Category: singer/songwriters

New Video: Thundercat Shares Posthumously Released Breezy Collab with Mac Miller “She Knows Too Much”

Acclaimed JOVM mainstay Thundercat will be releasing his fifth studio album — and first album in over six years — Distracted through Brainfeeder on April 3, 2026. Distracted was created in close collaboration with super producer Greg Kurstin with additional production from Flying Lotus, Kenny Beats and The Lemon Twigs. The new album also features contributions from an all-star cast that includes A$AP Rocky, WILLOW, Tame Impala, Channel Tres, Lil Yachty and a previously unreleased collaboration with Mac Miller. 

Thematically, the album vividly captures the uneasy tension between overstimulation and introspection. Thundercat is deeply skeptical of technological “progress,” especially the way it has narrowed our collective imagination instead of expanding it. He jokes about Star Trek and childhood dreams of space travel, then pivots to the horrible anticlimax of reality: drones without lasers, phones that only feature upgraded cameras, innovation reduced to spying and access. The disappointment isn’t about just gadgets; it’s about a vision of the world we were promised versus what we got right now. Sure, some forms of deep space travel may be difficult, if not impossible, but we don’t have flying cars or smart-alecky robots. We barely have high-speed trains or anything else. 

While the drawbacks of constant distraction are evident in today’s attention deficit economy, a true idiosyncratic like Thundercat can identity the ways in which it used to one’s advantage. You can’t spell “daydreams,” without dreams. “Sometimes you need to be distracted to focus in a different way,” Thundercat says. What the JOVM mainstay wants listeners to take from the album is remarkably, disarmingly simple: “Just enjoy it and have fun and just know that the struggle is real and changes shape, but just to keep pushing forward.” 

Rather than instant and constant commentary, the JOVM mainstay offers something quieter, more radical, and maybe something more empathetic: The permission to be confused, tired and distracted — and yet still make something beautiful and necessary out of the noise. 

Distracted will include the previously released “I Did This To Myself,” feat. Lil Yachty and the album’s latest single “She Knows Too Much,” feat. Mac Miller. Although posthumously released, “She Knows Too Much” captures the two long-time friends and frequent collaborators easy-going, carefree chemistry within their most natural element: Miller spits bars about desperately trying to win over someone, who he knows is out of his league and may be only into him for his fame and money, over a strutting neo-soul arrangement bolstered by Thundercat’s muscular “Superstition“-like bass line and his ethereal falsetto.

While working on Distracted, Thundercat felt it could be a great fit for the album and received permission from the Mac Miller Estate to complete work on the song, which he did with producer Greg Kurstin, adding final touches to the production so fans may now hear the ultimate vision of it. “I’m grateful to have spent my time on this planet with Mac,” Thundercat shares. “What an artist, what a spirit, what a joy to have experienced.”

Directed by Léa Esmaili, the accompanying video employs both claymation and traditional animation to convey the playfulness and the deep bond of their friendship, followed by the reality of loss.

“First of all, making this music video is a huge honor, as I grew up with these two artists and have admired their universe since I was a teenager,” Esmaili says. “I wanted to create, within a single video, a fun animated moment by mixing styles either it’s 2D animation or 3D. Beyond that, I wanted to build a burlesque narrative around two friends who spend a completely crazy day together, tied to their friendship and to anime of this kind.”

New Video: Kim Gordon Returns with Trap-inspired “DIRTY TECH”

The legendary Kim Gordon will be releasing her third solo album, the Justin Raisen-produced PLAY ME on March 13, 2026 through Matador Records. PLAY ME is reportedly distilled and immediate, and sees Gordon expanding on her sonic palette to include more melodic beats and the motorik drive of krautock. 

“We wanted the songs to be short,” Gordon says of her continued collaboration with acclaimed, Los Angeles-based producer Justin Raisen. “We wanted to do it really fast. It’s more focused, and maybe more confident. I always kind of work off of rhythms, and I knew I wanted it to be even more beat-oriented than the last one. Justin really gets my voice and my lyrics and he understands how I work—that came forth even more on this record.” 

PLAY ME is the follow-up to 2024’s critically applauded sophomore album The Collective, which featured the two-time Grammy-nominated single “BYE BYE.”  PLAY ME sees Gordon processing in her imitable way, the collateral damage of the billionaire class: the demolition of democracy, technocratic end-times-like fascism, the A.I.-fueled chill vibes flattering of culture — where dark humor voices the absurdity of our moment. But despite its frequent outward gave, the album is essentially an interior effort, one in which heightened emotionality pulses through physical jams, while rejecting definitive statements in favor of an inquisitiveness and curiosity that keeps Gordon searching — and ever in process. 

Amid PLAY ME’s rabbit-hole reality bricolage, pitch-shifted vocals and shadowy layers of dissonance, the album’s material are clear-eyed about the attention they pay to a world that would rather you be distracted and rage-baited into oblivion. “I have to say, the thing that influenced me most was the news. We are in some kind of ‘post empire’ now, where people just disappear,” Gordon says, echoing the title of one of PLAY ME’s tracks.

PLAY ME will feature the woozy and glitchy album single “NOT TODAY,” and the album’s second and latest single “DIRTY TECH” “DIRTY TECH” pairs the legend’s imitable delivery with a sleek trap production featuring twinkling and growling synths. “I was kind of musing about, is my next boss going to be an AI chatbot?” Gordon says. “We’re the first ones whose lights are going to go out—not the tech billionaires. It’s so abstract that people can’t comprehend.”

Directed by Moni Haworth, the accompanying video features the stylishly dressed legend wandering around an eerily abandoned office.

New Audio: Québec City’s worry Shares Anthemic “Regret”

Through the release of their five-song debut EP, 2020’s after something and a handful of standalone singles, Québec City-based indie outfit worry — creative mastermind and frontman Kerry Samuels, backed by Gaspard Eden‘s Joey Proteau, Valence‘s Aubert Gendron Marsolais, Mid Divers‘ Xavier Beaulieu and l i l a‘s Marianne Porter — quickly developed a reputation for pairing lyrics inspired by Samuels’ experience and emotions with a hook-driven sound that’s heavy yet dreamy. The band describes their sound as “a noisy and emotional wave of sound capturing a warm feeling of nostalgia, like watching childhood home movies on a broken TV.”

The Québec City-based band has begun to build a profile locally and across the province, with the band making runs of the provincial club and festival circuit, including sold-out shows at L’Imperial Bell with July Talk and SOLIDS.

Building upon that growing profile, worry will be releasing their debut album, Positive Memory in the spring. The album’s second and latest single “Regret,” is one-part 90s grunge, one-part Brit-pop, one-part 2000s emo that showcases that band’s knack for pairing vulnerable, lived-in lyrics with rousingly anthemic, mosh pit friendly hooks and choruses. The band explains that “the song reflects on memory, death and the moment that linger long after they’re gone.”