Category: Indie Pop

Video by William Ruben Helms

New Video: Cuban Artists Reivaj and Eli Luna Team Up for Flirty and Summery Bop “Ahí Nama”

Reivaj is an emerging Cuban artist, whose music career started in earnest when he was six years old, singing and performing in Voces del Barrio, a group based out of El Cobre, Cuba, under the tutelage of his father and uncles. Gradually, the emerging Cuban artist learned how to plays several instruments, along with further developing as a singer/songwriter and artist.

When he turned 16, Reivaj decided to explore other genres, and co-founded the Afro music choir Voces del Milagro, a commercially and critically successful act that won a Cubadisco prize back in 2011. And from that point forward, his fans started to call him la voz de oro.

Changing things up, the Cuban artist decided to go into Urban music and co-founded the pop duo Yerba Buena, which performed live sessions on Talla Joven and Cuerda Viva.

Reivaj’s ability to write, sing and perform in a variety of musical genres and styles led to him being cast in Rosi la Cubanita, a musical where he met fellow emerging artist Eli Luna.

Released earlier this year, Reivaj stepped out into the spotlight as a solo artist with his debut single “Ahí Nama,” a collaboration that features his Rosi la Cubanita castmate Eli Luna. The song is a summery bop that meshes elements of reggaeton, contemporary pop and R&B, hip-hop, classic Latin folk, and Afrobeats built around a sleek, dance floor friendly production pairing shuffling polyrhythmic percussion, deep grooves and a remarkably catchy hook. Rooted in the undeniable chemistry between the two emerging artists, “Ahí Nama” is not just a much-needed blast of breezy, flirty joie de vivre in a dire, fucked up world, it’s also a showcase for two artists, who seem — from my humble opinion — to be destined for superstardom.

Fittingly, the accompanying video is swaggering and fun joy bomb that follows the two emerging Cuban artists and a collection of gorgeous dancers and locals throughout a variety of Cuban locales that feels a bit like a musical — and a music video.

Video by William Ruben Helms

Live Footage: Lisa LeBlanc Performs “Dans l’jus” at Francos de Montréal 2023

Lisa LeBlanc is an acclaimed Rosaireville, New Brunswick-born, Montréal-based singer/songwriter and multi-instrumentalist (banjo and guitar), who proudly claims Acadian heritage — and comes from a family of passionate music lovers. (In case you’re curious — as I was — Cajuns are often described as descendants of Acadian exiles, who went to Louisiana during Britain’s Great Expulsion of Acadians from what is now known as Nova Scotia, New Brunswick, Prince Edward Island, parts of Eastern Québec and Northern Maine. To simplify it a quite a bit, Acadians and Cajuns are historically very deeply connected, although it’s kind of confusing.)

LeBlanc can trace the origins of her professional career to when she turned 14 and stared to write her own original songs. She played her first shows at O’Donaghues in Miramichi with her mother accompanying her because she was underage — and couldn’t be legally in the bar by herself. But despite her relative youth, she quickly received recognition for her guitar playing and for being a promising singer/songwriter when she won 2010’s Festival International de chanson de Granby – singing material in French.

The juried award brought her to the attention of the country’s Francophone media. And as a result, she wound up playing Coup de cœur francophone, FrancoFoiles de Montréal and at Festival d’été de Québec by the following year.

Building upon a growing profile across Francophone Canada, LeBlanc’s full-length, self-titled debut was released in 2012 by Montréal-based label Bonsound. Primarily written while she was still living in her native Rosaireville, studying at L’École nationale de la chanson with portions written in Montréal, where she eventually relocated, the album was recorded by Karkwa’s Louis-Jean Cormier at Studio Piccolo. The album is best known for the single “Aujuord’hui ma vie c’est d’la marde” (“Today My Life is Shit”) – and because of the success of that single, the album eventually was certified platinum by Music Canada. 

2014’s Highways, Heartaches and Time Well Wasted, her critically applauded and commercially successful English-language EP debuted at #7 on the Canadian Album Charts. 

LeBlanc’s sophomore album, 2016’s bilingual Why You Wanna Leave, Runaway Queen? featured songs both in English and French, as well as a thrash-folk cover of Motörhead’s “Ace of Spades,” which helped to establish what she has dubbed as thrash-folk. The album was on that year’s shortlist for the Polaris Music Prize. 

Back in 2020, LeBlanc, under the pseudonym Belinda released It’s Not a Game, It’s a Lifestyle, a five-song EP of disco songs specifically about bingo – yes, bingo.

The Canadian artist’s third album, last year’s Chiac Disco is a glittery, dance floor friendly tribute to disco, funk and Lee Hazlewood with colorful lyrics sung boldly, loudly and proudly that was released to critical acclaim from CBC Music, La Presse, Le Journal de Montréal, Montréal Gazette, KCRW, Exclaim!, and countless others.

Today, the acclaimed Rosaireville-born, Montréal-based artist announced a Stateside tour in December that will include a December 6, 2023 stop at Café Wha? (Tour dates are below. But you can get more information, including tickets here.)”I recently dug up some photos from our last East Coast tour in the US from 2018,” LeBlanc recalls. “I remember during our New York show, there was a record snow storm and the city was a total ghost town with subways canceled and everything. Despite this, about 300 people came and I couldn’t believe my eyes and kept pinching myself that we were playing NYC for a room full of beautiful people. Needless to say, I’m really excited to come see you all again on my upcoming US tour in December!“
 
Along with the announcement, LeBlanc shared live footage of her and her backing band performing “Dans l’jus” in front of 45,000 people at this year’s Francos de Montréal, an annual, eight-day Francophone music festival with 250 shows in venues across Downtown Montréal, including a massive, outdoor festival stage in the city’s Quartier des Spectacles section.

“Dans l’jus” is a bombastic dance floor banger that’s roughly one-part Talking Heads, one-part Blondie, one-part glam rock and three-quarters glittery disco funk grooves built around a hypnotic, hook-driven arrangement paired with lyrics that openly discuss the seemingly omnipresence of burnout, frustration and dissatisfaction in our society.

The footage is a small portion of an entire show that was originally broadcast on ICI Radio-Canada Télé, but it reveals a super tight band that can quickly get into an irresistibly funky groove, fronted by a high-energy, dynamic frontperson. LeBlanc and her backing band headlined an M for Montréal showcase at Darling Bowling last year, and it was one of the most memorable and downright fun sets of that year’s festival. So trust me on this, if she’s playing at a city near you, don’t fuck up and miss her.

Single Review by William Ruben Helms

New Audio: Montréal’s Ormiston Shares Breezy and Hook-Driven “Bittersweet Summertime”

Nicola Ormiston is a Montréal-based singer/songwriter, multi-instrumentalist, producer and the creative mastermind behind the solo recording project Ormiston. Since the release of his full-length debut Hammer Down, album single “Distortion of Reality” premiered on David Dean Burkhart’s YouTube Channel and amassed over 920,000 views and “Time Fades” appeared in Meet Cute, which starred Pete Davidson.

Ormiston’s sophomore album Highway Restaurant reportedly sees him continuing the psychedelic and dream pop influenced sound that has won him attention but with electronic and disco nods. And much like its predecessor, the new album will likely draw comparisons to Toro Y Moi, Men I Trust, MUNYA, MGMT, and others.

Inspired by an eye-opening, several week trip to Los Angeles, Highway Restaurant‘s material reportedly evokes late-night drives through the fanciest and the most neglected parts of urban centers. Witnessing Los Angeles’ “high amount of glamour and money” alongside poverty and homelessness reminded him that, when you look at some of the most beautiful things, morbid and ugly streaks often lie just under the surface. As a result, the material constantly makes contrasts between the beautiful and the ugly, the joyful and the bleak.

Highway Restaurant‘s latest single, the mid tempo strut “Bittersweet Summertime” continues a remarkable run of breezy, funky and hook-driven pop built around glistening synths, Nile Rodgers-inspired funk guitar and a sinuous bass line paired with the Montréal-based artist’s dreamy delivery. And while seemingly channeling the breezy and funky bops of JOVM mainstays MUNYA and Kainalu, “Bittersweet Summertime” is a bubble-bursting tell-off to someone who seems vain, delusional — and perhaps a bit narcissistic.

Video by William Ruben Helms

New Video: Riya Gadher Shares Cinematic and Introspective “Own Way Home”

Riya Gadher is an emerging Leicester, UK-born, London-based singer/songwriter, who spent five years quietly developing her sound and approach, including graduating with a degree in songwriting and performance, before stepping out into the spotlight as a solo artist earlier this year.

Sonically, the emerging British artist has often felt like she was an old soul, from a different era — but she has readily embrace a sound that meshes elements of alternate pop with conventionally classic undertones. Her latest single “Own Way Home” is a slow-burning, cinematic track that pairs sleek, contemporary electronic production featuring skittering beats, glistening synth arpeggios and twinkling and percussive piano with Gadher’s plaintive and expressive delivery. At its core, is a songwriter, who displays a remarkable sense of insight and wisdom beyond her relative youth with introspective lyrics informed by her own life.

Sonically, the self-produced track reminds me quite a bit of Gravity Pairs and Along the Lethe-era Beacon. Thematically the song as the British artist explains “is about embarking on a journey of self-discovery to find mental peace in a world that’s face paced, while not being afraid to cut your own path and do what’s right for you. It’s about faith, hope, female empowerment and courage.”

“I really believe when your mind is still and at peace you can better deal with the challenges that life throws at you,” Gadher adds. “I feel it’s not always possible to change your physical space but your mind has the ability to take you anywhere.”

Directed by Daniel Alexander, the accompanying video for “Own Way Home” follows the pensive and emerging British artist wandering London and the English countryside, seeking a sense of peace — and her own sense of power.

Single Review by William Ruben Helms

New Audio: South Korea’s ROSS 248 Teams Up with Sprout on Wistful “Butterfly”

Deriving their name from a small star in the northern constellation of Andromeda, ROSS 248 is a mysterious, Seoul-based songwriter and producer, who employs an old-school songwriter’s approach with each and every song, while showcasing the voices of an eclectic array of vocalists.  

Influenced by a number of different genres, including electro pop and indie pop, ROSS 248’s career started in earnest producing for other artists in her native South Korea. But the Seoul-based producer increasingly desired to express herself through songwriting — with a continued focus on production. An influential trip to Liverpool helped the South Korean producer further establish her own sound and approach. Her debut single, “Somewhere Only We Know” received airplay on BBC Music Introducing Merseyside last year.

Earlier this year, the emerging South Korean producer released “Blinded by your light,” a slow-burning and vibey pop gem that was seemingly indebted to neo-soul with the song featuring wobbling synths, glistening Rhodes, a sultry Quiet Storm-like groove paired with Vanessa Murray’s achingly tender and yearning delivery. Continuing upon the previously released “Sunshower,” “Blinded by your light” channels the feelings of stability and tranquility within a stable and fulfilling relationship. As the South Korean producer explains, the song’s main messages is “if you love someone more than anything, you see the deeper hopes and positiveness in your life.”

The mysterious South Korean producer is back with her latest single “Butterflies.” Built around glistening, reverb and delay soaked funk guitar, a supple and funky bass line, shimmering synths, the slow-burning and vibey new single channels JOVM mainstay MUNYA and Kainalu — while serving as a lush bed for British singer/songwriter Sprout‘s yearning delivery. At the core of the song is a wistful, melancholy yearning for a relationship and a moment that has passed and is gone forever.

ROSS 248 explains that the song draws inspiration from watching the movements of butterflies. While appreciating their unique motions, she began to compare them to the momentary meetings that live in our memories. These passing thoughts make up her stories and are expressed throughout the song’s creation.

“I always love to tinker with my style, to try something a bit different between songs,” ROSS 248 explains. “When you’re lucky enough to have good memories with someone you loved in the past, these can only become stronger as time goes on. Something so little could bring those emotions forward, like a certain object and for me, when I looked at a butterfly, it looked so much like when that person danced. I felt all those good times in the past so powerfully, I had to write this song.”

Single Review by William Ruben Helms

New Audio: JOVM Mainstay Naomi Shares Sultry Revenge Fantasy “Hot Ex”

Over the past 18 months or so, give or take, I’ve managed to spill a bit of virtual ink covering rising Montréal-based multi-disciplinary artist, singer/songwriter and pop artist Naomi. After studying theater, Naomi first made a name for herself, when she began to land roles on both the small and big screen by the time she turned 14. She went on to study dance at École de danse contemporaine de Montréal. 

As a dancer, Naomi has appeared in and/or choreographed music videos for Rihanna, Marie-Mai, Cœur de Pirate and others, as well as for local dance performances. While she was establishing herself as an actor and dancer, the Montréal-based artist quietly developed a passion for singing — without giving herself permission to explore it fully. However, Cœur de Pirate, a.k.a. Beátrice Martin saw potential and took Naomi under her wing. 

Encouraged by Martin’s mentorship, the rising Canadian artist began to realize that she was never far off from making her own music. All she needed was a bit of a push. 

She signed with Martin’s Bravo Musique, the label home of JOVM mainstay Thaïs, Cœur de Pirate, Chocolat and lengthy list of local Francophone acts, and began writing her own original material. Since then, the rising Montréal-based artist has taken a bold leap into a career as a singer/songwriter and pop artist. Her first two singles “Tout à nous” and “Zéro stress” received airplay on WKND, Rouge FM, Arsenal, POP, CVKM and several other regional radio stations across Quebec.

Naomi went on to release four more singles over the next handful of months, which I managed to write about on this site: 

  • The club friendly, Rowan Mercille and Naomi co-written “Semblant,” which featured glistening synth arpeggios, skittering trap-meets-Carribbean beats paired with her sultry delivery and an infectious hook in a remarkably self-assured summertime banger, that simultaneously serves as the coming out party of a bonafide superstar in the making.

  • “Pas le temps de jouer,” a slickly produced and self-assured banger centered around shuffling reggaeton-meets-trap beats, glistening synth bursts paired with the rising Canadian artist’s sultry delivery and her seemingly unerring knack for crafting a big, razor sharp hook. Much like its immediate predecessor, “Pas le temps de jouer” is an accessible, summertime bop that will help launch a bonafide superstar into the stratosphere. 

  • “Okay Alright,” a sultry bop that continued a remarkable run of slickly produced, genre-defying, accessible pop bangers. But with an English language hook, the song seems to show an artist reading for an audience outside of the Francophone world – but while retaining the elements of her sound and approach that have won her fans at home and abroad. 

  • A new version of “Okay Alright” that featured a guest spot from Mike Clay, the frontman of Clay and Friends. Retaining the slick production and fun air of the original, the new version adds a bit more swagger and fun to the proceedings, and a reminder that Naomi is a star in the making.

The Montréal-based JOVM mainstay’s latest single “Hot Ex” pairs Naomi’s sultry delivery with a soulful house music-inspired production featuring twinkling keys, bursts of sexy Quiet Storm-like horn, skittering beats paired with a remarkably catchy hook. But despite the sultry exterior, the song is part break-up song, part tell-off, part revenge fantasy — full of the bitterness, disappointment over the relationship ending, the sadness over what could have been, the desire for revenge, the stupidly desperate and dim hope for reconciliation and more that can only come about from randomly running into an ex-lover.

“I started writing “Hot Ex” while chatting with Willy (Willy Wonder, who wrote the music) about an anecdote that had happened to me recently. I talked about it laughing, for once running into one of my exes wasn’t an atrocious story (!),” Naomi says about the song.

Single Review by William Ruben Helms

New Audio: Philly’s Mesa Jane Tackles Radiohead’s “All I Need”

Mesa Jane (short for Melissa Jane) is a Philadelphia area indie pop artist, who specializes in a sound that has been described as “alternative vibe pop.” Throughout her life and music career, she embraces bringing creative energy into physical form through a multitude of avenues including songwriting, production, composition, collaboration, music videos, album art, entrepreneurship and cooking.

Over the past decade, the Philadelphia-based artist has recorded two full-length albums, two EPs (one, which was self-produced and recorded during the pandemic) and a batch of singles, all of which she has supported with touring across the country, as well as sets at music festivals like SXSW and Toronto’s Indie Week among others. Mesa Jane has appeared on several compilations — and she has received nominations from the Independent Music Awards and the Hometown Heroes Awards. And adding to a growing profile, she recently had one of her songs placed on Hulu’s How I Caught My Killer.

The Philadelphia area-based artist is currently quite busy with several different projects: She’s working on several collaborations, co-writing for other projects and is also working on her third full-length album. And she’s doing this while being a mom of two boys. Talk about being a boss, right?

Mesa Jane’s latest single is a gorgeous and fairly straightforward cover of Radiohead‘s “All I Want,” which retains the original’s buzzing synths and pairs that with skittering beats and the Philadelphia area artist’s plaintive gently vocodered vocal. While a female vocalist does change some of the song’s context, it’s still rooted in a deep and uneasy yearning.

Single Review by William Ruben Helms

Alessia Iorio is a rising Toronto-based singer/songwriter and pop artist, best known as Alle The Dreamer. Iorio quickly established herself in the local scene, writing and recording with a series of collaborators in Toronto, Los Angeles and London, including Samuel Gerongoco, who has worked with Alessia Cara; Bram Inscore, who has worked with BTS and Andy Grammer; Jeff Shum, who has worked with John Legend and Camila Cabello; Dayyon Alexander, who has worked with Demi Lovato and Dua Lipa; and Negin Djafari, who has worked with Drake. She has also accumulated a bunch of credits in a relatively short period of time including as a featured artist of DVBBS‘ “Wicked Ways” and Morgan Page‘s “Beautiful Disaster,” and as a co-writer on Little Mix‘s “F.U.,” Baby Ariel‘s 2019 “I Heart You” and two singles for K-Pop star Suho.

Writing and performing as Alle The Dreamer, Iorio has quickly become known for dynamic songwriting and a unique dream pop sound that draws from a fluid bend of vintage and cutting-edge influences. The rising Canadian artist’s debut EP Starting Over was released last week.

“Starting Over came to be in a very organic way. The more songs I wrote, the more clarity I had on what the underlying themes were from all the music I was writing,” Iorio explains. “Writing this EP was a time of self-reflection, and self-isolation. It taught me the beauty in letting go and having faith. I struggled with these ideas my whole life as I’m a chronic overthinker. I let overthinking & overanalyzing mindset steal joy from special moments instead of being present.”

The EP’s latest single “Run Home to You” is an slow-burning, anthemic pop ballad built around glistening synths, the Canadian artist’s achingly tender and ethereal delivery before the introduction of skittering tweeter and woofer rattling beats and buzzing bass synths paired with enormous sing-along worthy choruses. Sonically recalling 80s pop ballads and JOVM mainstay ACES, “Run Home To You” evokes the whirlwind of confusing and contradictory emotions relationship can bring from beginning to end.

“I am just reflecting on how confusing relationships can be, the dynamics, dating in your 20’s, the highs and lows, and all the feelings you go through and experience for the first time,” the Canadian artist says.

Single Review by William Ruben Helms

Deriving her artist name from a Turkish term for the sun’s radiant touch on ocean waters just before sunrise, the emerging pop artist TANSU has a diverse and global cultural background with roots in Turkey and Ireland. She spent her formative years in London and Connecticut, had a stint in Boston for college, and has called NYC home for the past 13 years. 

During that period, TANSU has carefully balanced her life between music and fashion, which she defines as performing arts. While working in fashion PR, she lent her vocals to numerous projects as a session and featured vocalist, most recently releasing The Wash Up EP co-produced with Lars Viola. She also performs extensively around both lower and Manhattan, including a monthly residency at Lafolia Restaurant, every first Thursday.

Back in 2015, the emerging pop artist reconnected with American Authors‘ Dave Rublin, a college acquaintance. Since then, they’ve been writing and recording music together, last month’s “DOWNTOWN,” which was released through through Rublin’s Little Planet Records. 

Her latest single “Got 2 Me” is a simmering soul-pop ballad that pairs an atmospheric, modern pop production featuring glistening synths, skittering beats, bursts of twinkling keys, wobbling bass synths and bursts of funk guitar with TANSU’s show-stopping powerhouse vocal. The result is a song that serves as vehicle that showcases a superstar in the making.

“‘Got 2 Me’ is a very vulnerable song about trusting someone to love you the right way,” TANSU says.  “After falling in love the wrong way, it’s all the more difficult to fall in love again, correctly. This song is about that path.” 

Video by William Ruben Helms

Lyric Video: Norway’s Beharie Shares Bouyant and Flirty “Desire”

Rising Norwegian singer/songwriter and pop artist Beharie has been busy over the past handful of years. Since 2019, he has released three EPs:

Each of those efforts have seen the rising Norwegian artist constantly expanding upon his sound, artistry and message, while refining his focus towards what’s to come.

Beharie’s highly-anticipated full-length debut, the 12-song Are You There Boy? is slated for an October 20, 2023 release. The album reportedly meets the artist where he is right now and invites listeners into a carefully curated sonic world that features vibrant melodies and delicate, smooth vocals. Thematically, the album sees the rising Norwegian exploring theme so love, self-doubt, desire, longing and pain with his heart worn proudly on his sleeve — and with a remarkable sense of nuance. The album follows a multi-faceted, fully-fleshed out character, who seeks meaningful connections, follows his curiosity where it takes him and ultimately discovers himself. As a result, the album sees its creator and its main narrator exploring the ever-changing, versatile aspects of his own humanity and identity, showcasing his growth, insecurities, passions and complexities.

“This album has given me the opportunity to delve into various aspects of my own identity, and in the process, I have explored the complexity inherent in my personality and expression,” Beharie explains. “We have nurtured different characters and played with their distinct expressions. These characters have been assigned unique names: Washed-out jeans boy, float in space boy, constant fear boy, make believe boy, and lost in thought boy.” Fittingly, each of those characters represents fragments of Beharie’s soul, personality and essence — all in search of a sense of belonging.

The album also features collaborations with two rising singer/songwriters — Dublin‘s Uly and The Netherlands’ Judy Blank.

Are You There Boy?‘s latest single, the flirty and playful “Desire” is built around a buoyant melodic groove, skittering boom bap serving as an ethereal and silky bed for Beharie’s tender and yearning delivery. The song’s narrator sweetly wants to prove to a prospective love interest, that he’s the right one for them — and for the rest of their lives. Behave explains that “Desire” is a confident love song about “insisting on being the right one for someone you like and telling them without any doubt, and being willing to do anything to make it happen.” 

Ultimately, “Desire” to me reveals a songwriter, who is able to effortlessly craft a catchy pop tune rooted in earnest, heartfelt lyricism while eschewing cliches and formulas.

Single Review by William Ruben Helms

New Audio: Glassio and Beauty Queen Team Up on Dreamy and Bittersweet “A Friend Like You”

Sharjah, United Arab Emirates-born, New York-based Irish-Persian singer/songwriter and multi-instrumentalist Sam R. spent the bulk of his formative years split between the third largest Emirati city and Monterey, CA. He fell in love with music listening to Pet Sounds and Graceland on his way to school in the mornings. “It was that  juxtaposition of hearing Brian Wilson’s harmonies in a very barren, desert/Arabian landscape that I think planted the seeds for my love for making music that mixes different influences and challenges associations you might have with certain instruments,” Sam explains.

Started over seven years ago, Sam R.’s solo recording project Glassio has seen him amass millions of streams across digital streaming platforms and a loyal fanbase globally as a result of a sound that has seen apply a melodic sweetness to brooding dance beats — and often bridges influences from Big Beat to Chamber Pop to New Wave.

His debut EP 2016’s Poptimism was released to critical acclaim and featured viral single “Try Much Harder,” which peaked at #9 on the Global Viral Charts on Spotify. A series of singles and 2018’s Experience EP saw the New York-based artist quickly establishing an approach that paired electronic music with insightful storytelling.

2020’s full-length debut For The Very Last Time amassed over 7 million streams through digital streaming platforms and was named one of the best electronic records of the year by Bandcamp. Last year’s See You Shine charted at #1 on multiple iTunes Charts globally and made ways in Europe — perhaps as a result of “Breakaway” being featured in Amazon Studio’s Don’t Make Me Go and Netflix’s Locke and Key.

The next year or so will see the acclaimed New York-based electro pop artist release a string of singles collaborating with a number of artists — and the first single “A Friend Like You,” features Los Angeles-based dream pop artist Beauty Queen.

Hawaiian-born, Los Angeles-based singer/songwriter Katie Iannitello is the creative mastermind behind rising dream pop project Beauty Queen. Iannitello crafts sun-bleached, washed out music that has been described as the perfect soundtrack to crying in the bathroom during a high school dance.

Her Henry Nowhere-produced EP Out of Touch was released to critical praise across the blogosphere for material that drew from her laid-back Hawaiian upbringing paired with 1950s and 1960s songwriting influences and her lilting croon.

Their collaboration together “A Friend Like You” is a dreamy lullaby built around twinkling keys, thumping toms, bursts of angular post-punk like guitars and an anthemic hook paired with Iannitello’s plaintive crooning and the duo’s soaring harmony for the song’s hook and chorus. But despite the song’s anthemic nature, the song is actually a bittersweet and heartbreaking farewell to the “friend that sends you down bad choice road” that recognizes that this is indeed, a farewell forever.

Video by William Ruben Helms

New Video: Miranda Joan Teams Up with CARRTOONS on Soulful and Flirty “Bada Bing!”

Miranda Joan is a rising, Montréal-born, Brooklyn-based singer/songwriter and musician, who spent her formative years in Vancouver, where she filled up diaries with emotions, thoughts and experiences that would eventually go on to form the basis of her songwriting.

The Canadian-born artist’s first experiences of music and performing came from high school drama and musical theater. Leaning into soul, R&B and jazz, she found a natural and fitting home for her voice. She began to shape her own sound rooted in intricate songwriting and playful production informed by her journals and diaries, as well as influences like Bill Withers, Stevie Wonder, Carole King, Anderson .Paak, Little Dragon, and Robyn among a lengthy list of others.

Miranda Joan relocated to New York to study jazz. And upon her arrival, she opened her inquisitive sound and aesthetic to a host of artists and producers. And fittingly, the grittiness and intensity of the city filtered into her work and approach.

Eventually establishing herself in Brooklyn’s soul and jazz scenes, the Canadian-born artist is the co-host and co-founder of Brooklyn’s Femme Jam, the city’s first all-female led jam session, community initiative to create a womxn-led space with an emphasis on female musicians and artists that specifically fosters inclusivity. For the past eight years, she has been a music mentor with the non-profit SAY: The Stuttering Association for the Young, where she works with youth 8-18, who stutter.

As an artist and performer, she has provided backing vocals for The Killers, Shawn Mendes, Lorde, Kylie Minogue, Andy Grammer and Sly5thAve and the Orchestre National de Jazz de Montréal for a tribute to Dr. Dre. And through those experiences, she has been on national tours and played sold-out, headlining shows across the country, including her adopted hometown. Her full-length debut, 2021’s Windborne, the follow-up to 2019’s Still EP led to her selection as one of First Up with RBCxMusic Emerging Artists.

Both releases received radio airplay in Vancouver and Los Angeles — and that led to sync placement on Canadian TV show Strays. Adding to a growing profile, “Overstimulated,” and “I Love You, Dwayne” have received praise from NPR, Consequence, EARMILK, Exclaim! — and airplay from CBC and MountainFM in her native Canada, and Jazz FM’s Tony Minvielle in the UK.

Blossoming out of what was originally intended as a one-song collaboration, Miranda Joan has spent the past few years collaborating with acclaimed and rising New York-based musician and producer Ben Carr, a.k.a CARRTOONS on her forthcoming sophomore album Overstimulated. Simultaneously leaning into and letting go of the excessive and the overstimulating, the album sees the Brooklyn-based artist move towards a contemporary soul and jazz sound that meshes the electronic and organic. The album also features contributions from Sly5thAve, Jake Sherman, Ben WIlliams, Huntertones and Kristine Kruta. “It is an album book-ended by songs of affirmation, of rooting, of returning to and loving oneself, intertwined with the messy, chaotic and interconnected web of my hopes, dreams, imagination, love, and heartache”,  Miranda Joan says.

Overstimulated‘s latest single “Bada Bing!” is built around a lush, Quiet Storm-like soul pop production and arrangement featuring an elastic, two-step-inducing groove while Miranda Joan’s sultry and soulful delivery coquettishly dances within the song’s groove.

Directed by Gigi Nettles, the accompanying video for “Bada Bing!” fittingly is a loving and playful homage to The Sopranos and features some of the familiar sights from the show’s introductory sequences with the Montréal-born, Brooklyn-based artist playing the role of Tony Soprano.

Single Review by William Ruben Helms

New Audio: Ormiston Shares Breezy Pop Confection “Cherry Picker”

Nicola Ormiston is a Montréal-based singer/songwriter, multi-instrumentalist, producer and creative mastermind behind the solo recording project Ormiston.

The Canadian producer’s latest single “Cherry Picker” sees crafting a breezy, hook driven pop confection built around a disco-inspired bass line, reverb-soaked Nile Rodgers-like funk guitar, glistening and wobbling synth arpeggios and the Canadian artist’s plaintive and yearning delivery. “Cherry Picker” continues a remarkably run of breezy, effortlessly crafted pop that’s both lounge and club friendly.

Inspired by an old acquaintance that always left the Montréal-based artist starry-eyed, the song manages to evoke the swooning, starry-eyed sensation of being near a crush/love interest — and not quite knowing what to do or how to go about it.

Single Review by William Ruben Helms

Emerging Northern California-born, New York-based pop artist Sam The Woo grew up on a llama farm and initially had dreamt of becoming a dermatologist. But her knack for performing kept nagging and poking at her. She relocated to New York, where she attended Pace University’s Musical Theater program.

With a semester left until graduation, the Northern California-born, New York-based artist left the program to pursue a career in music. While she can trace her songwriting to writing poetry on second grade papers, learning production during the pandemic helped her step up her game. The result is genre-defying take on pop that features elements of jazz, funk, country, Motown-era soul and alt-pop.

Sam The Woo’s debut EP, Hungry Appetite is slated for an October release. The EP’s latest single “Rude Little Girl” displays an audacious and swaggering approach to songwriting with the song featuring nods to classical music and bossa nova and some remarkably catchy hooks paired with Sam The Woo’s sultry and self-assured delivery. Simply put, what you’re hearing is the bold emergence of a burgeoning pop star.