JOVM’s William Ruben Helms is back on the road again.
Category: New Wave
New Audio: Nouvelle Vague’s Breezy Take on Depeche Mode’s “Only When I Lose Myself” feat. Mélanie Pain
Founded by Marc Collins and the late Olivier Libaux back in 2003, Nouvelle Vague was initially conceived as a one-off tribute to post-punk songwriting in a Bossa nova style. 2004’s self-titled debut, which saw them establish their unique fusion of melancholy post-punk, Bossa nova and French re-interpretational approach, unexpectedly achieved global acclaim. Since then, Nouveau Vague has become a global phenomenon.
Their 10th album, A Date with Depeche Mode is slated for an October 30, 2026 release through Kwaidan Records/[PIAS] Recordings. And as you can probably tell, the album sees the French outfit tackling the work of pioneering British electronic outfit Depeche Mode.
A Date with Depeche Mode will include the previously released “Never Let Me Down Again” feat. Brazilian artist Flavia Coehlo, and the album’s latest single, “Only When I Lose Myself” feat. Mélanie Pain. Originally released on 1998’s compilation The Singles 86>98 “Only When I Lose Myself” is a brooding song full of desperate, aching longing. The Nouvelle Vague rendition, which features one of the act’s long-time collaborators retains the longing at the heart of the song but now paired with a breezy Quincy Jones and Herb Alpert-like arrangement featuring Bossa nova rhythms, strummed guitar and soulful brass. The result is a take that gives the song a sultriness rooted in desperate need and a little bit of lust while being incredibly cinematic.
Throwback: Happy 71st Birthday, Elvis Costello!
JOVM’s William Ruben Helms celebrates Elvis Costello’s 71st birthday.
Throwback: Happy 65th Birthday, Roland Orzabal!
JOVM’s William Ruben Helms celebrates Tears for Fears co-founder Roland Orzabal’s 65th birthday.
Throwback: Happy 67th Birthday, Belinda Carlisle!
JOVM’s William Ruben Helms celebrates Belinda Carlisle’s 67th birthday.
Throwback: Happy 69th Birthday, Tim Farriss!
JOVM’s William Ruben Helms celebrates INXS co-founder and guitarist Tim Farriss’ 69th birthday.
Throwback: Happy 65th Birthday Jon Farriss!
JOVM’s William Ruben Helms celebrates INXS co-founder and drummer Jon Farriss’ 65th birthday.
Throwback: Happy 65th Birthday, The Edge!
JOVM’s William Ruben Helms celebrates U2 guitarist The Edge’s 65th birthday.
Throwback: Happy Belated 65th Birthday, Pete de Freitas!
JOVM’s William Ruben Helms belatedly celebrates the 65th anniversary of the birth of Echo and the Bunnymen drummer Pete de Freitas.
Throwback: Happy 45 Birthday, MTV!
JOVM’s William Ruben Helms celebrates the 45th anniversary of the launch of MTV.
Throwback: Happy 68th Birthday, Bill Berry!
JOVM’s William Ruben Helms celebrates R.E.M. drummer Bill Berry’s 68th birthday.
Throwback: Happy 69th Birthday, Daniel Ash!
JOVM’s William Ruben Helms celebrates Bauhaus and Love and Rockets guitarist Daniel Ash’s 69th birthday.
Throwback: Happy 65th Birthday, Martin Gore!
JOVM’s William Ruben Helms celebrates Depeche Mode founder Martin Gore’s 65th birthday.
Throwback: Happy 74th Birthday, Stewart Copeland!
JOVM William Ruben Helms celebrates The Police drummer Stewart Copeland’s 74th birthday.
New Audio: Nouvelle Vague and Flavia Coelho Tackle Depeche Mode’s “Never Let Me Down Again”
Founded by Marc Collins and the late Olivier Libaux back in 2003, Nouvelle Vague was initially conceived as a one-off tribute to post-punk songwriting in a Bossa nova style. 2004’s self-titled debut, which saw them establish their unique fusion of melancholy post-punk, Bossa nova and French re-interpretational approach, unexpectedly achieved global acclaim. Since then, Nouveau Vague has become a global phenomenon.
Their 10th album, A Date with Depeche Mode is slated for an October 30, 2026 release through Kwaidan Records/[PIAS] Recordings. And as you can probably tell, the album sees the French outfit tackling the work of pioneering British electronic outfit Depeche Mode. The album’s second single, “Never Let Me Down Again” feat. Brazilian artist Flavia Coehlo was according to the a conscious risk, because her voice manages to carry the full light of Rio. The original version is a brooding and hypnotic tune built on an intertwined promise and threat.
Coehlo and Nouvelle Vague manage to craft a bold and unique interpretation of a beloved song that doesn’t betray the spirit and intention of the original. The summer breeze and sunshine of Nouveau Vague’s rendition is superficial; the song is underpinned by a tense, brooding unease. Goths at the beach, perhaps?
Seriously though, Nouveau Vague’s work points out the melancholy of English New Wave and Brazilian Bossa Nova are practically two sides of the same coin.
