New Audio: Jerk Shares Meditative “wait”

Prolific Brooklyn-based producer, composer and multi-instrumentalist Joni Kinney is the creative mastermind behind, the rising recording project Jerk. And with Jerk, Kinney has released five albums and several EPs that feature a sound that draws from J. Dilla, Madlib, Patrice Rushen, Earth, Wind & Fire, Louis Cole, Knower, and Roller Trio. Never content with just music as a creative output, Kinney is also an avid writer and video essayist. 

Late last year, the Brooklyn-based producer, composer and multi-instrumentalist released the first part of a two EP narrative cycle, as night falls. The two EP cycle sees Kinney using the project’s sound into new territories, taking listeners on a journey through a fusion of electronic influences, midnight funk and forward-thinking jazz.

as day breaks, the second EP of the narrative cycle is slated for a May 15, 2026 release through DeepMatter Records. as day breaks EP will see a limited vinyl release, alongside last year’s as night falls.

While the first EP of the cycle explored the darker side of human nature through a blend of midnight funk and electronic-tinged jazz, as day breaks, which was created with long-time friend and collaborator Martine Wade, is a journey through daylight anchored around uplifting, soulful, instrumentals paired with house grooves, breakbeats, bird song and the sounds of NYC. “This joint album project is the essence of Jerk — neither day nor night, but something more ethereal,” Kinney explains.

as day breaks EP will include the swaggering, funky “steppin’ out” and the EP’s latest single, “wait.” “wait” is a slow-burning, meditative tune featuring a twinkling Rhodes-driven melody, a supple bass line and a hazy, lo-fit beat paired with a NYC traffic light sample. The composition is a reminder to listeners to stop, slow down and be present,

Composed in a style that Kinney has coined “son-tra,” they share: “Meaning ‘sonic mantra’, ‘son-tra’ is a composition style centered around melody and permutation, and a composition technique I’ve used on tracks like ‘Voices in my Head,’ ‘Father Sky’, ‘Still Searching,’ and ‘First Cup.’ The prevailing feeling of this style feels like a spiral to me, something that somehow stays faithful to a core motif while also continuously evolving as it progresses.”

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