Tag: Wiz Khalifa

New Video: JOVM Mainstay Koncept Releases a Hazy Visual for Upbeat Banger “Watch The Sky Fall 2”

Over the past few years I’ve written quite a bit about the acclaimed, Queens-born emcee and JOVM mainstay Koncept. Born Keith Michael Whitehead, the JOVM artist has led a rather remarkable life: working at Fat Beats Records, he co-founded The Brown Bag AllStars with his coworkers Soul Khan, Cold Codeine, J57 and The Audible Doctor in 2007. The collective’s 2009 debut mixtape The Brown Tape was released through Coalmine Records while the members of the act were working at Fat Beats — and they followed that up with an attention-grabbing appearance at that year’s Brooklyn Hip Hop Festival.

Building on a growing profile, the members of The Brown Bag All Stars released two EPs in 2010 — The Traveller and The Down Under Remixes. Whitehead’s full-length debut Awaken, which was also released that year, featured guest spots from Soul Khan, JOVM mainstay Homeboy Sandman, Royce da 5’9″ and Sene with production from J57 and Marco Polo — and the album established the Queens-born emcee as a solo artist in his own right. As a result of the attention he received from his debut, Koncept received an endorsement by Red Bull that helped financed his 2015 critically acclaimed J57-produced The Fuel EP.

After the release of The Fuel, Koncept went to Seoul, South Korea for a two-week tour sponsored by Miller Genuine Draft and Jameson. Those tour dates developed into more shows and bookings — and eventually a partnership with Sony Music Asia, who released his sophomore effort 14 Hours Ahead, an effort that was thematically centered around envisioning your future and dreams, growing and believing in yourself every step of the way — and then manifesting those dreams into reality. Since then, Koncept has also developed a reputation for being a go-to collaborator, who has worked with Rick Ross, Travis Scott, Ty Dolla $ign, Macklemore, Wiz Khalifa, The Roots, Joey Bada$$, Green Day, A$AP Mob, Ghostface Killah and Joell Ortiz.

Released last summer, the Queens-based latest effort Champagne Konny comes after spending two years on the road — with the bulk of it in Asia, including a sold-out tour with Scoop Deville. While on the road, the Queens-based JOVM mainstay discovered a new perceptive on his life and career, which has influenced the emcee and his work. “Watch The Sky Fall 2” is a bold remix of Awaken’s lead single “Watch The Sky Fall,” which retains Royce da 5’9″‘s guest verse while being inspired by where it all started — with a newfound zest and desire for life. Featuring a new verse from Koncept, Royce da 5’9″‘s imitable flow paired with a Wrist.the.Greatest and Keitel Jr. co-production centered around shimmering and squiggling synths and tweeter and woofer rocking boom bap beats. And while sonically bringing Too Short to mind, the song has an upbeat and almost defiantly positive message: when your life seems to be falling apart, and you’re feeling broken, scared ad as though you’re about to go down for the count, you have to hold on and try to push forward. 

Filmed and edited by Juliette Carton, the recently released video for “Watch The Sky Fall 2” is a hazy yet intimate visual that quickly cuts from scenes of Koncept in what appears to be a shower and a pensive Koncept holding an umbrella in the forest — as though the umbrella would protect him from a universe in which the sky seems to be against him. 

New Audio: Koncept Teams up with Royce da 5’9″ and Wrist.the.Greatest on an Uplifting Banger

Born Keith Michael Whitehead, Koncept is an acclaimed Queens-born emcee, who has led a remarkable life: while working at Fat Beats Records, he co-founded The Brown Bag AllStars with co-founders Soul Khan, Cold Codeine, J57 and The Audible Doctor in 2007. The collective’s 2009 debut mixtape The Brown Tape was released through Coalmine Records while the members of the act were working at Fat Beats — and they followed that up with an attention-grabbing appearance at that year’s Brooklyn Hip Hop Festival.

Building on a growing profile, the members of The Brown Bag All Stars released two EPs in 2010 — The Traveller and The Down Under Remixes. Adding to a busy year, Koncept released his debut EP Playing Life. 2011 saw the release of the first of their annual end-of-year A Year In Review compilations and Brown Bag Season Vol. 1, which featured guest spots from DJ Brace and Marco Polo. While the collective was beginning to receive a larger profile, Koncept’s 2012 full-length debut Awaken, which featured guest appearances from Soul Khan, JOVM mainstay Homeboy Sandman, Royce da 5’9″ and Sene with production from J57 and Marco Polo established the Queens-born emcee as a solo artist in his own right; in fact, as a result of the attention from his debut, Koncept received an endorsement by Red Bull that financed his 2015 critically acclaimed J57-produced The Fuel EP.

After the release of The Fuel, Koncept went to Seoul, South Korea for a two-week tour sponsored by Miller Genuine Draft and Jameson — and those performances developing into more shows and bookings, and eventually a partnership with Sony Music Asia, who released his sophomore effort 14 Hours Ahead, an effort that thematically centered around envisioning your future and dreams, growing and believing in yourself every step of the way, and manifesting them into reality. So far, adding to a growing profile, the Queens-born emcee has also collaborated with the likes of Rick Ross, Travis Scott, Ty Dolla $ign, Macklemore, Wiz Khalifa, The Roots, Joey Bada$$, Green Day, A$AP Mob, Ghostface Killah and Joell Ortiz.

Earlier this year, the Queens-born JOVM mainstay released a one-off Ray Hill produced single “Countdown,” which found him effortlessly changing his flow and cadences several times throughout an eerie production consisting of chiming synths and stuttering, boom bap beats. And while employing some mischievous wordplay and rhyme scenes, the song finds the emcee and his narrator being both reflective and introspective, as he recalls his missteps, those who counted him out and his desire to keep moving towards the bigger and better things he’s just beginning to see at the end of the proverbial tunnel. The song serves as a reminder that achieving your dreams requires you to sacrifice, bust your ass and believe in yourself even when things aren’t going as well as you’d hoped. And perhaps more important, there’s no such thing as overnight success.

Slated for release later this summer, the Queens-based emcee’s forthcoming Champagne Konny comes after spending two years on the road — with the bulk of it in Asia, including a sold-out tour with Scoop Deville. And while on the road, Koncept discovered a new perspective on his life and his career, which have deeply influenced his work. Interestingly, “Watch the Sky Fall,” which featured Royce da 5’9″ was the lead single off Koncept’s debut album Awaken and it’s remix, “Watch The Sky Fall 2” is a bold remix, inspired by tapping into where it all started — but with a zest and desire for a new life; in fact, the track features a new verse from Koncept, Royce da 5’9″‘s imitable flow paired with a thumping, tweeter and woofer rocking production by Wrist.the.Greatest and Keitel, Jr. reminiscent of Too Short. Throughout, the song features a defiantly positive message: when your life seems to be falling apart, and you’re feeling broken and about to go down for the count, hold on, get up and push forward. 

New Audio: Acclaimed Emcee Koncept Releases a Reflective Banger

Born Keith Michael Whitehead, Koncept is an acclaimed Queens-born emcee, who has led a remarkable life: while working at Fat Beats Records, he co-founded The Brown Bag AllStars with co-founders Soul Khan, Cold Codeine, J57 and The Audible Doctor in 2007. The collective have some rather humble origins — initially, Koncept, Soul Khan and Cold Codeine were writing verses and freestyling over beats made by J57 and The Audible Doctor at Jesse Shatkin’s studio. The collective’s 2009 debut mixtape The Brown Tape was released through Coalmine Records while the members of the act were working at Fat Beats — and they followed that up with an attention-grabbing appearance at that year’s Brooklyn Hip Hop Festival. 

Building on a growing profile, the members of The Brown Bag All Stars released two EPs in 2010 — The Traveller and The Down Under Remixes. Adding to a busy year, Koncept released his debut EP Playing Life. 2011 saw the release of the first of their annual end-of-year A Year In Review compilations and Brown Bag Season Vol. 1, which featured guest spots from DJ Brace and Marco Polo. While the collective was beginning to receive a larger profile, Koncept’s 2012 full-length debut Awaken, which featured guest appearances from Soul Khan, JOVM mainstay Homeboy Sandman, Royce da 5’9″ and Sene with production from J57 and Marco Polo established the Queens-born emcee as a solo artist in his own right; in fact, as a result of the attention from his debut, Koncept received an endorsement by Red Bull that financed his 2015 critically acclaimed J57-produced The Fuel EP. After the release of The Fuel, Koncept went to Seoul, South Korea for a two-week tour sponsored by Miller Genuine Draft and Jameson — and those performances developing into more shows and bookings, and eventually a partnership with Sony Music Asia, who released his sophomore effort 14 Hours Ahead, an effort that thematically centered around envisioning your future and dreams, growing and believing in yourself every step of the way, and manifesting them into reality. So far, adding to a growing profile, the Queens-born emcee has also collaborated with the likes of Rick Ross, Travis Scott, Ty Dolla $ign, Macklemore, Wiz Khalifa, The Roots, Joey Bada$$, Green Day, A$AP Mob, Ghostface Killah and Joell Ortiz. 

Koncept’s third full-length album is slated for release next summer but in the meantime, he has released a one-off single, the Ray Hill-produced “Countdown.” Centered around an eerie production consisting of chiming synths and stuttering and boom bap beats, the track finds the Queens-born emcee, effortlessly changing his flow and cadences multiple times throughout while employing some mischievous wordplay and rhyme schemes; but the song finds him being both reflective and introspective, and while recalling many of his missteps and those who counted him out, he expresses a desire to keep moving forward towards the bigger and better things he’s just beginning to see right now. The song serves as a reminder that achieving your dreams requires you to sacrifice, bust your ass and believe in yourself even when things aren’t going as well as you’d hoped. And perhaps more important, there’s no such thing as overnight success. 

 

Throughout the course of this site’s eight-plus year history, I’ve written quite a bit about the Los Angeles-based singer/songwriter, bassist and JOVM mainstay Stephen “Thundercat” Bruner, and as you may recall Thundercat has developed a reputation as a highly-desired collaborator and a critically applauded solo artist; in fact, he has collaborated with Kendrick Lamar  on Lamar’s Grammy Award-winning album, To Pimp A Butterfly and  Brainfeeder Records labelmate, Kamasi Washington’s The Epic, which he promptly followed up with one of my favorite releases of 2015, the mini-album The Beyond/Where the Giants Roam. 2017’s Drunk, Bruner’s critically applauded third full-length album was written as an epic journey into the bizarre, hilarious and sometimes dark mind of the singer/songwriter and bassist, and it featured an All-Star list of collaborators including some of his go-to collaborators Kamasi Washington, Kendrick Lamar, Wiz Khalifa and Pharrell Williams, along with Michael McDonald and Kenny Loggins.

Currently comprised of founding members Matthew Tavares (keys), Chester Hansen (bass), and Alexander Sowinski (drums) with newest member Leland Whitty (saxophone), the Toronto, Ontario, Canada instrumental act BADBADNOTGOOD derive their name from an abandoned comedy TV project that Tavares was working on before the band formed – and whether as trio or a quartet, the band has developed a reputation for a sound and compositional approach that draws from hip-hop, electronica, jazz, prog rock; but they’re perhaps best known for their jazz-based interpretation of hip-hop tracks, which have allowed them to collaborate with Kendrick Lamar, Tyler The Creator, Earl Sweatshirt, Denzel Curry, Danny Brown, Mick Jenkins, Ghostface Killah and others. Interestingly, the band can trace its origins to when the band’s founding trio bonding over a mutual love of hip-hop – in particular MF Doom and Odd Future.

As the story goes, the then-trio played a piece based on Odd Future’s music for a panel of their jazz performance instructors, who didn’t believe it had much musical value – but interestingly enough, after they released the track as “The Odd Future Sessions, Part 1,” the track caught the attention of Tyler The Creator, who helped the video go viral. The Canadian act followed that up with the 2011 release of their full-length debut BBNG, which featured interpretations of A Tribe Called Quest, Waka Flocka Flame and Odd Future. Building upon a growing profile, the members of BADBADNOTGOOD recorded a live jam session with Tyler The Creator in Sowinski’s basement, with videos from the session amassing more than a million views each.

2012’s sophomore effort BBNG2 was recorded over the course of a ten-hour studio session and featured Leland Whitty (saxophone) and Luan Phung (electric guitar) and featured their own original material, as well as renditions of songs by Kanye West, My Bloody Valentine, James Blake, Earl Sweatshirt and Feist. That year, the band was the official Coachella Festival house band, backing Frank Ocean and Odd Future over the course of its two weekends.

2013 saw the release of III, which featured “Hedron,” a track that was also featured on the compilation album Late Night Tales: Bonobo; “CS60” and “Can’t Leave the Night,” which was released with the B-side “Sustain,” and they were involved on the soundtrack for The Man with the Iron Fists, assisting with the production and composition.

2015’s fourth, full-length album Sour Soul, found them collaborating with Ghostface Killah – and interestingly, the album is more of a hip-hop album that nods at (and is largely influenced by) jazz. They ended the year with covers of a handful of holiday standards, including “Christmas Time Is Here” with Choir! Choir! Choir!

Leland Whitty joined the band as a full-time member in early 2016, and they followed that up with producing “Hoarse” off Earl Sweatshirt’s full-length debut Doris and “GUV’NOR,” a remix, which appeared on JJ DOOM’s Keys to the Kuffs (Butter Edition). By the middle of that year, BADBADNOTGOOD released their fifth full-length album IV, an album that featured guest spots from Future Islands’ Sam Herring, Colin Stetson, Kaytranada,Mick Jenkins and Charlotte Day Wilson, and was named BBC Radio 6’s #1 album of the year.

Interestingly, Thundercat and BADBADNOTGOOD have collaborated on what may arguably be one of the most hotly-anticipated collaborations in recent memory, “King of the Hill,” a track that’s a seamless meshing of Bruner’s soulful and dreamy falsetto with his dexterous bass work, a swaggering, boom-bap like backbeat from BADBADNOTGOOD and an atmospheric and shimmering production from Flying Lotus — and as a result, the track manages to be a soulful yet psychedelic take on jazz fusion that’s retro-futuristic yet incredibly contemporary.

Look for the track to be featured on Brainfeeder Records’ forthcoming 36 track Brainfeeder X compilation, and the compilation which is is slated for a November 16, 2018 release will celebrate the label’s decade of releasing the work of fearless and uncompromisingly forward-looking artists that will be split into volumes — a retrospective of their critically applauded releases and the other featuring even more forward-thinking work and collaborations.

 

New Video: JOVM Mainstay Statik Selektah Teams Up with The Lox on the Boom Bap-Era Inspired Single “But You Don’t Hear Me Tho”

Now, if you’ve been frequenting this site throughout the course of the past five years or so, you’ve come across a handful of posts mentioning or featuring Statik Selektah, a Boston, MA-born, New York-based DJ, producer, radio producer and founder of ShowOff Records, who’s also one-half of hip-hop duo 1982 with frequent collaborator Termanology.  And as you may recall, the Boston-born, New York-based producer, born Patrik Baril, much like anyone who’s involved in music, was introduced to music at a very young age; in fact, he can trace the origins of his own musical career to when he began experimenting with his parents’ eight-track tape deck, cassette recorders and turntables. By middle school, Baril had begun DJ’ing school functions, but as the story goes, Baril became truly inspired to be a producer and turntabilist after hearing DJ Premier and Funkmaster Flex on Hot 97.

As a high schooler, Baril, named himself DJ Statik — the Selektah came much later, after he had heard a local reggae artist say it — and began doing radio at Phillips Exeter Academy‘s radio station, WPEA, and where he also occasionally DJ’ed some of the Afro-Latino Society Parties. He began to DJ clubs and private clubs throughout New England; however, by 2000, Baril had returned to Boston, where he pursued an audio production degree at the New England Institute of Art. Around that time, Baril began releasing a mixtape series titled “Spell My Name Right,” which he then followed several years later by creating ShowOff Marketing, which eventually had Reebok, G-Unit Records, Virgin Records, Capitol Records and Puff Daddy‘s Vote or Die Campaign as clients, before spinning off into a label, which released Termanology’s Out the Gate and Baril’s 2007 debut Spell My Name Right.

Since the release of his 2007 debut, Statik Selektah has released 7 more albums including his 2010 breakthrough 100 Proof: The Hangover, an effort that eventually reached #37 on Billboard‘s Heatseekers Chart, and has produced and collaborated with an incredibly diverse list of artists including Freeway, Strong Arm Steady and others. Statik Selektah’s eighth, full-length album, the aptly titled 8 was released yesterday — December 8, 2017, which may be rather auspicious — through his own ShowOff Records, and the album has the renowned producer 

Statik Selektah’s eighth full-length album, aptly titled 8 is slated for an auspicious December 8, 2017 release through his own ShowOff Records, and the album finds the renowned producer collaborating with a who’s who’s list of contemporary hip-hop including 2 Chainz, Wiz Khalifa, Action Bronson, Wale, G. Eazy  Joey Bada$$, PnB Rock, the late Sean Price and others. Album singles like the Pete Rock-like“No. 8,” a collaboration with Conway, Westside Gunn and frequent collaborator, the aformentioned Termanology and the neo-soul-inspired “Ain’t A Damn Thing Changed,” a collaboration with  a backing band consisting of Brady Watt (bass), a member of The Lesson and DJ Premier’s backing band, Cas Weinbren (keys) Utril Rhaburn (horns),  Enisa (vocals), G. Eazy and Joey Bada$$  further cemented Baril as one of contemporary hip-hop’s best producers. 

The album’s latest single “But You Don’t Hear Me Tho” is collaboration with The Lox and Mtune featuring golden era-inspired production consisting of a looped sample of twinkling keys, blasts of horn and tweeter and woofer rocking, boom bap beats, and the old school-like production is roomy enough for the members of The Lox (Styles P., Jadakiss and Sheek Louch) to trade bars reminiscing about what hip-hop has -meant to them as people and artists, while making pointed commentary on the fickleness of the industry. Along with that, each emcee seems thankful that they’ve managed to survive the trails and tribulations they’ve faced but underneath the surface is a rather profound question of where they’d be without their love affair with hip-hop. 

Directed by Najee Evans, the video features the renowned producer with his adorable daughter, as he takes her to his favorite record store to crate dig but perhaps more important, the video is a revelatory flashback on his career, featuring cameos from Joey Bada$$, DJ Premier, Lord Finesse, Buckwild, Westside Gunn, Conway, as well as footage of The Lox. 

Born Patrick Baril, Statik Selektah is a Boston, MA-born, New York-based DJ, producer, radio producer and founder of Showoff Records, as well as one-half of hip-hop duo 1982 with frequent collaborator Termanology. Much like anyone who’s involved in music in some way or another, Baril was introduced to music at a very young age, and he can trace the origins of his own career to when he began experimenting with his parents’ eight-track tape deck, cassette recorders and turntables. Unsurprisingly, Baril began DJ’ing school functions as a middle schooler; but as the story goes, a young Baril was truly inspired to be a producer and turntabilist after hearing the likes of DJ Premier and Funkmaster Flex on Hot 97.

As a high schooler, Baril, named himself DJ Statik — the Selektah came much later, after he had heard a local reggae artist say it — and began doing radio at Phillips Exeter Academy‘s radio station, WPEA, and where he also occasionally DJ’ed some of the Afro-Latino Society Parties. He began to DJ clubs and private clubs throughout New England; however, by 2000, Baril had returned to Boston, where he pursued an audio production degree at the New England Institute of Art. Around that time, Baril began releasing a mixtape series titled “Spell My Name Right,” which he then followed several years later by creating ShowOff Marketing, which eventually had ReebokG-Unit RecordsVirgin RecordsCapitol Records and Puff Daddy‘s Vote or Die Campaign as clients, before spinning into a label, which released Termanology’s Out the Gate and his 2007 debut Spell My Name Right.

Since the release of his 2007 debut, Statik Selektah has released 6 more albums including his 2010 breakthrough 100 Proof: The Hangover, an effort that eventually reached #37 on Billboard‘s Heatseekers Chart, and has produced and collaborated with an incredibly diverse list of artists including FreewayStrong Arm Steady and others.

Statik Selektah’s eighth full-length album, aptly titled is slated for an auspicious December 8, 2017 release through his own ShowOff Records, and the album finds the renowned producer collaborating with a who’s who’s list of contemporary hip-hop including 2 ChainzWiz KhalifaAction BronsonWale, G. Eazy  Joey Bada$$PnB Rock, the late Sean Price and others. Now, as you may recall, the album’s title track “No. 8” found the renowned producer pairing his golden era hip-hop inspired production featuring enormous, tweeter and woofer rocking 808s and a jazzy sample reminiscent of Pete Rock with ConwayWestside Gunn and frequent collaborator, the aformentioned Termanology contributing some fiery and swaggering bars.

“Ain’t A Damn Thing Changed”  8‘s latest single is a warm and neo-soul leaning production featuring a backing band consisting of Brady Watt (bass), a member of The Lesson and DJ Premier’s backing band, contributing a sinuous and strutting bass line, Cas Weinbren (keys) contributing twinkling, arpeggiated keys, Utril Rhaburn (horns), contributing some mournful horns fed through gentle washes of reverb, enormous, twitter and woofer rocking 808s and some incredible scratching from Statik Selektah and a soulfully sung hook from Enisa. And the production is roomy enough for G. Eazy and Joey Bada$$ to trade bars about achieving  success beyond their wildest dreams and yet finding that many aspects of their lives have ironically remained the same; they may have a multi-million dollar home but find themselves struggling to pay for it, they’re still scheming for the next opportunity — and while we may still admire them and their incredible talents, what both emcees suggest is that if you didn’t know who they were, they lead fairly average albeit very odd lives. While further cementing Baril as one of contemporary hip-hop’s best producers, 8‘s latest single may arguably be one of his most straightforwardly soulful and contemplative tracks he’s ever released.

 

New Video: Statik Selektah Teams Up with Conway Westside Gunn and Termanology on Swaggering and Gritty Track off Producer’s Soon-to-Be Released Album

Born Patrick Baril, Statik Selektah is a Boston, MA-born, New York-based DJ, producer, radio producer and founder of Showoff Records, as well as one-half of hip-hop duo 1982 with frequent collaborator Termanology. Interestingly enough, much like anyone who’s involved in music in some way or another, Baril was introduced to music at a very young age, and he can trace the origins of his own career to when he began experimenting with his parents’ eight-track tape deck, cassette recorders and turntables. Unsurprisingly, Baril began DJ’ing school functions as a middle schooler; but as the story goes, a young Baril was truly inspired to be a producer and turntabilist after hearing the likes of DJ Premier and Funkmaster Flex on Hot 97.

As a high schooler, Baril, named himself DJ Statik — the Selektah came much later, after he had heard a local reggae artist say it — and began doing radio at Phillips Exeter Academy’s radio station, WPEA, and where he also occasionally DJ’ed some of the Afro-Latino Society Parties. He began to DJ clubs and private clubs throughout New England; however, by 2000, Baril had returned to Boston, where he pursued an audio production degree at the New England Institute of Art. Around that time, Baril began releasing a mixtape series titled “Spell My Name Right,” which he then followed several years later by creating ShowOff Marketing, which eventually had Reebok, G-Unit Records, Virgin Records, Capitol Records and Puff Daddy’s Vote or Die Campaign as clients, before spinning into a label, which released Termanology’s Out the Gate and his 2007 debut Spell My Name Right.

Since the release of his 2007 debut, Statik Selektah has released 6 more albums including his 2010 breakthrough 100 Proof: The Hangover, an effort that eventually reached #37 on Billboard’s Heatseekers Chart, and has produced and collaborated with an incredibly diverse list of artists including Freeway, Strong Arm Steady and others.

Statik Selektah’s eighth full-length album, aptly titled 8 is slated for an auspicious December 8, 2017 release through his own ShowOff Records, and the album finds the renowned producer collaborating with a who’s who’s list of contemporary hip-hop including 2 Chainz, Wiz Khalifa, Action Bronson, Wale, G-Eazy, Joey Bada$$, PnB Rock,  the late Sean Price and others. The album’s latest single, album title track “8” finds the producer pairing his golden era production featuring enormous 808s and a bluesy and jazzy sample reminiscent of Pete Rock with Conway, Westside Gunn and frequent collaborator Termanology contributing some fiery and swaggering bars. While Hot 97 may be playing Future and god knows what else, thankfully, there’s real hip-hop like I remember still being made and released.

The recently released video begins with footage of an actual shooting in Buffalo that took place while recording the scene introducing Conway. The video then introduces Westside outside of a cheesesteak place and Termanology on a stoop serving as a reminder that hip-hop is always about the streets. 

 
 

Live Footage: JOVM Mainstay Thundercat Performs Three Songs from Latest Album on NPR’s Tiny Desk

If you’ve been frequenting this site over the past three or four years, you’ve likely come across a growing number of posts featuring the critically applauded bassist, vocalist and JOVM mainstay artist Stephen “Thundercat” Bruner. And as you may recall, the past two years or so have been incredibly busy for the renowned artists, as he’s collaborated with Kendrick Lamar  on Lamar’s Grammy Award-winning album, To Pimp A Butterfly and  Brainfeeder Records labelmate, Kamasi Washington’s The Epic, which he promptly followed up with one of my favorite releases of 2015, the mini-album The Beyond/Where the Giants Roam, an effort that further cemented his growing reputation as one of this decade’s most unique, genre-defying artists. 
Drunk, Bruner’s third, full-length effort was released earlier this year and the album was written as an epic journey into the bizarre, hilarious and sometimes dark mind of the singer/songwriter and bassist — and it features an All-Star list of collaborators including some of his go-to collaborators Kamasi Washington, Kendrick Lamar, Wiz Khalifa and Pharrell Williams, along with Michael McDonald and Kenny Loggins. As you know, the album features a few, previously released fan favorites like  “Bus In These Streets” but it also features the bitterly hilarious, Anti-Valentine Day/fuck being friend zoned track, “Friend Zone,”  “Them Changes,” a song that focuses on a heartbroken and dazed narrator trying to piece his life back together after a romantic relationship has ended, and the shimmering and slow-burning “Lava Lamp,” among a number of others. 

Bruner with a backing band featuring Dennis Hamm (keys), Justin Brown (drums) and Miguel Atwood Ferguson (violin) was recently on NPR Tiny Desk to perform the aforementioned “Lava Lamp,” “Friend Zone” and “Them Changes” and from the footage, a Thundercat performance seems to an almost otherworldly experience of trippy funky — with a mischievous bent. Enjoy, catching what may be the most inventive and interesting bassist since the late, great Jaco Pastorius. 

New Video: JOVM Mainstay Thundercat Returns with Sunny and Redemptive Visuals for Collaborative Single with Michael McDonald and Kenny Loggins

Now, if you’ve been frequenting this site over the course of the past couple of years, you’ve likely been made familiar with the he critically applauded  bassist, vocalist and JOVM mainstay Stephen “Thundercat” Bruner, and as you may recall, within the past three years or so, Bruner has been remarkably prolific as he’s made attention-grabbing guest appearances contributing his imitable bass and vocals to Kendrick Lamar’s Grammy Award-winning To Pimp A Butterfly and Brainfeeder Records labelmate, Kamasi Washington’s The Epic. Bruner followed that up by releasing what arguably best may have been one of the best releases of 2015, The Beyond/Where Giants Roam. 

Last year, Bruner teased us with some more new material, including “Bus In These Streets,” a comedic and playful ode to our reliance and dependence on technology in which Bruner collaborated with the renowned producer, beatmaker, electronic music artist and filmmaker Flying Lotus contributing programming and Louis Cole contributing keys and programming. And as you know, Bruner’s third, full-length album Drunk was released earlier this year, and the album was written as a journey deep into the bizarre, hilarious and sometimes very dark mind of its creator, who collaborated with an impressive array of friends and guests including the aforementioned Kamasi Washington and Kendrick Lamar, along with a few other folks you may have heard of, like Wiz Khalifa, Pharrell Williams, Michael McDonald and Kenny Loggins. 

Drunk’s first official single “Show You The Way”is a smooth and soulfully jazz-like pop track in which arpeggiated synths, stuttering drum programming and Bruner’s dexterous bass lines serve as a shimmering and silky bed over which Bruner, Kenny Loggins and Micheal Donald trade soulful vocals to create a song that feels like a polished and effortless synthesis of Michael McDonald’s “I Keep Forgettin’ (Every Time You’re Near)” and Bruner’s signature funky, retro-futuristic jazz fusion.

Directed by Katarzyna Sawicka and Carlos Lopez Estrada, the recently released music video for “Show You The Way,” follows the characters and the storyline the directors began with the surreal and darkly comic visuals they created in “Them Changes,”  and while that video ended in a grim note with an armless and heartbroken protagonist, “Show You The Way” is a sunny contrast, offering a semblance of redemption, healing and love for our armless protagonist.  

Live Footage: Thundercat feat. Michael McDonald and Kenny Loggins Performing “Show You The Way” on “The Tonight Show”

Now, if you’ve been frequenting this site for some time, you’d recall that the past two years or so have been both incredibly productive and prolific for the critically applauded  bassist, vocalist and JOVM mainstay Stephen “Thundercat” Bruner. He made guest appearances contributing bass and/or vocals to Kendrick Lamar‘s Grammy Award-winning To Pimp A Butterfly and  Brainfeeder Records labelmate, Kamasi Washington’s The Epic, and he followed that up by releasing what arguably may have been one of 2015’s best albums The Beyond/Where Giants Roam, an effort that I think further cemented his reputation as a dexterous bassist, who carefully walks a tightrope between jazz fusion, contemporary jazz and funk in a way that’s reminiscent of the late and great Jaco Pastorius — but while nodding at Stevie Wonder’s 70s and early 80s output, as it possessed a retro-futuristic sound. 

Last year, I wrote about “Bus In These Streets,” the first bit of music from the renowned bassist and vocalist in over a year, and the single was a comedic and playful ode to our reliance and dependence on technology in which Thundercat’s dexterous and sinuous bass lines with Louis Cole (keys, drums and programming) contributing shimmering and twinkling keys and propulsive drum programming and frequent collaborator Flying Lotus contributing more programming and editing in a song that evokes a dreamy, distracted self-absorption as the song’s narrator spends their time staring at their smartphone, not noticing the world pass him by — or the inherent danger he might be walking into as he stupidly stares into his phone.

Bruner’s third, full-length effort Drunk was released earlier this year and the album is reportedly an epic journey into the bizarre, hilarious and sometimes very dark mind of the singer/songwriter and bassist, and the effort find Bruner collaborating with an All-Star list of guests and friends including Kamasi Washington,  Kendrick Lamar, Wiz Khalifa, Pharrell Williams, Michael McDonald and Kenny Loggins. While the album will feature fan favorites “Bus In These Streets” and “Them Changes,”  Drunk‘s first official single “Show You The Way” is a sleek and soulfully jazzy track in which shimmering arpeggio cascades of synths, stuttering drums, and Bruner’s imitable bass lines are paired in an incredible collaboration that features Bruner’s sultry falsetto with the imitable vocals of Kenny Loggins and Micheal McDonald. Sonically speaking the song is an uncanny synthesis of Michael McDonald’s “I Keep Forgettin’ (Every Time You’re Near)” and Bruner’s signature funky, retro-futuristic jazz fusion.

So how did such a high-powered collaboration come about? Thundercat has publicly mentioned his love of Loggins and his work during interviews to promote both The Beyond and the tour for the album — and it lead to his keyboardist Dennis Hamm introducing Bruner to Loggins. According to both Bruner and Hamm, Loggins then suggested bringing in Michael McDonald on the track. And as Bruner adds in press notes “I think one of the most beautiful moments of it was realizing how amazing Michael McDonald was. He would go through so many ideas and have so much to offer.” As for the song, Bruner says “That song to me is about going down the rabbit hole, taking you to another place . . . On the edge of dark, there’s the brightest light. It means a lot to me in the sense of . . .the experience that I’ve had growing up with friends and people that I’ve been around where it’s inventing them into where I come from emotionally. Sometimes it’s a pretty intense thing. The point is how weird things can get. ”