Tag: Yoko Ono

New Audio: New York-based Pop Artist KAYE Releases a Performance Art Inspired Visual for Anthemic “Too Much”

Charlene Kaye is a New York-based singer/songwriter, multi-instrumentalist, and producer, who spent her childhood in some rather far-flung places across the globe — living in Hawaii, Singapore, Hong Kong and Michigan before she turned 18. Although she spent time in a number of different places throughout the bulk of her childhood, there was one consistent thing: her parents old soul records and 90s grunge radio, both of which have heavily influenced her own work and career.

Initially starting her career as a solo artist, Kaye is best known for a five year stint as the frontwoman of acclaimed indie act San Fermin, contributing to 2015’s Jackrabbit and 2017’s Belong, which were supported with touring internationally, including sets across the global festival circuit. While touring with San Fermin to support Jackrabbit, Kaye started her latest solo recording project KAYE, releasing a handful of singles and KAYE’s debut EP 2016’s Honey. 

Last year, Kaye left San Fermin in order to fully concentrate on her solo career.  Late last month, Kaye began the year with the Kirk Schoenherr-co-produced single “Closer Than This,” a bold and self-assured feminist pop anthem seemingly indebted to Cherelle, Patrice Rushen, Madonna and Control-era Janet Jackson while thematically touching upon lust, desire, longing, idealization and fantasy and self-preservation, as it features a narrator, who will only give on her terms. “Too Much,” Kaye’s latest single continues an ongoing run of feminist anthems featuring narrators, who have asserted themselves on their own terms. However, unlike its immediately predecessor, “Too Much” is a decidedly electro rock affair that brings St. Vincent and Garbage to mind, thanks in part to some blistering guitar rock and an arena rock friendly hook. 

“I wrote this song to make sense of a period of great emotional confusion in my life,” Kaye explains in press notes. “I had made many drastic changes at the same time regarding my career and my relationships and was left feeling totally unanchored, like I just blew up my life for no reason — even though at my core I knew it was necessary for my own growth.”

Directed by Kaye’s sister Liann Kaye, the recently released video for “Too Much” is inspired by Yoko Ono’s 1964 performance art work “Cut Piece,” in which Ono sits on a stage wearing her best suit, inviting audience members to cut and keep a piece of her clothing until she is completely exposed. Instead of having others remove pieces of her outfit, in the video Kaye is the agent of her metaphorical destruction and rebirth. Kaye’s outfit, which is made up of thousands of individual pieces of fabric that took hours to arrange on her body — and in the video we see pieces of her outfit get torn off, danced off and just fly off until we see the rising pop artist in a nude-colored outfit. 

“I love working with my sister because we’re so in sync creatively, and immediately understand what the other is trying to express.” Liann Kaye shares in press notes. “We shot each part of the song at a different speed, to show how the re-invention of one’s self can feel at once excruciatingly slow and like a freight train of change at the same time.”

New Video: Netherlands Releases a Stark Visual Full of Existential Dread

Formed by its creative mastermind, Timo Ellis, a singer/songwriter and multi-instrumentalist who has collaborated with Yoko Ono, Cibo Matto, John Zorn, Melvins, Gibby Haynes, Ween, Joan As Police Woman, Spacehog, White Hills and others back in 2010, the New York-based act NETHERLANDS currently features Chealsea “Thee Chuq” Wierbonski, John Musto and Damien Moffitt. Now, if you’ve been frequenting this site over the past handful of years, you may recall that the New York-based band has developed a reputation for adhering to a sound and approach that actively rejects restraint for ambitious maximalism featuring pummeling drumming, dexterous guitar shredding, rapid fire tone, tempo and time signature changes — while being remarkably hook-driven in a way that sort of recalls Melvins, Torche, Mastodon and Jane’s Addiction.  

Building upon a growing profile, the members of NETHERLANDS have played with a number of renowned and acclaimed acts across a diverse and eclectic array of genres and styles including Napalm Death, Melt Banana, Mutoid Man, Yob, Black Flag, EYEHATEGOD, Candiria, Valient Thorr, Child Abuse, Mutilation Rites, Primitive Weapons, Freshkills, Vaz, Naam, Martin Rev, The Giraffes, The Death Set, BANGLADEAFY! DN’T, Unstoppable Death Machines, Mouth of the Architect, White Hills, Gull, Godmaker, Spacehog, The Austerity Program, No Way, Moon Tooth and Radkey.

Recalling an industrial-leaning take on King Gizzard and the Lizard Wizard’s Murder of the Universe, Netherlands’ latest single “Zombie Techno” retains the pummeling sound and sludgy power chords that has won them attention but while arguably being one of the most danceable — yes, really danceable — songs they’ve released to date.  “The theme of his song, as well as our entire new wave of material, is a comment on the illusion of community and civic participation that’s become the currency of all the new media platforms,” the band’s Timo Ellis explains. “Virtually everyone is constantly feeding overlapping algorithms that are sustained by a near-constant supply of curated narcissism, which while outwardly appearing to be ‘issue driven,’ much more often than not, don’t actually reflect any kind of real world action or real coalition-building or organization, whatsoever.”

Directed and designed by Kenny Curwood, the recently released video for “Zombie Techno” is centered around incredibly stark New Yorker cartoon-like animation, which shows human history and the human condition but through the lens of psychedelic, existential dread. Ultimately, the visual features an indifferent universe that sarcastically smirks and mocks humanity’s attempt to make meaning of their lives, as well as putting existence to a danceable rhythm.  

Comprised of multi-instrumentalist and vocalist Timo Ellis, who has recorded and played with the likes of Yoko Ono, Cibo Matto, John Zorn, Melvins, Gibby Haynes, Ween, Joan As Police Woman, Spacehog, White Hills and others, and has released over 25 wildly varied solo albums as TE and other pseudonyms; Ava Farber (synthbass), Joel “Moon Daddy” Willis (drums) and Chealsea “Thee Chuq” Wierbonski (synthbass) the New York-based act NETHERLANDS since their formation back in 2008 have developed a firmly-held reputation for a maximalist approach that follows Ellis’ personal mission statement of making music that can be equally light-hearted, brutal and ecstatic centered around power chord led shredding, pummeling drumming, soaring vocals and madding hooks.

And while generally possessing a difficult to describe sound, the band which draws from heavy metal, arena rock, post-hardcore and math rock, the members of the New York-based act have played with a number of renowned acts across a variety of genres and styles including Napalm Death, Melt Banana, Mutoid Man, Yob, Black Flag, EYEHATEGOD, Candiria, Valient Thorr, Child Abuse, Mutilation Rites, Primitive Weapons, Freshkills, Vaz, Naam, Martin Rev, The Giraffes, The Death Set, BANGLADEAFY! DN’T, Unstoppable Death Machines, Mouth of the Architect, White Hills, Gull, Godmaker, Spacehog, The Austerity Program, No Way, Moon Tooth and Radkey.

​The New York-based act’s Black Gaia is slated for release this Friday through Records and Tapes Records, and from the album’s latest single “Army!,” the album will further cement the band’s reputation for crafting pummeling and furious material centered around equally enormous power chords and arena rock friendly hooks, distorted synthbass and Ellis’s shouting politically charged lyrics, lambasting rampant commercialism and greed — all while drawing from math rock, psych rock and thrash metal in a way that reminds me of Cinemechanica. Arguably, this song may be one for the most explosive and forceful rippers I’ve heard all year, and it’s so fucking necessary.

NETHERLANDS will be touring with Mastodon and Dinosaur Jr. throughout September. Check out the tour dates below.

Mastodon, Dinosaur Jr, Netherlands – 2018 tour:
Sep 1 – Edmonton, AB @ Northern Alberta Jubilee Auditorium
Sep 2 – Calgary, AB @ Grey Eagle Resort & Casino
Sep 4 – Saskatoon, SK @ O’Brian’s Event Centre
Sep 6 – Winnipeg, MB @ Burton Cummings Theatre
Sep 7 – Duluth, MN @ Duluth Heritage Center
Sep 8 – Sioux City, IA @ Anthem @ Hard Rock Hotel & Casino
Sep 11 – Milwaukee, WI @ Eagles Ballroom
Sep 12 – Cleveland, OH @ Agora Theatre
Sep 14 – Fort Wayne, IN @ Clyde Theatre
Sep 15 – Grand Rapids, MI @ 20 Monroe Live
Sep 16 – London, ON @ London Concert Theatre
Sep 17 – Kitchener, ON @ Elements
Sep 19 – Hamilton, ON @ FirstOntario Concert Hall
Sep 20 – Port Chester, NY @ Capitol Theatre
Sep 21 – Silver Spring, MD @ The Fillmore