New Audio: Australian Psych Rock Quintet Beaches Releases a Trippy and Forceful New Single

Comprised of Antonia Sellbach (guitar, vocals), Alison Bolger (guitar, vocals), Ali McCann (guitar vocals), Gil Tucker (bass, vocals) and Karla Way (drums, vocals), the Melbourne, Australia-based psych rock quintet Beaches formed in 2007, and since their formation the band has toured extensively both across Australia and the US, developing a reputation for trancelike live shows and critically applauded recordings that found the band’s sound drawing from psych rock, shoegaze, prog rock and krautrock and others; in fact, the quintet’s 2008 self-titled debut and 2013’s sophomore effort She Beats were shortlisted for the Australian Music Prize. Their self-titled debut was included in John O’Donnell’s, Toby Creswell’s and Craig Mathieson’s 100 Best Australian Albums and received praise from internationally recognized outlets including Pitchfork, Stereogum, Gorilla Vs BearSpin Magazine, and others.

The band’s forthcoming full-length effort, Second of Spring is slated for a September 8, 2017 release through Chapter Records and the album is a double LP, the first double LP released by an individual artist/band in the renowned Australian label’s history.  Recorded in their hometown of Melbourne with producer/engineer John Lee, who has worked with Totally Mild and Lost Animal, mastered by David Walker and features artwork from the band’s Ali McCann and design by artist Darren Sylvester.

Reportedly, the band’s forthcoming full-length effort finds the band expanding upon the sound that won them international attention while focusing on an extensive, jam-like feel. Second of Spring‘s first single features layers of buzzing power chords paired with a forceful a motorik groove, and anthemic hook — creating a song that sounds as though it drew influence by The Breeders Last Splash,” Liz Phair‘s “Supernova” and others but with a swirling, lysergic feel; but as the band’s Ali McCann explains to the folks at Vice Noisey “‘Void’ is a conversation between two people, who discuss a prolonged absence, a temporary disappearance into a space of emptiness. We wrote ‘Void’ in our rehearsal space in Reservoir (Melbourne) during a prolific period of songwriting. It was produced by John Lee (Phaedra Studios), who also plays synthesiser on this track. Karla and I are on vocals. There is a restrained interaction between them, tempered by the motorik drive of the instrumentation.”