Category: World Music

Video by William Ruben Helms

New Video: Marie Céleste Shares Surreal and Dream-like Visual for Ethereal and Yearning “2 goélands”

Rising Montréal-based quintet Marie Céleste — Simon Duchesne (vocals, guitar), Philippe Plourde (keys), Olivier Tremblay (bass, vocals), Zachary Tremblay (guitar) and Guillaume Sliger (drums) — can trace their origins back to when the band’s members where high schoolers in Alma, QC during the 2010s. The French Canadian quintet’s sound draws from the diverse influences of its members blending elements of folk, indie pop, art rock, electronic music and world music.

For years, the quintet was content with playing just one show a year. Their songs — shaped by progressive rock roots — often stretched to ten minutes or more. But when they relocated to Montréal back in 2023, the band decided it was time to level up. Initially, the goal was simple: earn enough to cover their rehearsal space. Montréal proved to be much more than a backdrop — it became a catalyst for the quintet.

Canada’s second largest city has one of world’s more eclectic and vibrant music scenes. Immersed in their adopted hometown’s scene, they met a collection of musicians and set their sights on playing Les Francouvertes, a pivotal showcase festival that would end up changing everything for the band: Local tastemaker label Bravo Musique discovered their radiant, joy-tinged tape on prog pop, which at this point was much more refined and focused.

Last year was a breakthrough year for the French Canadian quintet: Bravo Musique released their debut, Feux de joie, which amassed over 800,000 Spotify streams, was supposed with a EP release show at La Sala Rossa and a few months later, a sold-out show at Fairmount Theatre.

Feux de joie‘s highly-anticipated follow up, the Amaury Pluvinage-produced Tout ce qui brille is slated for a March 13, 2026 release through Bravo Musique. The French Canadian quintet’s forthcoming sophomore effort will reportedly feature material that sees the band pushing their sound in new directions while anchored around a seamless fusion of acoustic and electronic textures. Thematically, Tout ce qui brille will celebrate human connection, the relationships that shape and sustain us, and the joy and vulnerability that come from being seen and held by others. The result is an album that radiates with warmth, friendship, community — and much more importantly, healing.

Tout ce qui brille‘s second and latest single, “2 goélands” is a broodingly meditative track featuring gentle layers of twinkling keys and atmospheric synths, stuttering drum patterns serving as a lush and dreamy bed for Simon Duchesne’s yearning delivery. Evoking the sight of soaring seagulls by the shore, “2 goélands” seemingly channels Cloud Castle Lake‘s gorgeous and cinematic 2018 effort Malingerer and Amnesiac-era Radiohead.

Lyrically, the song explores a relationship that has been damaged somehow but not irrevocably so; it’s a relationship that can be repaired, if both sides truly want that relationship to work and can see past their disagreement — or their current impasse.

Directed by Félix Simard-Tanguay, and set in suburban Quebec, the accompanying video for “2 goélands” features the members of Marie Céleste in surreal, dream-like scenarios that evoke and emphasize the song’s thematic concern of relationships on the brink — but eventually the disputes are settled with a handshake.

Video by William Ruben Helms

Throwback: Happy Belated 60th Birthday, Sen Dog!

JOVM’s William Ruben Helms belatedly celebrates Sen Dog’s 60th birthday.

Single Review by William Ruben Helms

New Audio: DJ Rukhlove Shares Mind-Bending “Echoes of the Cosmic Tuaregs”

DJ Rukhlove is a mysterious and emerging Spanish electronic music artist and producer, who has been busily and prolifically releasing material over the course of the past year or so.

Earlier this year, the Spanish producer released the LutchamaK and Kraftwerk-like “Zara To Astra.”  His latest single “Echoes of the Cosmic Tuaregs,” is a slickly produced, mind-bending mesh of progressive house featuring glistening and arpeggiated synths and driving groove with live instrumentation, including guitar, violin and duduk. The result is something that’s accessible and club friendly yet evokes something timeless, like a desert caravan traveling under the stars — to a rave.

Video by William Ruben Helms

New Video: JOVM Mainstay Alewya Teams Up with Dagmawit Ameha on Sultry and Propulsive “Night Drive”

JOVM mainstay Alewya is an acclaimed London-based singer/songwriter, producer and visual artist. Born in Saudi Arabia to an Egyptian-Sudanese father and an Ethiopian mother, the acclaimed London-based artist has spent her life surrounded by diaspora immigrant communities: She grew up in West London and after a several year stint in New York, she returned to London. Upon her return home, the Saudi-British artist developed and honed her ear for music through the sounds of the Ethiopian and Arabic music of her parents and the ambient alternative rock album of her brother.

The Saudi-born, British artist is part of a generation of artists actively redefining global music: They’re generally rooted in heritage yet unbound by it. Describing herself as a partner, who makes music, Aleway approaches sound as texture and feeling, guided more by intuition than structure. Her sound and story widen the Black-British frame, bringing the oft-under-heard North/East African perspective into a much-needed focus.

Back in 2020, the JOVM mainstay burst into the scene with an attention grabbing feature on Little Simz‘s “where’s my lighter,” which caught the attention of Because Records, who signed the rising artist and released her critically applauded debut, 2021’s Panther In Mode EP, which featured:

  •  The Busy Twist-produced debut single “Sweating,” a forward-thinking Timbaland-like mesh of trap, reggae and electro pop. 

  • “Spirit_X,” which paired elements of Timbaland, trap and drum ‘n’ bass paired with the rising British artist alternating between spitting fiery bars and sultry crooning

  • The sultry and defiantly feminist anthem “Play” 

  • “Channel High” a slick synthesis of grime, contemporary R&B, dancehall, electro pop and Afrobeats

The acclaimed JOVM mainstay’s latest single “Night Drive,” feat. Dagmawit Ameha is the first bit of new material in over three years. The new single sees the acclaimed Saudi-British artist boldly stepping forward into a new creative era and way of life.

“Night Drive,” is a lush, slickly produced, futuristic-leaning blend of 80s and 90s Detroit and Chicago house, minimalist beats, alt R&B, Ethiopian music, Afrobeats and komische musik with a playful and naughty nod to Grace Jones’ “Pull Up To The Bumper.”

Written and demoed by Alesha before being fleshed out and brought to live with long-time collaborators Craigie Dodds and Dean Barratt, “Night Drive” began as a minimal and intuitive feeling that evolved into an ode to Detroit house and the roots of Black electronic music.

Directed by Taichi Kimura, the accompanying video for “Night Drive” was shot during a recent, deeply influential trip to Japan, the video is a fever dream that follows the acclaimed JOVM mainstay through the heady, late night buzz of a neon-lit city, the backseat of a speeding cab and the sweaty pulse of a packed dance floor.

Single Review by William Ruben Helms

New Audio: JOVM Mainstay Thaïs Shares Bold, Uptempo Rework of “MTL-Paris”

Rising Paris-born, Montréal-based singer/songwriter and JOVM mainstay Thaïs has received attention across the Francophone music world and elsewhere for an atmospheric and delicate pop sound, which perfectly compliments her ethereal delivery.

2022 was a breakthrough year for the JOVM mainstay: She signed with Bravo Musique, who released her highly anticipated full-length debut, Tout est parfait. The following years have been busy for the rising French Canadian artist: She has opened for KYO, M, Arianne Moffatt, Dumas and Suzane while working on her Blaise Borboën and Thaïs co-produced sophomore album Personne, which was released earlier this year.

Described by the JOVM mainstay as “extroverted music for introverts,” Personne‘s material are energetic tracks that are meant to lead towards self-affirmation while allowing listeners to delve deeper into her universe. The album features “Taxi,” a slickly produced, dance floor friendly bop that to my years, sounds as though it were inspired by the likes of Robyn.

The Paris-born, Montréal-based JOVM mainstay recently reworked album single “MTL-Paris.” The album version is simultaneously atmospheric and introspective before slowly morphing into much more dance floor territory, seemingly reflecting a narrator, who’s growing in self-assuredness and confidence. “MTL-Paris V2” is a much more upbeat, dance floor friendly bop from the jump, turning the song from a tale of growing confidence, to one of boldly liberating oneself — with the realization that you’ve only got one life to live.

For the JOVM mainstay, reworking her own work is a creative exercise that allows her to reveal other possible, sometimes even latent facets to her material — all while retaining the “extroverted music for introverts” concept of the album.

Single Review by William Ruben Helms

New Audio: Mariachi El Bronx Shares Swooning “Forgive or Forget”

Started back in 2008 as both a side project and creative experiment for the members of Los Angeles-based punk rock The Bronx, Mariachi El Bronx — Matt Caughthran (vocals), Joby J. Ford (guitar, vihuela, accordion), Jared Shavelson (drums), Keith Douglas (trumpet), Ray Suen (violin), Brad Magers (trumpet), Ken Horne (jarana), and Vincent Hidalgo (guitarrón)– has long been deeply rooted in their deep connection to the Hispanic music and culture of their hometown. Although seemingly different, the and doesn’t see punk and mariachi as mutually exclusive. Instead, they view both genres as spiritually entwined forces anchored in resilient storytelling. “Punk rock and mariachi music are very similar in soul,” The Bronx’s and Mariachi El Bronx’s Matt Caughthran says. “It’s working class music. It’s real music.”

Despite almost two decades of success, that has included sharing stages with Foo Fighters and The Killers; sets across the global festival circuit, including Coachella and Glastonbury; performances on Late Show with David Letterman to NPR’s Tiny Desk; and theme songs for shows like Weeds and Aqua Teen Hunger Force, the members of Mariachi El Bronx still consider themselves lifelong students of the art form. That reverence carries over to their charro suits, which often attract as much attention as the music itself. The band has long turned to Boyle Heights-based Casa del Mariachi, a historic Los Angeles area landmark, where Jorge “Mr. George” Tello has been handcrafting the traditional suits for over 50 years. “This band has always been about learning and exchanging culture through music and art,” says Caughthran. “That’s what it’s all about! Everything we do comes from the heart and soul.”

Mariachi El Bronx’s long-awaited fourth album, the John Avila-produced Mariachi El Bronx IV is slated for a February 13, 2026 release through ATO Records. The album, which is the first album from the project in a decade, sees the trailblazing alter-egos of The Bronx continuing to embody the same ethos that sparked their creation — honoring the rich Hispanic music and culture that has always surrounded them in their hometown, while pushing creative boundaries.

Clashing emotions of profound loss and overwhelming love shaped the album’s themes. The songwriting “started as a battle between love and death but became a way to process all the chaos of the world,” Caughthtran explains. Throughout the run of the album’s 12-tracks, the band documents the stories of gamblers, former playboys, warriors and lovers — characters that became vessels for the specific pressures of modern life.

Returning after a decade away felt “joyous and familiar from the jump,” the band’s Joby J. Ford says. But the album’s recording process proved to be much more complex than expected. Within the year that he began writing the album’s lyrics, Caughthran contended with the deaths of several loved ones. And as they tracked the album’s material at producer John Avila’s San Gabriel Valley studio, the Eaton Canyon wildfires blazed across East L.A. “We came out of the studio one night, the entire side of the hill was just on fire,” Ford recalls.

While dealing with grief in his personal life and within Los Angeles, Caughthran also got married in the same year. All of these very profoundly human experiences and feelings have informed what may arguably be Mariachi El Bronx’s most emotionally resonate work to date.

Mariachi El Bronx IV’s first single, album opener “Forgive or Forget” features violinist Ray Suen on a swooning and galloping track that captures the nostalgia, bitter heartache, the longing to forget that heartache, and the desire to move forward with a seemingly booze-tinged haze. Fittingly, the song is rooted in a complicated and uneasy mix of despair and hope that feels lived-in and familiar.

Single Review by William Ruben Helms

New Audio: Frais Dispo Returns with Strutting Yet Meditative “Habitat”

Montréal-based indie rock outfit Frais Dispo — Élie Raymond (guitar, vocals), Antoine Lévesque-Roy (bass), Thomas Bruneau Faubert (trombone, synths), Charles Primeau (guitar) and Antoine Gallois (drums) — is simultaneously a rebrand and a markedly radical direction for its members, who first gained attention across both Quebec and Canada as Foreign Diplomats. As Frais Dispo, the Montréal-based outfit have adopted a much more collaborative songwriting approach with lyrics written and sung completely in French.

2023’s Teinte, the newly rebranded band’s full-length debut and last year’s Les teints du ciel n’ont aucun sens EP found Frais Dispo quickly and firmly establishing a markedly new sonic direction with their sound drawing much more alt-country, folk and indie rock.

Building upon the attention that Teinte and Les tients du ciel n’int aucun sens EP received in the Francophone world, the Montréal-based outfit’s highly-anticipated sophomore album is slated for a 2026 release through Audiogram. The album will feature, the gorgeous, psych country-meets-Laurel Canyon-like “Dire je t’aime au téléphone,” “Mes amis m’haïssent,” and the album’s third and latest single “Habitat.”

Frais Dispo’s forthcoming sophomore album sees the band adopting a more laid-back, spontaneous songwriting approach throughout the entire creative process. The album’s tracks were recorded live to make the songs live and breathe — and to help create a much more organic sound. As “Dire je t’aime au téléphone” ends, you hear a bit of murmured voices, laughter, and a brief sigh and a phone ringing, which gives the listener a sense of being in the studio with the band — and a real warm, imperfect, human element. By working this way, the band wanted to focus more on the emotions at the core of the material rather than the technique, all while capturing the buzzy euphoria of the first studio recordings. 

“Habitat,” which features a sample of a Polish song, ambient sounds and vocals is arguably the most groovy, most exploratory and most jam-like song that the band has released from the album to date. Anchored around a strutting groove, a looping guitar figure and a four-on-the-four-like drum pattern, before ending in a cacophony of chiming guitars and feedback, “Habitat” features the band’s Élie Raymond singing lyrics that thematically touch on the idea of settling down and settling in, of the need for security, a desire for mundanity and repetition — while making references to Micheal DeForge’s graphic novel Birds of Maine.

The song came about spontaneously at the end of their sophomore album’s writing process, when the band believed that they had completed the album. They worked from a guitar riff that Charles Primeau created with Raymond, Gallois, Lévesque-Roy and Bruneau Faubert improvising around those initial chords, managing to layer parts over one another. “We’ve been playing together for a long time, we always manage to find a symbiosis,” explains Élie Raymond.

Video by William Ruben Helms

New Video: Hop! Hop! Diablo Funk Share Joyous and Funky “Bailas como un diablo”

Since forming back in 2014, Mexican outfit Hop! Hop! Diablo Funk — Jud (vocal) MC Rita (guitar), Coros Perico (guitar), Coros Damien (drums), Jona (trumpet), Bajo Hector (trumpet), Eli (sax), Dyanata (trombone) — have stood out for crafting a sound that draws from rock, funk and several other genres paired with lyrics that address every day life situations, social issues and more.

While making their rounds of their national festival circuit with sets at La Fiesta de la Música, Rock x la Vida, Vibra Chapultepec, Zocalo, Hop! Hop! Diablo Funk, the band has also established a reputation for a dynamic and fun live set.

Hop! Hop! Diablo Funk’s latest single “Bailas como un diablo” is an ecstatic, nostalgia-including song that channels a seamless synthesis of 80s Gloria Estefan and the Miami Sound Machine and 70s disco while showcasing a band that can craft a dance floor friendly groove and a remarkably catchy hook.

Look, shit is bleak right now. And it’s going to get dire — soon. This song is a much-needed joy bomb, a reminder that everyone has to grab hold of a bit of fun whenever and however they could. It’s the only way that you’ll be able to survive.

FYI: For those who are sensitive to strobe light, the accompanying video features flashing lights. Besides that the video features the band — fittingly — playing on a flashing Saturday Night Fever-inspired stage with a disco ball just above them.

New Audio by William Ruben Helms

New Audio: Vendredi Sur Mer Shares Atmospheric, Hook-Driven “Si t’étais là”

With the release of her first two albums, 2019’s Premiers émois and 2022’s Metámorphose, rising Swiss singer/songwriter and photographer and Vendredi Sur Mer creative mastermind Charline Mignot quickly established a cinematic sound that features elements of synth pop, French chanson and 80s pop with retro-styled beats paired with her ethereal yet sultry delivery. Thematically her work frequently touches upon romance, sensuality and introspection.

Balancing nostalgia with a modern sensibility, the Swiss artist has won over fans globally through the release of songs like “Écoute Chérie,” “La femme à peau bleue” and “Les filles désirs.” Adding to a rapidly growing profile, she often accompanies her music with mesmerizing visuals.

Mignot’s third Vendredi Sur Mer album, Malabar Princess was released earlier this year to critical acclaim. The album, which features “Arrêter le temps,” feat. Sofiane Pamart; album title track “Malabar Princess;” “Hard,” feat. Hanni El Khatib and “Tout rèsonne” can trace its origins to a writing residency in Montréal and marks a return to the softness and nostalgia of her earlier work. Thematically, the album is nostalgic return to the mountain landscapes of her youth — and a deeper search for self.

Sam Tiba and new collaborators Adrien Gallo and Owlle helped to guide and inform the material’s more organic, intimate sound. The end result is an achingly sincere effort that sees the rising Swiss artist revealing herself fully to the world.

Mignot will be embarking on an 11-date North American tour this upcoming March. The tour includes a March 6, 2026 stop at Elsewhere. You can check out all of her tour dates for the rest of the 2025 and early 2026 below.

But in the meantime, y’all, the rising Swiss artist shares her latest single, the standalone track “Si t’étais là.” Anchored around shimmering, atmospheric synths, propulsive four-on-the-floor, a supple bass line and subtle bursts of twangy guitar, the cinematic and hook-driven production is simultaneously nostalgic yet contemporary, while being a dreamy bed for Mignot’s breathy, mesmerizing cooing.

Video by William Ruben Helms

Live Footage: Blue Moon Marquee and Northern Cree Performing “Rollin’ and Tumblin'” at JunoFest ’25

Over the course of four albums, 2016’s Gypsy Blues, 2019’s Bare Knuckles & Brawn, 2022’s Scream, Holler & Howl and last year’s New Orleans Sessions, the acclaimed Duncan, BC-based duo Blue Moon Marquee — A.W. Cardinal and Jasmine Colette — have firmly established a unique sound that meshes elements of the blues, jazz, jump jive, folk, country, swing and Indigenous soul — without anything sounding out of step. Thematically their work often touches on the underbelly of society, woven with elements of Indigenous storytelling and poetic cadence.

For a lot of folks the traditional powwow music of Turtle Island may not immediately come to mind as sonically syncing up with the aching wail of Mississippi Delta blues. That is until you remember their shared rhythmic structure — a steady, simple, heavy and propulsive pulse that seems older than time itself.

Blue Moon Marquee’s AW Cardinal and Jasmine Colette were reminded of this connection while watching the documentary Rumble: The Indians Who Rocked the World, which featured a segment with Tuscarora/Taino activist and singer/songwriter Pura Fé singing along to a recording by legendary bluesman Charley Patton. The clip helped the band’s Cardinal connect the dots between his Woodland Cree heritage and his love of the blues.

At last year’s Juno Awards ceremonies in Halifax, NS, the duo and Northern Cree‘s Joel Wood celebrated wins for Scream, Holler & Howl and Sing. Pray. Love., respectively and agreed to collaborate. The result is the recently released Get Your Feathers Ready, a unique collaboration between Blue Moon Marquee and the 9-time Grammy Award-nominated powwow and Round Dance group.

After the two acclaimed groups got together to run through songs during an afternoon near Maskwacis, AB, the album’s material was recorded in a breakneck eight-hour recording session the following day, live off the floor.

For Blue Moon Marquee’s Cardinal, the recording sessions were both a dream and a homecoming: He’s from the same region of Canada as Northern Cree — Treaty Six Territory, which comprises large portions of Alberta and Saskatchewan — and he’s a longtime fan. Cardinal, who grew up in Rocky Mountain House, AB carefully guarded his Indigenous identity to avoid trouble, but the new album is the result of a steady transformation and proud acknowledgment of his identity. “Over the years, through music and meeting Northern Cree, it’s given me strength and pride in who I am and that side of my culture,” Cardinal says. 

“As a child I attended powwows but lived in town—I wasn’t immersed in the culture,” Cardinal says. “So to be able to be part of something like this is an incredibly soul-nourishing opportunity. It was one of the most fulfilling musical and spiritual experiences I’ve ever had. I’ve devoted my life to music, and the best way for me to get in touch with my roots is through song—Get Your Feathers Ready is the sound of that full circle moment.”

For both groups making music together and bridging the slim gap between two long-running and profoundly spiritual traditions as providing fertile ground for transformation — to help one see themself, not just as an individual, but part of a human lineage that extends millennia and held together by the timeless and ancient alchemy of the drum.

Album single “Rollin’ & Tumblin'” perfectly encapsulates the album’s timeless groove and deeply spiritual sound and approach in a way that not just makes inherent sense but is profoundly moving.

The live footage was shot at Vancouver’s Hollywood Theatre during their JunoFest ’25 set earlier this year.

Video by William Ruben Helms

Throwback: Happy 101st Birthday, Celia Cruz!

JOVM’s William Ruben Helms celebrates the 101st anniversary of the birth of the legendary Celia Cruz.