JOVM’s William Ruben Helms celebrates Brandi Carlile’s 45th birthday.
Category: folk
Throwback: Happy 62nd Birthday, Tom Morello!
JOVM’s William Ruben Helms celebrates Tom Morello’s 62nd birthday.
New Audio: Shaina Haynes Shares Shimmering “Timid”
Shaina Hayes is a Montréal-based singer/songwriter, whose work effortlessly blends folk pop clarity with alt-country warm and a deep attention to emotional detail paired with graceful vocals, thoughtful lyricism. Her debut, 2022’s to coax a waltz and 2024’s sophomore album Kindergarten Heart helped the Montréal-based singer/songwriter firmly cement her intimate songwriting.
Alongside her musical career, Hayes continues to operate a vegetable farm in the tiny, rural Quebecois hometown, where she grew up. Fittingly, the land remains a grounding force in her life, shaping her sense of rhythm, patience and presence. Her dual existence as a touring musician and a hands-on farmer, informs the clarity and steadiness that runs through her work.
Kindergarten Heart received coverage from Consequence, KCRW, The Line of Best Fit, Under the Radar, Far Our Magazine, Uncut, BBC Radio 2, BBC Radio 6. The album landed on the year-end lists of Le Devoir, Radio Canada, CISM, DOMINIONATED, Le Canal Auditif and a lengthy list of others. Both albums were supported with tours opening for the likes of The War on Drugs, The Barr Brothers and JOVM mainstay Elisapie.
Earlier this year, she released “Flourish” which received praise from Clash, Wonderland and RTÉ. Hayes’ latest single “Timid” comes on the heels of a short European tour opening for The Barr Brothers. “Timid” is a breezy and shimmering indie pop take on her long-held folk sound, while arguably being one of the more hooky songs she’s released to date.
Recorded in Montreal with a backing band featuring Francis Ledoux (drums), Étienne Dupré (bass), David Marchand (electric guitar), and Lysandre Ménard (upright piano) “Timid” sees Haynes and her collaborators balancing on a tightrope between jam-like looseness and taut, almost mathematical precision, rooted in the warmth and earthiness she’s long been known for. Sonically resembling Julia Jacklin, the new single is an ode to introverts and quiet thinkers; a song that celebrates the richness of the inner while gently encoring vulnerability and self-expression.
“‘Timid’ was a track that came about during a period when I was listening to a lot of Julia Jacklin and Billie Marten. Lyrically, I wanted to explore the idea that even at our most articulate, the way we express ourselves is just a tiny glimpse into what’s actually going on inside us – that we contain whole, unseen universes,” Haynes explains. Ultimately, ‘Timid’ is a song about everything we feel but rarely manage to express.”
Throwback: Happy 85th Birthday, Bob Dylan!
JOVM’s William Ruben Helms celebrates Bob Dylan’s 85th birthday.
New Audio: Alex Amen Returns with Homesick and Weary “California Blues”
Alex Amen is a rising, 26 year-old Texas-born, Los Angeles-based indie folk/country singer/songwriter. When he was four, he took up piano and studied with the same Houston-based jazz pianist through the end of high school. The rising, young country folk artist started playing guitar in his mid-teens after discovering Nirvana, Neil Young and the like. When he was 18, Amen relocated from Texas to California to study filmmaking — with the intention of making documentaries about rock climbing, one of his lifelong passions.
After one semester, he dropped out to focus on music full-time and moved to the Dittman Family Commune, an Anaheim-based commune with historic ties to the countercultural movements of the mid 1960s, where he started his first band, a psychedelic folk rock outfit named American Slang in 2017.“The commune was a crazy place to live—there were hippies and punks and skaters, all in this beautiful house that used to be on six acres of strawberry fields but now it’s surrounded by strip malls,” the Texan-born singer/songwriter says. ““The house was owned by a professor who’d bought it in the mid-’60s and still lived there with his family, so it had this fascinating history with the anti-war movement and renowned civil-rights/psychedelic activists from that time. We’d have these big communal meals every day and debate art and God and food and politics. It was a pretty amazing place to live for a while.”
The band broke up shortly after its formation. And Amen relocated yet again from Southern California to an island in Washington State’s Puget Sound. Over the course of the next three years, Amen spent n relative isolation, taking up interests in mycology, mountaineering, poetry and wooden boat building. But as the years began to pass, he felt an increasing need to return to California to pursue music.
In January 2023, Amen self-produced his debut EP, last year’s The Zorthian Tapes in a self-built studio at Altadena, CA’s historic Zorthian Ranch. He now resides in Los Angeles, releasing music among the city’s growing folk/Americana/country scene and playing shows across North America and elsewhere.
The past 18 months or so have been very busy: Last year he toured with Folk Bitch Trio, a tour that included a stop at Baby’s All Right. He has also made the rounds of the international festival circuit, playing Pitchfork Festival London and Pitchfork Festival Paris, Newport Folk Festival, Iceland Airwaves, Austin City Limits and Outside Lands. And he participated in the Americana Music Association‘s annual Grammy Eve concert at the Troubadour to honor the legendary Neil Young.
The rising young singer/songwriter recently signed to ATO Records, who will be releasing his highly-anticipated debut Sun of Amen on June 12, 2026. The album will include “Cabin by the Sea,” which features some gorgeous and expressive pedal steel from Tommy de Bourbon and strutting bass from Grammy-nominated Billy Mohler, and the album’s second and latest single “California Blues.”
Subtly channeling a mix of John Denver’s “Take Me Home, Country Roads” and the Laurel Canyon sound, “California Blues” features a homesick vagabond and wandering troubadour narrator, who illuminates an uneasy contrast between the quintessential California dream and its lived reality of heartbreaking isolation and desperation. “‘California Blues’ is a song I wrote years before I ever lived in California that somehow expressed the things I felt living there years later,” says Amen. “More than any other song made during my time in California it touched on the balance between excitement and isolation one can face when they chase their dreams out West.”
Amen is currently on tour. And along with the new single, he announces a summer run of tour dates that includes a July 29, 2026 stop at Elsewhere Rooftop. Check out the rest of the tour dates below.
New Audio: Hannah Scott Shares Thoughtful and Politically charged “Sitting In The Dark”
Suffolk-born, London-based folk artist Hannah Scott will be releasing her newest EP Threads on June 19, 2026. Threads is the follow-up to Scott’s widely praised third album, 2024’s Absence of Doubt.
The EP marks the first effort the Suffolk-born, London-based has both written and self-produced. She worked alongside acclaimed engineer Adrian Hall and recorded piano, acoustic guitar and vocals at home — with a makeshift vocal booth in her wife’s wardrobe. The EP’s material is inspired by family, nostalgia and grief — and perhaps in a small, unexpected way, a desire to change the rental market for the better. (Shit, you got me there, lady!)
The EP’s second and latest single “Sitting In The Dark” showcases Scott’s thoughtful storytelling rooted in a subtle yet powerful critique of capitalism and the local rental market, calling out the greedy developers, landlords and others, who have helped to put her narrator in a lousy apartment that she can barely afford with shitty furniture and power outages.
I have a shitty and greedy landlord, so this song hit close to home. You’ve most likely have been there, too.
New Audio: Plain Mister Smith Teams Up with Tyson Motsenbocker on Lush, Painterly “Lucian & Francis”
Vancouver-based Mark Jowett, the mastermind behind Plain Mister Smith is a Canadian indie scene veteran who has had stints in Moev and Cinderpop, as well as a stint playing cello with the Vancouver Philharmonic Orchestra.
With Plain Mister Smith, the enigmatic Canadian artist draws influence from an eclectic range of artists including The Beatles, Bryce Dessner, Matt Maltese, Led Zeppelin, The Zombies and 20th-century classical composers like Prokofiev, who subtly influences his string-driven arrangements. The result is a sound that seamlessly blends elements of indie pop, baroque folk and psychedelia.
The Vancouver-based artist’s new album is slated for release this month and will feature the previously released Forever So-era Husky-like “Dream To Be Free” feat. Jordan Klassen and its latest single “Lucian & Francis.” Released late last month, “Lucian & Francis” feat. Tyson Motsenbocker continues a run of lush and dream-like indie folk.
Inspired by the works of painters Lucian Freud and Francis Bacon, who frequently depicted raw, realistic portrayals of the human body, “Lucian and Francis” is fittingly, a rather painterly track with each sonic layer adding texture, shading and depth to the piece, much like how the painters, who inspired the song would do with color. Interestingly, the lush new single also manages to evoke the colors of early spring after the bleakness of a long winter.
Throwback: Happy 62nd Birthday, Tracy Chapman!
JOVM’s William Ruben Helms celebrates Tracy Chapman’s 62nd birthday.
New Audio: Saltmother Shares Dreamy, Hopeful “Masske”
Amanda Appel is a Danish singer/songwriter, best known for being a member of the Danish Music Award-nominated vocal outfit ilinx. Since their formation back in 2020, iinx has been at the forefront of the Danish experimental scene, playing sets at Roskilde Festival, midsummer bonfire ceremonies, fashion shows during Copenhagen Fashion Week and niche classical music festivals across the country.
Appel is also the creative mastermind behind the solo recording project Saltmother. Appel’s Saltmother debut, 2022’s Heavy in Baby Blue EP was an adventurous batch of electronic music with songs that thematically touched on being young and in love, living in rental apartments and taking hormonal contraception.
The Danish artist’s forthcoming Saltmother debut album reportedly marks a shift towards a much darker, more organic sound, anchored around intimacy and filled with captivating and deeply human imperfections.
The album’s first single “Maaske” is a weird yet gorgeous song that features a seamless blend of doom metal, stoner rock, folk and choral music, complete with some stunning harmonies. The song is anchored around a universal sentiment: that the darkness of our moment — or of any moment, really — isn’t forever; that we can overcome darkness by the comfort of being and singing together; and that brighter days are just ahead.
New Audio: Alex Amen Shares Breezy “Cabin by the Sea”
Alex Amen is a rising, 26 year-old Texas-born, Los Angeles-based indie folk/country singer/songwriter. When he was 18, Amen relocated from Texas to California to study filmmaking. After one semester, he dropped out and moved onto the Dittman Family Commune, a commune with historic ties to the countercultural movements of the mid 1960s. While on the commute, he formed his first band in 2017. The band broke up shortly after, resulting in his relocating from Southern California to an island in Washington State’s Puget Sound.
Over the course of the next three years, Amen spent in relative isolation, taking up interests in mycology, mountaineering, poetry and wooden boat building. But as the years began to pass, he felt an increasing need to return to California to pursue music.
In January 2023, the Texan-born artist began self-production his debut EP, last year’s The Zorthian Tapes in a self-built studio at Altadena, CA’s historic Zorthian Ranch. He now resides in Los Angeles, releasing music among the city’s growing folk/Americana/country scene and playing shows across North America and elsewhere.
Just in the past year, he has toured with Folk Bitch Trio, a tour that included a stop at Baby’s All Right. He has also made the rounds of the international festival circuit, playing Pitchfork Festival London and Pitchfork Festival Paris, Newport Folk Festival, Iceland Airwaves, Austin City Limits and Outside Lands. And he participated in the Americana Music Association‘s annual Grammy Eve concert at the Troubadour to honor the legendary Neil Young.
The rising young singer/songwriter recently signed to ATO Records, who will be releasing his highly-anticipated debut album late this spring. He also announced that he signed to Rick Rubin’s American Songs/PULSE Music Publishing. Adding to a what may be a breakthrough year, he has a busy touring schedule that incudes a just started, month-long NYC residency across three boroughs, performances at Willie Nelson’s Luck Reunion at SXSW, Analog Reunion Festival and Green River Festival. (As always, tour dates below.)
In the meantime, “Cabin by the Sea,” his debut album’s first single is informed by his proclivity for nature and his time spent at the Dittman Family Commune and the Puget Sound. Featuring some gorgeous and expressive pedal steel from Tommy de Bourbon, strutting bass from Grammy-nominated Billy Mohler, Amen’s deftly plucked guitar, accompanied by his easy-going John Denver-like yet subtly Texan drawl singing lyrics describing a simple yet beautiful scene — a bluebird that he sees flying near his cabin. And naturally, he envies the birds ease, simplicity and freedom.
The result is a song that sounds a bit like a mix of classic Nashville-era country and Laurel Canyon-era folk while showcasing a songwriter that pairs poetry and songcraft with a breezy ease.
Throwback: Happy 78th Birthday, James Taylor!
JOVM’s William Ruben Helms celebrates James Taylor’s 78th birthday.
Throwback: Happy 99th Birthday, Harry Belafonte!
JOVM’s William Ruben Helms celebrates the 99th anniversary of the birth of Harry Belafonte.
Throwback: Black History Month: Tracy Chapman!
JOVM’s William Ruben Helms celebrates Black History Month and pays tribute to Tracy Chapman.
New Audio: Plain Mister Smith Teams Up with Jordan Klassen on Lush and Shimmering “Dream To Be Free”
Vancouver-based Mark Jowett, the mastermind behind Plain Mister Smith is a Canadian indie scene veteran who has had stints in Moev and Cinderpop, as well as a stint playing cello with the Vancouver Philharmonic Orchestra.
With Plain Mister Smith, the enigmatic Canadian artist draws influence from an eclectic range of artists including The Beatles, Bryce Dessner, Matt Maltese, Led Zeppelin, The Zombies and 20th-century classical composers like Prokofiev, who subtly influences his string-driven arrangements. The result is a sound that seamlessly blends elements of indie pop, baroque folk and psychedelia.
The Vancouver-based artist’s new album is slated for an April release. “Dream To Be Free” feat. Jordan Klassen is a lush, gorgeous tune featuring twinkling keys, strummed guitar and the pair’s remarkably sonorous harmonies. While sonically reminding me a bit of Forever So-era Husky, the track as the Canadian artist explains is a reflection on a trip to Kyoto that took place during Daimonji, a festival where locals light giant bonfires to guide spirits back home.
