Deriving their name from a playful, Anglophile nod towards the famed physicist Issac Newton, the Paris-based electro pop act Isaac Delusion was formed back in 2010 by its core duo, longtime friends Loïc Fleury (vocals, guitar) and Jules Paco (keys). Shortly after their formation, the project expanded to incorporate a rotating cast of musicians and collaborators. Interestingly, with the release of 2014’s self-titled debut effort, the Paris-based act began to receive attention for a sound that meshed acoustic instrumentation with electronics — while nodding a bit at dream pop.
Building upon the growing buzz surrounding them in the French electro pop scene, the act toured extensively across France and Europe to support their full-length debut. The band’s sophomore effort 2017’s Rust & Gold found the duo shifting away from ethereal and atmospheric dream pop and leaning heavily towards more soulful rhythms, tangible emotions and insightful observations on love and the human condition.
Since the release of the French electro pop act’s first two albums, they’ve amassed over 500,000 Spotify streams a month, played Pitchfork Paris, as well as sold-out headlining shows at venues like L’Olympia and Elysee Montmarte. Now, as you may recall, the duo’s third album uplifters is slated for release this Friday through Microqlima Records, and the album reportedly is centered around a misplaced nostalgia for a long-passed youth (which is fitting for the act’s core duo, as they’ve inched into their 30s). As a result, the material is imbued with a longing for the freedom and unguarded honesty of their younger selves — and reset for the missed opportunities you can never get back. And much like its predecessors, the material off uplifters is primarily written and sung in English with a handful of songs written and sung in their native French.
Last month, I wrote about “pas habitude,” a breezy synth pop song centered around shimmering synth arpeggios, plaintive and dreamy vocals, a sinuous bass line and an infectious, razor sharp hook — and yet, the song’s breeziness is at best superficial, as the song possesses a bittersweet heartache and nostalgia for a seemingly simpler past. Coincidentally, “pas habitude” is one of the few album tracks written and sung in the duo’s native French. Interestingly, the album’s latest track “disorder” is a taut yet breezy track centered around a disco-like bass line, shimmering synth arpeggios, four-on-the-floor drumming and plaintive falsetto vocals that finds the duo recalling Random Access Memories-era Daft Punk.
“Like natural laws, order can rise from chaos,” the duo says in press notes. “We sometimes need to follow our intuitions and desires, even when they seem to lead towards dangerous ground.”
The duo will be playing a handful of European dates in 2020. Check out the tour dates below.
25 February LONDON Omeara
28 February KÖLN Artheater
29 February BERLIN Bi Nuu
2 March HAMBURG Nichtspeicher
4 March AMSTERDAM Paradiso Upstairs
6 March BRUSSELS Botanique
7 March LAUSANNE Les Docks