “Chamaille,” the acclaimed JOVM mainstay’s first bit of new material since Astral 2000 is a high-octane bop that has become a staple of her live shows since she first played it on stage over a year ago. Live, the new single is often paired with her techno cover of “Lost Woods,” the iconic Koji Kondo-composed theme, which appears on the soundtrack of Nintendo’s The Legend of Zelda: Ocarina of Time. She typically blends both tunes seamlessly into one another during he live sets, culminating into one of her set’s most exhilarating moments.

Originally written on piano with French pop artist Mylène Farmer in mind, the new single may arguably be the most dance floor friendly and euphoric tunes of her growing catalog to date. Reportedly, the new single is a transitional track that’s meant to bridge the gap between 2024’s sophomore album and the next chapter of her career. Built around production featuring glistening synths and skittering beats, “Chamaille” is a hooky, club banger that seemingly blends elements of footwork and Euordance beneath the JOVM mainstay’s yearning delivery.

“I was thinking about those long, late nights spent sitting on the sidewalk outside the bar, confiding in strangers. Sharing the intensity of life—even in half-spoken words, even when it’s late, even if we’re hurting ourselves a little in the process—and pouring ourselves into the other person to forget the immensity of the surrounding chaos. Finding comfort in the now, courage in sharing, to face the next day—is it really so bad if it makes us feel better, even just a little?” The acclaimed Montréal-based artist says of the new song.

New Video: Virginie B Shares Sleek and Breakneck “Astral 2000”

Virginie B is a rising, Montréal-based self-taught singer/songwriter, multi-instrumentalist, producer, and self-described “extravagant mess” influenced by a wide range of music, including experimental electronic music, classical, old-timey jazz, 90s R&B, art pop, art rock and more. The French Canadian artist and her collaborator and co-produced Louis Jeay-Beaulieu have received attention across the province and elsewhere for crafting a unique take on hyper pop that incorporates elements of nu-jazz, funk and R&B with a refined conceptual approach informed by art pop. 

Thematically, her work is informed by her studies in psychology and sees her exploring her psyche, femininity and her relationship with technology and nature. For the rising French Canadian artist, her work is an outlet which she expresses her desires and excesses with an unvarnished honesty that reflects her vulnerability and confidence, while not taking herself too seriously. 

The rising Montréal-based producer and artist collaborates with a number of local acts including  Super PlageMaggie LennonGeorgetteFélix Dyotte and Marie-Gold among others. 

Her full-length debut, 2022’s INSULA garnered praise from ICI PremièreLe DevoirLa Presse, Montreal Rocks!, and PAN M 360, which led to a nomination for Pop Album of the Year nomination at 2022’s GAMIQ.Adding to a growing profile, Virginie B played sets across the provincial festival circuit, including Francofoiles de MontréalCoup de Cœur FrancophoneLe Phoque OFFSanta Teresa FestivalTaverne Tour, 2022’s M for Montréal — and last year’s SXSW

The Montréal artist’s highly-anticipated sophomore album Astral 2000 is slated for a Friday release through Bonsound. Reportedly, her Bonsound debut is at once quirky and accessible, visceral and sophisticated, synthetic and deeply human with its songs exploring conflicting personal themes: Throughout the album, the rising Montréal-based artist wavers back and forth between her love of nature and fascination with new technologies, her longing for lazy days and the urgency of her mortality, her desire for simple pleasures and need to perform (and to be)in the spotlight, her relationship with her femininity, her desires and the resulting excesses.

Conceived alongside producer, multi-instrumentalist and longtime collaborator Louis Jean-Beaulieu, Astral 2000 is one of la belle province’s first hyper pop albums. The album’s latest single, album opener and title track “Astral 2000” is set during an escapist night out, partying at a karaoke bar. Anchored around a breakneck BPM, thumping kicks, glistening and blocky synth arpeggios, “Astral 2000” is meant to evoke a white-knuckle ride through a wild cycle off partying, the pressure to perform and the soul-crushing search for authenticity through the perception of others. But throughout, Virginie B’s coquettish melodic delivery is a sharp and almost playful contrast to the song’s breakneck nature.

Directed by Rosalie Bordeleau, the accompanying video for “Astral 2000” is an homage to Wong Kar Wai and Sofia Coppola, meshing the two influences to evoke a woozy and dizzying sense of solitude. Flashing between intimate karaoke jam with friends, a motorcycle race through tunnels and a disorientating night-time wander through the city, the Montréal-based artist seems to find herself both isolated and connected to the world and people around her.