Tag: ODESZA

Slow Magic is a mysterious and masked electronic producer and electronic music artist, who has garnered both critical and commercial success with the release of his first three albums — 2012’s Triangle, 2014’s How to Run Away and 2017’s Float have managed to amass over 200 million streams globally. Adding to a growing profile nationally and internationally, the masked producer and electronic music artist has toured with ODESZA, Giraffage and XXYYXX — and has released critically applauded remixes of the work of ODESZA, Gold Panda and Delorean. 2018 saw Slow Magic play a set at Coachella, which he followed up with a North American tour with shallou and a headlining European tour.

Earlier this year, Slow Magic released the Closer 2 U EP, an effort which was released to praise fray the likes of NPR, NAKID Magazine, Dancing Astronaut, This Song is Sick, and a long of list of others. Featuring collaborations with shallou, Manila Killa, Woven in Hiatus and others, the EP found the mysterious producer and electronic music artist firmly establishing himself as a go-to collaborator, and as a rising talent and tastemaker in the electronic music world. Building upon the momentum he earned with Closer 2 U EP, the acclaimed masked producer fourth album it’s the end of the world, but it’s ok is slated for a December 9, 2020 release through Moving Castle.

Thematically, it’s the end of the world, but it’s ok explores and touches upon uncertainty, community, resilience and communication — all things that have been a part of our daily lives in some fashion or another over the past seven months or so. The album’s first single is the upbeat anthem “Carry On.” Centered around several layers of lushly shimmering and arpeggiated synths, stuttering beats, euphoria-inducing drops and an enormous hook,. the track which features guest vocals from Paperwhite has a much-needed and uplifting message (and reminder) to listeners: look inward, calm yourself and love yourself, look towards building a brighter, better future — and find solace in carrying on to the best of your ability.

“‘Carry On’ came from a session with Katie Marshall from Paperwhite and Jeremy Silver in 2019,” Slow Magic explains in press nots. “Coincidentally enough, the concept I was working on at the time for it’s the end of the world, but it’s ok, was a post-apocalyptic narrative where the focus was on getting through it and striving toward what was ahead. I had no idea the lyrics we came up with that day would ring so true in 2020. The line ‘If the stars burn out tonight we’re gonna carry on’ really echoes what I see happening all around the world right now amid such crazy times: people are carrying on with their lives and it is beautiful to see.” 

“’Carry On’ came together quickly on a summer day in LA where Slow Magic and I just happened to both be visiting,” Paperwhite recalls. “It was one of those songs that unfolded easily within our first hour of writing. I’m thrilled to see how Slow Magic explored our idea and gave it new life.” 

Slow Magic · Closer 2 U (feat. Manila Killa)

Slow Magic is a mysterious and masked electronic producer and electronics music artist, whose work, which includes 2012’s Triangle, 2014’s How to Run Away and 2017’s Float has amassed over 200 million streams globally. Adding to a rapidly rising profile, the mysterious producer and electronic music artist has toured with the likes of ODESZA, Giraffage and XXYYXX — and has released critically applauded remixes of the work of ODESZA, Gold Panda and Delorean. 2018 saw Slow Magic play a set at Coachella, which he followed up with a North American tour with shallou and a headlining European tour.

The masked electronic music artist and producer’s latest effort Closer 2 U EP, which features the critically applauded single “Somewhere,” a collaboration with shallou and Woven in Hiatus is slated for release later this month. The EP’s latest single, EP title track “Closer 2 U” is a euphoric collaboration with Manilla Killa that’s centered around shimmering synth arpeggios, stuttering tweeter and woofer rocking beats, twinkling keys and chopped up yet otherworldly vocals. Sonically bearing a resemblance to Octo Octa‘s Between Two Selves, “Closer 2 U” is a slick and seamless synthesis of each producer’s sound that manages to evoke a familiar aching yearning for connection that we all have felt during COVID-19 pandemic-related quarantines and lockdowns.

“’Closer 2 U’ represents the difficulties of distance and the importance of connection,” Slow Magic explains in press notes. “I want this EP to encourage and inspire people to reach out to the ones they care about in a time where we are all feeling distant.”

“I have been following and admiring Manila Killa’s music for a long time,” the masked producer and electronic producer continues. “Last year, we met up in LA and clicked collaboratively. I think it is always great to be in the same room and bounce ideas off of each other when collaborating but ‘Closer 2 U’ ended up being the opposite of that. We just sent versions back and forth on email and made it happen. More than ever, it’s important to remember the power of connecting that we have at our fingertips online.”

Over the past couple of years of this site’s nearly nine-year history, I’ve written quite a bit about Blonde Maze, the solo recording project of New York-based electronic music artist, producer and singer/songwriter Amanda Steckler. Now, as you may recall Steckler has received attention across the blogosphere for crafting slickly produced, atmospheric synth pop centered by lyrics that give her material an earnest and swooning romanticism.

Interestingly, over the past year or so, the JOVM mainstay has been collaborating with a number of both established and up-and-coming electronic music producers —  including the Iowa City, IA-born, Duluth, MN-based electronic music artist and producer Kyle Stern. best known as Attom.  As the story goes, Stern quietly sharpened and honed his production skills while earning a degree in Informatics from the University of Iowa. After relocating to Duluth, Stern won remix competitions for Parade of Lights‘ “Golden” and Chromeo’s “Jealous.” Building upon a growing reputation, Stern’s first single “Glow” was picked up on the MrSuicideSheep YouTube channel and officially released on the Big Beat Ignition Miami 2015 Playlist, which he promptly followed up with “Cruise,” a track that was released through MrSuicideSheep’s Seeking Blue Records. Adding to a growing profile, Stern won a remix contest for Odesza’s “White Lies,” which led to his first ever live set at Bonnaroo Music Festival. Since then, Stern has released “Her,” which amassed over 500,000 steams across each of the streaming platforms and “Stay,” which amassed 300,000 streams in under a month.

Interestingly, Steckler and Stern’s latest single, the euphoric “Anywhere”  is a seamless synthesis of the duo’s individual sounds and aesthetic as Steckler’s aching and ethereal vocals are paired with a slick production centered around arpeggiated keys, shimmering synths, tweeter and woofer rocking beats, chopped up vocal samples and a soaring hook. Unsurprisingly, the song continues a run of swooning singles by the JOVM mainstay that accurately evoke the feelings of being ridiculously, passionately in love with someone — something that even the most cynical of us have felt. As Steckler explains in an email about the song, “It encompasses the euphoric feeling of being in love and the willingness to go lengths for someone even when you are struggling yourself. It portrays dreamy, upbeat, yet longing vibes, something we’ve both felt a mix of in our lives and know people can relate.”


 

 

Mark Dobson, the creative mastermind behind the British electronic music sensation Ambassadeurs has developed a reputation as a producer and electronic music artist for a sound that employs the use of samples that have been processed beyond recognition and that’s informed by dub, hip-hop, jazz, and drum ‘n’ bass. And as result of his signature sound and production style, Dobson has also become a go-to producer as he’s done work for a number of renowned labels including Tru Thoughts, Ninja Tune, Moshi Moshi, Fat Cat, Wah Wah 45s, Universal, and Rough Trade — all while heading his own label, Lost Tribe Records and releasing a number of free singles for his rapidly growing fanbase. (He currently has 35,000 followers and his singles on SoundCloud have exceeded over 7 million plays.)

Dobson has received airplay from several BBC Radio 1 personalities,  as well as praise from the likes of The Fader, Mixmag, Vice, i-D, Clash, XLR8R and others, and as a result he has opened for the likes of renowned artists such as  ODESZA, Machinedrum, The Gas Lamp Killer, Danny Brown, Gold Panda, Daedelus and Kelpe, had a 15 date co-headline tour across North America with Daktyl and played at festivals such as Hard Day Of The Dead, Brooklyn Electronic Music Festival, and The Sound You Need Festival.

2015 has been a rather busy and prolific year for the London-based electronic music artist and producer as his debut effort Patterns was released to critical praise earlier this year, along with a number of EPs. Building up on the increasing buzz and serving as a teaser for his forthcoming 2016 efforts, Dobson recently released his latest single “Halos,” which was written and recorded during a vacation in the country — and in some way that vacation has influenced the single’s sound as it is reportedly much more organic than his previously released work as layers of staccato synths are paired with skittering drum programming, swirling electronics and soulful vocal samples with warm bursts of strings and twinkling keys. Sonically, the song seems to be equally influenced by Peter Gabriel (think of “Shock the Monkey” and “Biko“) as it is by house music; as I listened to the song I was reminded of Octo Octa‘s Between Two Selves. In other words, the material manages to be atmospheric and melodic, while possessing a cinematic quality.