Category: post punk

New Audio: Taxidermy Shares a Bruising and Unsettling Ripper

Copenhagen-based experimental noise/post-punk outfit Taxidermy — Osvald Reinhold (vocals, guitar), Toke Brejning Frederiksen (guitar), Joachim Lorch-Schierning (bass) and Johan Knutz Haavik (drums) — have quickly established a sound that draws from math rock, No Wave, post-hardcore and emo among a list of others. 

Thematically, the Danish quartet’s work sees them exploring the unease and disquiet of contemporary existence through delving into the cryptic and disorientating, the claustrophobic and the surreal. Crafting material anchored around unpredictable arrangements, raw and visceral textures, broad dynamic range and intense emotional delivery, the members of the Copenhagen-based outfit actively challenges the listener to confront the discomfort of the unknown. 

On the heels of last year’s attention grabbing Coin EP, the Danish outfit’s forthcoming follow-up Let Go EP will feature, “Impending,” a single that simultaneously cements their reputation for crafting brooding post-punk while subtly expanding upon their sound with alternating ethereal and atmospheric verses and the scorching, power chord-driven hooks and choruses that would Steve Albini proud. 

Let Go EP‘s latest single, EP title track “Let Go” is a bruising bit of skronky and noisy post-punk/grunge built around a classic grunge song structure with alternating quieter verses with cinematic strings and Reinhold crooning lyrics and explosive choruses and hooks with Reinhold’s urgent shouts. The song captures a heartbroken and desperate narrator, who vacillates between despair, self loathing and hatred — sometimes within the turn of a phrase.

The band’s Reinhold explains that the lyrics capture “a weakened and darkened mind, with a cynical, bleak view of itself and its surroundings.” He goes on to explain that the song was written after the experience of falling out of love. “It’s a deeply personal song for me, as it captures the essence of a weakened and darkened mind, with a cynical, bleak view of itself and its surroundings. It depicts a repeating cycle of actions in an inescapable loop of destructive behavior and presents the troubling notion that we are all self-absorbed individuals who can only briefly be persuaded to believe in unions of any kind, and for a fleeting moment, we may get along. But inevitably, we return to a hostile status quo, distancing ourselves because, ultimately, that’s easier.”

New Audio: Slow Fiction Shares a Furious, Breakneck Ripper

Rising New York-based quintet Slow Fiction — Julia Vassallo (vocals), Paul Knepple (guitar), Joe Skimmons (guitar), Ryan Duffin (bass) and Akiva Henig (drums) — have received attention for a sound that inspired by Sonic Youth and The Jesus Chain and Mary Chain with elements of naughties-era guitar rock paired with contemporary angst.

Their latest single “When” is part of Speedy Wunderground‘s Speedy Singles series. It’s available on all DSPs right now — and will be available on 7″ vinyl with a dub remix B side by the label’s Dan Carey titled “Who Is the Dub.” You’ll be able to purchase the new single and the rest of the singles in the series here.

As for the new single “When” is an urgent, breakneck ripper that’s one-part Walkmen one-part The Jesus and Mary Chain while arguably being one of those most defiant and confrontational songs of their growing catalog while evoking desperate unease.

“I think everyone has had a moment where their expectation of the world, a relationship, the audience they are performing for falls short, and it sends you into a wild spiral downwards,” Slow Fiction’s Julia Vassallo explains. “Losing faith feels so desperate, like falling into a pit of snakes. And the snakes all have faces that seem familiar, and they’re talking, but the words are all garbled. I guess this was trying to get to the bottom of that pit of disillusionment, or maybe get out of it altogether.”

New Video: Boston’s Paper Lady Shares Unhinged “Joe Modern”

Formed back in 2019, the Boston-based indie outfit Paper Lady — Alli Raina (vocals, rhythm guitar), Rowan Martin (lead guitar), Alex Castile (drums) and Taylor Morris (bass) — can trace their origins to their involvement in their Northeast DIY scene. Citing an eclectic array of influences that include Mazzy Star, Broadcast and Jefferson Airplane among others, the Boston-based quartet has crafted a sound that typically blends dreamy textures with grounded storytelling.

Last year, the band wrote and recorded their full-length debut, Idle Fate, during a retreat in a cabin in Upstate New York and at their shared home in Boston. Self-recorded and self-mixed, the album, which is slated for a May 9, 2025 release, explores themes of grief, love and fantastical existentialism while seeing the band push their sound into more experimental territory.

Idle Fate‘s third single “Joe Modern” is an angular and tightly wound up post punk anthem with dreamy shoegazer passages, anchored around angular and whirring blasts of guitar, a throbbing rhythm section paired with remarkably catchy hooks and enormous, bombastic choruses that simultaneously barely holds it together, while showcasing Raina’s feral and unhinged vocal performance.

A thematic outlier on the album, “Joe Modern” draws from real life absurdity: a scamming and scheming realtor. “We kept joking that we should write a song about this guy — and then Rowan brought this wild guitar riff to rehearsal, and the rest just fell into place,” the band’s Alli Raina explains. “The lyrics came to me instantly. It’s the most fun song to play live, and I think it helped us evolve our sound in a huge way.”

Directed by the band’s Rowan Martin, the accompanying video for “Joe Modern” is a blend of surreal, mundane and sinister, as it follows a sad-sad and haunted businessman type through the hallucinatory and dreamlike torments by his boss and a sleep paralysis demon.