For the better part of the past four decades, Jon Spencer has been both an innovative force and stalwart in the independent music scene. He has an amassed a dizzying and disruptive discography as the frontman of bands like Pussy Galore, The Jon Spencer Blues Explosion, Heavy Trash and Jon Spencer & the HITmakers, as well as stints as a member of Boss Hog, The Honeymoon Killers, Gibson Bros. and Taxidermy Girls.

Spencer has also been a highly sought-after collaborator, who has worked with an eclectic array of artists including Steve Albini, Add N To X, Nicole Atkins, Beastie Boys, Beck, Bomb The Bass, R.L. Burnside, James Chance, Coldcut, Chuck D., Dan The Automator, Jim Dickinson, DJ Shadow, Einsturzende Neubauten, Guitar Wolf, GZA, David Holmes, Japanese Popstars, Dr. John, Calvin Johnson, Steve Jordan, Moby, Money Mark, The Muffs, North Mississippi Allstars, Princess Superstar, Puffy AmiYumi, The Sadies, Nancy Sinatra, Solex, Solomon Burke, Speedball Baby, Rufus Thomas, UNKLE, Unloved, Andre Williams and the late, great Bernie Worell among others.

As a producer, he has produced material by Cheater Slicks, Demolition Doll Rods, Experimental Tropic Blues Band, Perrosky, Mike Edison, Jesper Munk, Sunshine & The Rain, The Bobby Lees and the Grammy-nominated Samantha Fish and Jesse Dayton album, Death Wish Blues.

Spencer’s newest album, Songs of Personal Loss and Protest is slated for a June 12, 2026 release — both physical and digital — through Shove Records here in the States. The album, which features Spencer (vocals, guitar, synth, organ and percussion) and a backing band of Kendall Wind (bass, vocals. guitar, piano and organ) and Macky “Spider” Bowman (drums, vocals and percussion), best known for being members of The Bobby Lees, and was produced by Spencer and was recorded by Chris Bittner at Woodstock, NY‘s Applehead Recording in a one-day session last July, with the exception of “Vermin Attack!” and “Mr. Lion” which were recorded by Felipe Ruz and Perrosky at Santiago, Chile‘s Estudio Algorecords last April.

Thematically, Songs of Personal Loss and Protest asks a simple question: Can rock ‘n’ roll save the world? Spencer would answer emphatically, “YES.”

“I’m in a time of spiritual reckoning,” Spencer says. “These past few years there has been a lot of emotional conflict and personal loss — the passing of time takes its toll.  Losing friends, losing family, and all of this set against a world gone topsy turvy where it feels like we are losing basic freedoms… I’m trying to balance a lot of things, but the answer is always rock’n’roll.”

The 12-song album sees Spencer tearing his heart singing songs informed and inspired by the front page and beyond. The songs are futuristic power blues and garage punk explosions about the nausea, unease and paranoia delivered by a reality show president, and the power and resilience it takes to rebel. It may all be deeply personal — the fight to create and live, and push back against dark forces — but while never losing sight that we’re all in this together, for better or for worse.

“Rock’n’roll is America’s true gift to the world — the sound of revolution! It came out of the sky, a screaming, chrome-plated flying saucer, like an outer space monster, landed here on Earth so the freaks could have their say,” Spencer says. “It  is the hip-shaking sound of rebellion. The blues is my bible, rock’n’roll is our battle cry!”

“Knock ‘Em Out,” is a swaggering and rousingly anthemic tune that’s one-part rollicking battle cry, one-part sweaty old-school blues-tinged pub rocker, anchored by tight, funky groove. Rock should always be loud and bombastic — but it can also be about something bigger and important, too. We only have us, y’all. So let’s get to work before it’s too late.

The accompanying video is by Andrew Hooper and features studio photos by Skyler Smith, live concert photos by Masashi Yukimoto and live footage of Spencer and company rocking out.