Tag: Wallflower Records

 

With the release of their full-length debut Colors, the Galveston, TX-based act El Lago — Lauren Eddy, Jacob Villarreal, Charles Eddy and Jaron Hal — quickly established an unhurried and reverb-drenched take on dream pop, which resulted in a lengthy tour that included stops across the national festival circuit, sharing stages with the likes of Stereolab‘s Laetitia Sadier, JOVM mainstays Sylvan Esso, The Black Angels and Blushing, Holy Wave and Crumb.

Slated for release later this year through Wallflower Records, El Lago’s forthcoming sophomore effort Pyramid reportedly finds the band’s sound and approach evolving in  new direction as they increasingly incorporated elements of post-punk and New Wave into the dream pop and shoegazer-like sound that won them attention, essentially adding a darker element to their sound.  Interestingly, Pyramid‘s latest single “Endless” is centered by the prerequisite layers of fuzzy and distorted guitars and ethereal vocals of shoegaze within an expansive song structure — but with a muscular and forceful insistence.

New Video: Austin-based JOVM Mainstays Blushing Release a Hazy and Mind Bending Visual for “So Many”

Over the past couple of years, I’ve written quite a bit about the Austin, TX-based dream pop/shoegaze quartet Blushing and the act — comprised of two married couples — Christina Carmona (vocals, bass) and Noe Carmona (guitar, keys) and Michelle Soto (guitar, vocals) and Jake Soto (drums) — can trace its origins back to 2015, when after spending several years of writing material on guitar, Michelle Soto recrutied her classically trained friend Christina Carmona to join her new project. Shortly after the band’s founding duo started the band, they recruited their spouses to complete the band’s lineup.

The then-newly formed quartet spent the next year writing and revising material Bad Wolf Recordings to record their debut EP Tether, which was released to positive reviews across the blogosphere, including this site. Building upon a growing profile, the Austin-based shoegazers returned to the studio to record their sophomore EP Weak, an effort that further cemented their reputation for crafting material indebted to Lush, Cocteau Twins and The Sundays — while revealing a gentle refinement of the sound that first caught the attention of this site and the rest of the blogosphere.

The Austin-based JOVM mainstays ended last year with the release of the Elliot Frazier-produced and mixed “The Truth”/”Sunshine” 7 inch, which was released both digitally and on colored vinyl through The Nothing Song Records. That single found the band further expanding upon their sound with “The Truth” being one of the more muscular songs of their growing catalog while retaining a hazy vibe. Adding to a growing profile, the members of Blushing have shared stages with the likes of Snail Mail, Sunflower Bean, La Luz, BRONCHO, Illuminati Hotties, Yumi Zouma and others.

Now, as you may recall, this year may arguably be one of the biggest years of the band’s relatively short history: they made their second SXSW appearance this year, and the band’s highly-anticipated, self-titled full-length debut is slated for a September 6, 2019 release through Wallflower Records here in the States and on CD through Hands and Moment Records in Japan. “Dream Merchants,” the album’s first single was a woozy and swirling track that continued in a similar vein of “The Truth” — and while centered around the dual, ethereal harmonizing of Christina Carmona and Michelle Soto, the track evokes the sensation of a vivid yet half-remembered dream. 

“So Many,” the debut album’s latest single begins with a brooding and wistful intro centered around shimmering and reverb-drenched guitars and the dual, ethereal harmonizing of Christina Carmona and Michelle Soto before turning into a turbulent and towering storm, revealing a band that can balance explosive noise with gorgeous melodicism. Interestingly, the song lyrically was inspired by the vicious cycle of frustration and defeat that Michelle witnessed her son go through while dealing with attention and concentration issues in school. Her son’s struggles forced her to realize that she also struggled through many of the same obstacles in her own daily life. 

Interestingly, the recently released video is hazy, Memento-like visual in which the timeline at points run forwards and backwards, as it focuses on the Polaroid pictures of several mundane, daily moments in the life of its protagonist. Underneath the photos, someone has written a line of the song’s lyrics — and we see them thrown into a metal bowl, as someone lights them on fire. The video manages to evoke the sense of frustration, defeat and procrastination that frequently affects those who have trouble focusing on one thing at a time. 

New Video: The Creepily Cinematic Visuals for Holy Golden’s “Seven of Diamonds”

Comprised of Leslie Schott and Andrew Valenti, the acclaimed indie duo Holy Golden can trace their origins to a serendipitous meeting on Martha’s Vineyard — during a lunar eclipse. As the story goes, Schott decided to take a ferry to the island and happened upon the record store where Valenti was working at the time. After chatting a bit, Valenti wrote down his band’s email address on a business card, gave it to Schott, suggesting that she should come to a show that night. Schott purchased a few CDs and left, assuming that she’d probably never see Valenti again, but as the ferry back to the mainland was about to depart, she ran off the boat and found the show. Since then, Schott and Valenti have traveled back and forth between Martha’s Vineyard and Los Angeles, where they’re currently based, creating mythological, multi-media based mini-worlds through music, music videos, short films and photography. Sonically speaking, the duo have developed a reputation for a sound that blends dream pop and 90s alt rock — while being inspired by their deepest sorrows and brightest fantasies, Maya Deren, David Lynch, Edward Gorey, and the lonely terrain of gilded Americana.

Wallflower Records’ founder Corey Savage signed the duo after catching them play in Houston during their first tour, and the label released their critically applauded full-length debut Wax Castle, an album that was written and recorded in various locations across the country. Building upon a growing profile, The Licking River EP was recorded, produced and mixed at Providence, RI-based Machines With Magnets Studio, and the EP was named by a number of blogs across the blogosphere as one of the top indie EPs of 2017. The duo’s sophomore album, the Steve Rizzo-produced Otherworld was a concept album inspired by a recurring childhood daydream of Schott’s — and it was recorded in a historic ballroom in Newport, RI. Interestingly, the duo frequently record while traveling and as a result, their work is affected by the rapidly changing landscapes, as well as the changing external and internal environment; in fact, they’ve had stints in Los Angeles, Detroit, Rhode Island and Cape Cod. 

Released earlier this year, the duo’s Sleepwalkers in the Milky Way EP will further cement their growing reputation for crafting atmospheric and cinematic dream pop — and while the band’s sound has been described as if Dolly Parton were backed by The xx, their latest single “Seven of Diamonds” to my ears, sounds as though it were influenced by the now-defunct Denver-based act Ending People and the classic 4AD Records heyday roster. In other words you’ll hear an arrangement of shimmering and angular guitar chords, dramatic drumming, a sinuous bass line and a soaring hook paired with Schott’s ethereal and plaintive vocals. 

Directed by Beatrice Pegard, the recently released video for “Seven of Diamonds” is a fever dream that seems influenced by Roger Corman’s Edgar Allen Poe films and the work Dario Argento among others — and as result, it has a palpably tense and uneasy creepiness.