JOVM celebrates Dave Grohl’s 52nd birthday.
JOVM celebrates The Doors’ Robby Krieger’s 75th birthday.
JOVM celebrates what would have been David Bowie’s 74th birthday.
JOVM celebrates Patti Smith’s 74th birthday.
Throughout the course of this site’s 10+ year history, I’ve managed to spill quite a bit of ink covering the critically applauded and commercially successful duo The Kills. And with the release of albums like 2003’s Keep on Your Mean Side, 2005’s No Wow, 2008’s Midnight Boom, 2011’s Blood Pressures and 2016’s Ash & Ice, the duo — Alison Mosshart (vocals) and Jamie Hince (guitar, production) — have cemented a reputation for crafting a scuzzy and swaggering power chord-based blues and garage rock sound and approach.
Some time has passed since I’ve come across new material from the JOVM mainstays. Individually, the members of The Kills have been busy with their own creative projects — Mosshart published a book of poetry and photography and released solo material while Hince has been busy with production work. But interestingly enough, earlier this month the acclaimed duo announced that they would be releasing a career-spanning B-side and rarity compilation titled Little Bastards.
Slated for a December 11, 2020 release through Domino Recording Company, Little Bastards consists of material that date back from the band’s first batches of 7 inch singles released in 2002 up until 2009. The material has been newly remastered for release on CD, digitally and on LP — and it makes the first ever vinyl pressings for some of the tracks. A great deal of the compilation features covers — including the album’s second and latest single, a somewhat straightforward cover of Screamin’ Jay Hawkins’ oft-covered Halloween classic “I Put A Spell On You” that bristles with a feral sensuality.
Edited by the band’s Mosshart, the recently released video for “I Put A Spell On You” features live footage from shows in Portland, OR; Pomona, CA; and San Francisco. While capturing the duo’s live energy, the video makes me miss live music so very much. Sigh.
One of the greatest thrills I’ve had as a music fan, was somehow getting last-minute tickets through a broker to see Tom Petty and The Heartbreakers with Steve Winwood at Madison Square Garden back in June 2008. Up until, catching Bob Dylan with Mavis Staples at The Beacon Theatre, that 2008 concert was the most I had ever spent for concert tickets — and I don’t regret it for a single second. God, hearing all of great songs live.
Petty would have turned 70. And much like Prince, I doubt Petty was capable of writing a terrible song. I wanted to celebrate Tom Petty’s birthday — and i think you should, too. I’ll be playing some of his music today, and will feel grateful for all of those songs. Happy 70th Tom. Happy birthday to you, wherever you are.
Beginning her musical career as the frontperson and primary songwriter of acclaimed Melbourne, Australia-based pop act Totally Mild, an act that recorded two critically applauded album before splitting up, Elizabeth Mitchell has stepped out into the limelight as rising solo artist, writing and performing under the mononym Elizabeth.
By going solo, the rising Aussie pop singer/songwriter has been able to reimagine and reinvent herself — and with the release of her full-length debut, last year’s the wonderful world of nature, Elizabeth transformed herself into a sort of patron saint of anguish, heartbreak and woe, all of which have allowed her to develop a completely unique sound apart from her previously known work. imbued with desire, lust, shame, guilt, uncertainty and a glamorous debauchery.
The Melbourne-based pop artist will be releasing a deluxe edition of the wonderful world of nature on October 23, 2020 through AntiFragile Records — and the deluxe edition will feature a handful of new material, including her latest single, a slow-burning and atmospheric cover of Fleetwood Mac’s “Go Your Own Way.” Centered around twinkling piano and the rising Aussie pop artist’s tender vocals, Elizabeth’s version strips everything away to the bone, revealing the bitter heartache at the core of the song.
Directed by Elizabeth and Xanthe Dobbie, the recently released video is a hazy and intimate visual that follows a brooding Elizabeth, on the verge of tears.
Romain Carpenter is a 63 year-old Argenteuil, France-based nurse, multi-instrumentalist and composer, who ten years ago taught himself a little bit of guitar and bass, following a childhood dream of becoming a musician. In the past decade, the self-taught Carpenter has written compositions that draw from Spanish music, surf rock and 60s rock under the name P’pa Carpenter.
His latest single, “Bullitt Rock” as he explained to me was inspired by the famous chase sequence in Peter Yates’ Bullitt, because “the directors had not planned it.” The composition is centered around a looping, bluesy guitar line, a simple yet propulsive rhythmic backbeat, some expressive horns and twinkling keys, which gives the track a cinematic quality — while being a lot of fun. Sonically, it owes a little bit of a debt to the 1960s Mission Impossible TV series theme, but that shouldn’t be surprising, as “Bullit Rock” conveys fast-paced, white-knuckled action.
JOVM pays tribute to one of the greatest guitarists to have ever lived — Eddie Van Halen.
Since their formation back in 2006, the Toulon, France-based experimental trio Hifiklub have developed and honed a creative approach centered around collaboration with a diverse and eclectic array of artists including Sonic Youth’s Lee Ranaldo, The Legendary Tigerman, Half-Japanese’s Jad Fair. Jean-Marc Montera, R. Stevie Moore, André Jaume, Mike Watt, Fatso Jetson, Jérôme Casalonga, Lula Pena, Scanner, Jean-Michel Bossini, Mike Cooper, Duke Garwood, Alain Johannes and FaIth No More’s and Imperial Teen’s Roddy Bottum and a growing list of others. And through these collaborations, the French act have explores the possibilities and boundaries of expressions, frequently combining sound, image and text in new ways.
The members of Hifiklub and Roddy Bottum have collaborated together on a new album Things That We Lost in the Fire. Slated for an October 16, 2020 release on cassette and CD in the United States on Dreamy Life Records and on vinyl and CD through the rest of the world through Toolong Records/Differ-Ant, Things That We Lost in the Fire is reportedly a trance-like, spoken word-driven album. Interestingly, the album’s latest single is a cover of Survivor’s smash-hit “Eye of the Tiger.” Centered around a sinuous and propulsive groove, glistening keys and blasts of reverb-drenched guitar and spoken word delivered lyrics, the Hifiklub and Roddy Bottom rendition turn the classic anthem into an atmospheric and brooding, disco-tinged art rock jam, reminiscent of Black Strobe’s “Boogie in Zero Gravity.”
Directed by Léna Durr., the recently released video for the Hifiklub and Roddy Bottum cover follows bodybuilder Benjamin Rostaert as he lifts weights and prepares himself for a major bodybuilding competition. Fittingly, much like Rocky III, we see the dedication and lonely routines and preparation lead to Rostaert’s success.