Category: singer/songwriters

New Audio: Chenzo V Returns with Anthemic “Mechanical Boy”

Chenzo V is an emerging New York-based creative director, producer and artist, whose music sees him drawing from and blending elements of alternative rock, post-punk, New Wave, synth pop and industrial electronica. 

Deeply rooted in classical performance and visual art, the emerging New York-based producer and artist writes, produces and directs every release himself, building immersive multimedia worlds. Thematically, his work touches upon identity, illusion and transformation.

Late last year, he released “Midnight,” an arena friendly ripper that showcases his ability to pair rousingly anthemic hooks and choruses with broodingly cinematic soundscapes and lived-in lyrics.

His latest single “Mechanical Boy” is a woozy blend of industrial electronica, electronic rock, alt rock and synth pop that further cements his growing reputation for crafting remarkably catchy hooks and rousingly anthemic choruses while seemingly drawing from Muse and Radiohead.

New Audio: George Thorogood and The Destroyers Share Rare and Previously Unreleased Live Recording of “Who Do You Love”

Delaware-based George Thorogood and the Destroyers — currently founding duo George Thorgood (vocals, guitar) and Jeff Simon (drums) along with Bill Blough (bass), Jim Suhler (rhythm guitar) and Buddy Leach (saxophone) — formed way back in 1973. And since their formation, the band has played more than 8,000 live shows, developing a reputation for being one of the most consistent — and consistently passionate — progenitors of blues-based rock.

The band initially honed their sound on stages across the Northeast, building a devoted, word-of-mouth following through high-energy performances, blistering grooves and of course, one of the baddest motherfuckers out there, George Thorogood.

Things began to blow up in the late 1970s, after the band relocated to Boston and signed with Rounder Records. Their self-titled 1977 full-length debut channeled the power and energy of their live shows. They followed up with their breakthrough effort, 1978’s Move It On Over. The band’s profile nationally and elsewhere continued to rise with a string of popular releases 1980’s More George Thorogood and the Destroyers, 1982’s Bad to the Bone and 1985’s Maverick. And yet, their true passion always remained playing live.

“George’s connection to unvarnished, primal rock and roll made the music relevant in a way that no one could have predicted,” writes Scott Billington, who spent over 40 years as Rounder Records’ Vice President of A&R. “And even though he went on to make many wonderful records…he’s the first to say that he’d rather be on stage than in a recording studio.”

With the band now in their fifth decade, Craft Recordings shines a spotlight on their high-octane concerts with The Baddest Show on Earth: Greatest Hits Live. Spanning 1978-2024, this new collection showcases some of the band’s most electrifying live performances — many making their debut on record, including their enduring crowd favorites “Who Do You Love,” “One Bourbon, One Scotch, One Beer,” “Bad to the Bone,” and “Move It On Over.”

Slated for a June 12, 2026 release, The Baddest Show on Earth will be available on vinyl LP featuring four previously unreleased tracks, while the expanded CD and standard/hi-res digital editions include eight previously unreleased performances. Both physical formats will feature new liner nots from Grammy Award-winning producer and blues musician Scott Billington.

There will be three vinyl variants for fans — Black, Translucent Yellow, which will be available exclusively at Barnes and Noble, and Blazing Red Smoke, which will be available exclusively through GeorgeThorogood.com and on tour. You can pre-order the album here, but in the meantime, Craft Recordings and the band shared a previously unreleased performance of “Who Do You Love,” which was recorded in Atlanta in 1980.

Speaking about The Baddest Show on Earth, Thorogood says, “When the lights go down, the downbeat hits and the audience erupts; all bets are off. The Destroyers are at their best when we play for the people, and these are some of our favorite—and rarest—performances from the past five decades. You wanted the baddest, you got it.”

Thorogood and the Destroyers’ rendition of Bo Diddley‘s “Who Do You Love” is one of my favorite versions of the song, and the live version captures the swaggering, badass swagger and sweaty voodoo-like rhythms of their recorded version — and just important how under appreciated Thorogood is as a guitar player.

New Audio: MADELEINE Shares Atmospheric “Give Back To Her”

MADELEINE is an emerging and rising talent in the UK nu-jazz and soul scene. Citing Flying Lotus, James Blake, Salami Rose Joe Louis, Ego Ella May and Sampha as influences on her sound and work, her early output has seen praise from The Line of Best Fit and Jazz re:freshed as well as airplay from BBC Radio 1, BBC Introducing, and Jazz FM. She also played last year’s SXSW.

Building upon a growing profile in the UK, the rising British artist will be releasing the Earth Cry EP through Bridge The Gap on June 16, 2026. The self-produced, self-arranged and self-written effort features some additional production and mixing from Lewis Moody and Will Heaton. The EP reportedly sees MADELEINE taking on a much more futuristic turn, with the material featuring glistening synth textures complimenting her ethereal yet soulful delivery. The restful is an effort that explores future soul while balancing organic textures with an intergalactic interpretation of the sound of London’s cityscape.

Earth Cry EP thematically picks up from where 2023’s full-length Sun Daughter left off, acting as a cry for consciousness and care in relation to both the planet and to our fellow human beings. “I find the parallel between my own personal life, and the relevance of the world around me (nature, politics, the natural world, the dream world), extremely important,” MADELEINE explains. “Sometimes the two are so interlinked within my lyrics – they can almost blur into one. With this project I feel more confident in my directness with some of my themes. After the absolute horrors of the last couple years, it feels important to be talking about something that really matters.”

The forthcoming EP’s latest single “Give Back to Her” is a shimmering and atmospheric take on neo-soul that showcases MADELEINE’s effortlessly soulful delivery and knack for tight, catchy hooks. The result is a song that feels simultaneously improvised, sculptured and crafted. Fittingly, “Give Back to Her” was workshopped and crafted through a mix of her home studio and developing ideas on the road while touring as a keyboardist for Olivia Dean, Jorja Smith and Rachel Chinouriri.

Thematically, the song, as the rising British artist explains is about restoring balance, that people should return what is given, all while asking if we can learn to nurture the planet. “Mental health, for me, is strongly entwined with nature, and this idea of things being taken from us found itself manifesting in the verses from a more personal perspective,” MADELEINE says.

New Video: Love Ghost Shares Bruising and Anthemic “Revolution Evolution”

Tim Skold is a singer/songwriter, musician and producer, best known for his work producing and playing with Marilyn Manson. Skold is also the creative mastermind behind the industrial/electro rock recording project Love Ghost.

Skold has one proper Love Ghost studio album under his belt, last year’s Gas Mask Wedding. And adding to a busy year, he collaborated with The Skinner Brothers on last year’s Soul Boy V. His sophomore album, Anarchy and Ashes is slated for a March 27, 2026 release and will include the previously released “Rock Me Amadeus,” an industrial cover of Falco‘s 1985 smash hit, “Vengeance,” and the album’s third and latest single “Revolution Evolution.”

“Revolution Evolution” is an urgent, industrial rock ripper that showcases Skold’s ability to pair arena rock bombastic riffs and thunderous beats with rousingly anthemic and enormous hooks and choruses. But under the arena rock bombast is a rebellious spirit that channels rage and frustration into a much needed roar with a community of like-minded folks. It may seem overwhelming to the individual but man, together, we can start to bring about a brand new world.

The accompanying video by King Zabb sees Skold in military fatigues creating violent war-like cartoons. But eventually, the cartoons realize, who their real enemy is.

New Audio: Saltmother Shares Dreamy, Hopeful “Masske”

Amanda Appel is a Danish singer/songwriter, best known for being a member of the Danish Music Award-nominated vocal outfit ilinx. Since their formation back in 2020, iinx has been at the forefront of the Danish experimental scene, playing sets at Roskilde Festival, midsummer bonfire ceremonies, fashion shows during Copenhagen Fashion Week and niche classical music festivals across the country.

Appel is also the creative mastermind behind the solo recording project Saltmother. Appel’s Saltmother debut, 2022’s Heavy in Baby Blue EP was an adventurous batch of electronic music with songs that thematically touched on being young and in love, living in rental apartments and taking hormonal contraception.

The Danish artist’s forthcoming Saltmother debut album reportedly marks a shift towards a much darker, more organic sound, anchored around intimacy and filled with captivating and deeply human imperfections.

The album’s first single “Maaske” is a weird yet gorgeous song that features a seamless blend of doom metal, stoner rock, folk and choral music, complete with some stunning harmonies. The song is anchored around a universal sentiment: that the darkness of our moment — or of any moment, really — isn’t forever; that we can overcome darkness by the comfort of being and singing together; and that brighter days are just ahead.

New Audio: Indy Fontaine Teams Up With Charlie Cruz on Swooning “Tú Tienes Algo”

Indy Fontaine is a Cuban-born, Miami-based singer/songwriter, multi-instrumentalist and producer, who can trace the origins of her career to her early childhood: Singing alongside her uncle and his old guitar, she fell in love with music when she was three. By the time she turned six, she was enrolled full-time at a music school in Sancti Spiritus, Cuba, where she trained to be professional vocalist and musician. 

Fontaine went on to graduate at the top of her class from Havanas prestigious National School of Art. When she graduated, she already had over a decade of experience playing gigs all across her native Cuba, including music festivals, live radio and TV sessions, and more.

Fontaine then joined Sol y Sun, an act that has played sets across the international music festival circuit between the States and Cuba, as well as some of the most popular venues in Havana. The band was also frequently performed on national TV and radio shows.

The Cuban-born artist relocated to Miami, where she stepped out into the spotlight as solo artist. Her debut, 2024’s Moments of My Life ranged across a number of genres and styles, including Adult Contemporary, Easy Listening, Soft Rock, Indie Pop, Indie Rock and R&B — with songs written and sung in both English and Spanish.

The album featured “El Amor No Alcanza,” Fontaine’s subtly modern take on bolero, a Cuban genre that frequently focuses on affairs of the heart. Since then, Fontaine spent last year releasing a collection of highly successful singles including “Esta Navidad,” “Vacaciones,” “Mariposas En La Lluvia,” “Mejor Sin Ti,” “Que Te Vaya Bien,” and “Después De La Caída.”

Her latest single, the Andrés Castro and Guianko Gómez co-written and co-produced “Tú Tienes Algo,” sees her collaborating with salsa star Charlie Cruz. The new single is a swooning and euphoric declaration of passionate and complete surrender to love — even if it strikes you as being wildly inexplicable.

The song invites lovers to surrender with the same intensity they bring to the dance floor, to declare their love not just with words, but also with movement.

“‘Tú Tienes Algo’ is about that irresistible, mysterious attraction—and I say mysterious because you can’t explain what that other person has, but you know that when you’re with them, they shake your world,” Fontaine explains. “In the song, this person is asking the other to let themselves be loved because there’s resistance to fully surrendering, perhaps out of fear—that’s why they’re asking to surrender completely to love,” she says.

“This collaboration with Charlie is a dream come true,” said Fontaine. “It was a tremendous honor to share the studio and create music with an artist I deeply admire. To me, Charlie is a salsa icon who has kept the tradition alive in such an authentic way,” she adds.