Category: Soul Music

New Audio: The Offline Shares Breezy “Pour Nael”

Felix Müller is a Hamburg-born and-based photographer, composer and creative mastermind behind the cinematic soul project The Offline. Müller can trace the origins of The Offline to his travels along the the Atlantic coastline of southern France with an analog camera, capturing beach life. Upon his return to Hamburg, he started writing song as the sonic counterpart to his visuals. 

The German-born photographer and composer’s The Offline debut, En Clair-Obscur captured the essence of his trip while evoking a chilled out, summer soundtrack that sonically channeled the likes of Surprise Chef and Robohands

Müller’s full-length debut, last year’s Timor Litzenberg co-produced La couleur de la mer was inspired by the work of Francois de Roubaix — and saw him creating a soundtrack to an imaginary film. The album’s material evoked images of manorial, fog-swept villas at the ocean’s edge, silhouetted sailing boats and cigar-chomping villains attempting to thwart the mission of the imaginary film’s hero. The album experimented with themes and atypical song structures, moving from dramatic cues to fragile romanticism while incorporating psychedelia, retro soul and hip-hop, inspired by and informed by his extensive record collection. 

The Hamburg-based artist’s work has received airplay from BBC Radio 6Rinse FMRadio FIP and Jazz FM while amassing millions of streams. Building upon a growing profile across Europe, Müller shared “Les Cavaliers” last month. The single continues his collaboration with Chris Hill (drums), Hans-Christian Stephan (flugelhorn) and Kimo Eiserback (flute) on a breezy and cinematic bit of 1970s AM radio soul anchored around a strutting, feel good groove reminiscent of Chicago and the like, wah-wah pedaled guitar and a regal flugelhorn.

“Les Cavaliers” also continued the German-born artist’s ongoing homage to surf spots in southern France, and the song manages to evoke the warm summer breeze, the smell and taste of salt in the air and the laid-back vibe of sun-kissed beach days. “’Les Cavaliers’ pays tribute to the Aquitaine region of France, which has been a big influence on my music,” the German-born artist explains. “The track came about a few days after my debut album was released, capturing a moment of relief to turn the page on one chapter, yet anticipation of what will come.”

Müller’s latest The Offline single “Pour Nael” continues the German artist’s long-held obsession of capturing the essence of the sun-kissed French Atlantic coast — but with a slightly different different message. Anchored around shimmering and jangling guitar, a laid-back yet propulsive rhythm section, twinkling Rhodes and a percussive yet languid flute and horn melody, the remarkably Bob James-like arrangement was written to pay tribute to a fan named Nael, who gave Müller some kind words about the effect of The Offline’s music had on him.

New Video: Brainstory Shares a Woozy 70s-Inspired Visual for “XFaded,” an Ode To Getting Fucked Up

Brainstory‘s Leon Michels-produced sophomore album Sounds Good was released last month through renowned purveyors of soul, Big Crown Records

The album features the previously released:

  • Gift of Life,” a lush, old-school, Quiet Storm-like, show-topping ballad built around a shimmering and vibey arrangement featuring fluttering, ethereal flute paired with Kevin Martin’s emotive, falsetto croon and some incredibly catch hooks. While the song see the band pulling from classic soul, psych soul and dub in a way that sounds like it could been released sometime between 1968-1974, “Gift of Life,” manages to feel remarkably modern. 
  • Listen,” a classic, two-step inducing groove-driven song with shimmering analog synths, an overdrive-fueled guitar solo paired with some dreamy falsetto melodies and harmonies that sounds — to me, at least — as though it could have been been a Mandrill or Isley Brothers B side. The song sees the band’s Kevin Martin encouraging the listener to spend some time enjoying the present moment, because life’s all too short and remarkably fleeting 
  • Peach Optimo,” a slow-burning and summery bit of psych soul anchored around a strutting and wobbling bass line, glistening keys, some funky drum rhythm patterns and an expressive guitar solo paired with some retro-futuristic synths. Seemingly channelling JOVM mainstays Mildlife and L’Eclair, sees the trio diving into the banality and simple pleasures of teenaged suburban life — full of the nostalgia of cul-de-sac hangs and bullshit sessions with the homies.

And Sounds Good‘s fifth and latest single “XFaded,” a strutting, hook-driven and funky psych soul jam anchored around an arrangement featuring skittering boom bap, a sinuous bass line and squiggling bursts of guitar. According to the trio, the song’s sound was partially inspired by what theft thought a modern day George Clinton/Parliament funk jam would sound like — and by small town life, where getting fucked up is an unofficial/official pastime because there isn’t much else to really do. The slick Leon Michels production paired with the band’s razor sharp yet seemingly effortless performance ironically contrasts the notion of getting sloppy and fucked up but reveals the easy-going chemistry between the trio and producer. 

Directed and animated by J. Bonne, the animated video for “XFaded” is visually indebted to The BeatlesYellow Submarine, Fat Albert and Scooby Doo and follows the trio getting absolutely fucked up at a house party to wildly different results, including passing out with lit joint and drool rolling out of the corner of your mouth and almost starting a fire, desperately needing the wall to hold you up, but somehow failing and throwing up — or even hooking up with that pretty young thing that caught your eye. The video captures the wooziness of getting sloppily fucked up in a way that feels familiar to anyone who’s ever been sloppily fucked up at a party or in public.

New Audio: The Offline Shares Breezy and Summery “Les Cavaliers”

Felix Müller is a Hamburg-born and-based photographer, composer and creative mastermind behind the cinematic soul project The Offline. Müller can trace the origins of The Offline to his travels along the the Atlantic coastline of southern France with an analog camera, capturing beach life. Upon his return to Hamburg, he started writing song as the sonic counterpart to his visuals.

The German-born photographer and composer’s The Offline debut, En Clair-Obscur captured the essence of his trip while evoking a chilled out, summer soundtrack that sonically channeled the likes of Surprise Chef and Robohands.

Müller’s full-length debut, last year’s Timor Litzenberg co-produced La couleur de la mer was inspired by the work of Francois de Roubaix — and saw him creating a soundtrack to an imaginary film. The album’s material evoked images of manorial, fog-swept villas at the ocean’s edge, silhouetted sailing boats and cigar-chomping villains attempting to thwart the mission of the imaginary film’s hero. The album experimented with themes and atypical song structures, moving from dramatic cues to fragile romanticism while incorporating psychedelia, retro soul and hip-hop, inspired by and informed by his extensive record collection.

The Hamburg-based artist’s work has received airplay from BBC Radio 6, Rinse FM, Radio FIP and Jazz FM while amassing millions of streams. Building upon a growing profile, Müller’s first single of the year, “Les Cavaliers,” which continues Müller’s collaborations with Chris Hill (drums), Hans-Christian Stephan (flugelhorn) and Kimo Eiserback (flute) is a breezy and cinematic bit of 1970s AM radio soul anchored around a strutting, feel good groove reminiscent of Chicago and others, wah wah pedaled guitar and a regal flugelhorn melody. “Les Cavaliers” continues Müller’s ongoing homage to surf spots in southern France, and in some way, the song evokes the warm summer breeze, the smell and taste of salt and the laid-back vibes of a sun-kissed beach days.

“’Les Cavaliers’ pays tribute to the Aquitaine region of France, which has been a big influence on my music,” the German-born artist explains. “The track came about a few days after my debut album was released, capturing a moment of relief to turn the page on one chapter, yet anticipation of what will come.”