Deriving their name from a playful, Anglophile nod towards the famed physicist Issac Newton, the Paris-based electro pop act Isaac Delusion — founding members and creative core Loïc Fleury (vocals, guitar) and Jules Paco (keys) — was formed back in 2010. With the release of 2014’s self-titled debut effort, the act received attention for a sound and approach that meshed the acoustic instrumentation with a bold use of electronics — while nodding a bit at dream pop.
The duo then toured exclusively across France and the rest of the European Union to support their full-length debut. Interestingly, 2017’s sophomore effort Rust & Gold found the duo’s sound shifting from the ethereal and atmospheric dream pop of its immediate predecessor with the material focusing on tangible emotions, soulful rhythms and insightful observations on one and the human condition.
The Paris-based electro pop’s first two albums have managed to amass over 500,000 Spotify streams a month. Building upon a rapidly growing profile across their native France and elsewhere, the act played Pitchfork Paris, as well as sold-out headlining shows at venues like L’Olympia and Elysee Montmarte.
Microqlima Records released the French duo’s third album uplifters last year. Thematically, the album was centered around misplaced nostalgia for one’s long-passed youth, As a result the album’s material is imbued with a longing for the freedom, simplicity and unguarded honesty of their younger selves — and regret for the missed opportunities you can never get back. And much like its predecessors, uplifters‘ material was written and sung primarily in English with a handful of songs written and sung in their native French.
Album single “pas l’habitude” was one of the few album tracks written and sung in French. While the song is a breezy synth pop song, centered around shimmering synth arpeggios, plaintive and dreamy vocals, a sinuous bass line and an infectious hook — but the song’s breezy and easygoing nature is superficial: the song is actually an achingly bittersweet ode to the proverbial loss of innocence and getting older. Life and its ambiguity after all, will break your heart countless times over. It’s up to you to pick up the pieces and move forward.
Franc Moody is a London-based electro pop collective, centered around its core duo and creative masterminds Ned and Jon. Jon comes from a family of classical musicians and as result, he grew up surrounded by oboes, cellos and violins. Ned grew up listening to the music that his parents played on car trips — classic soul, 50s/60s New Orleans music, Chuck Berry, Little Richard and Eddie Cochran. “I loved the melody and the groove of that music, but I think really I loved the energy of it as well,” Ned explains in press notes.
The London-based collective’s core duo met when they ere part of a a collection of bands and musicians, who took over an abandoned warehouse in North London back in 2014. “It was called the Arch,” Jon recalls. “When we moved in, it was bare bones concrete walls. A horrible place basically. We built these two analogue recording studios. There were old microphones, hammered organs, and beaten up guitar amps. It was quite craggy.”
The Arch quickly became known for raucous and packed live shows and parties that went well into the night, with live bands frequently getting on around 3am. We’ve all been to similar parties: there’s no bouncer, one port-a-potty with a line of being desperately waiting to pee but the vibe is amazing. Interestingly, Ned and Jon cut their teeth as live musicians in that environment. “We learned to love performing music that made people dance, in the same way those old funk and soul artists used to,” Ned explains. “In fact, what we were doing at the warehouse was sort of in a similar tradition to the Zydeco sessions and crawfish boils around South Louisiana, purely focused around dancing. It was quite simple.”
Franc Moody started in earnest when the duo moved out of The Arch and began to focus on a project that meshed their various influenced. No longer living in the warehouse, they struggled to find a space big enough to fit a drum kit. Instead, they stated programming drums and an electronic aesthetic began to permeate through their older influences.
Their debut effort, 2016’s self-titled EP consisted of a series of Giorgio Moroder-like instruments; but their breakthrough single, the critically applauded “Dopamine” found the band truly establishing their sound: a disco-tinged sound that was subtly indebted to Prince. Building upon a growing profile, the duo released their sophomore EP, 2018’s Dance Moves which eventually amassed over 20 million streams.
They’ve also developed a mesmerizing live sound, inspired by the warehouse rave scene that they came up in — and those live shows find them surrounded by a cast of collaborators and friends as their backing band. In fact, they’ve opened for Friendly Fires and a number of other acts. Recently, the London-based electro pop collective remixed “pas l’habitude.” And while they retain Loïc Fleury’s achingly plaintive French vocals, they turn the song into Random Access Memories-era Daft Punk like club banger, centered around a sinuous bass line, shimmering synth arpeggios and four on the floor drum programming.