True Loves is a rising Seattle-based instrumental soul outfit that can trace its origins to a jam session back in 2014 between three of the city’s best players — David McGraw (drums), Bryant Moore (bass) and Delvon Lamarr Organ Trio‘s Jimmy James (guitar). Since then, the band has expanded into a globalized unit with the addition of Iván Galvez (percussionist), Odesza‘s, Monophonics‘ and Polyrhythmics Jason Cressey (trombone), Mackelmore‘s Greg Kramer (trombone), Gordon Brown (sax) and the acclaimed Skerik (sax). The band has developed a reputation as a must-see live act locally — and they’ve amassed millions of streams on YouTube.
The act’s full-length debut, 2017’s Famous Last Words received praise locally and as a result, the act landed sets at a number of regional festivals including Sasquatch, Doe Bay and Upstream. The members of the Seattle-based act followed the release of their full-length debut, with a handful of singles including 2018’s “Dapper Derp”/”Kabuki” 45RPM single and 2019’s “Famous Last Words”/”Mary Pop Poppins” 45RPM single.
The Seattle-based group’s highly-anticipated sophomore album Sunday Afternoon is a sort of soundtrack for a Sunday afternoon block party that brings the entire neighborhood out. Co-written by Greg Kramer and Bryant Moore with the intention of writing classic using just four chords, Sunday Afternoon‘s fourth and latest single “Yard Byrds” is a slow-burning G funk-like pimp strut, centered around a regal horn melody, a sinuous bass line, shimmering guitars, fluttering flute and a steady yet propulsive beat. Every time I’ve played this song, I’ve closed my eyes and pictured myself strutting and flossing down the street, as you head to the block party or the swap meet.